Blood Prism

I get that this is a low budget movie, but I wish they spent more of it on actors. While some of the cast performances are quite ok, the movie for me got ruined by overacting - all the forced eye-bulging, facial expressions that do not fit scenes and robotic delivering of text by main lead. Probably it was on purpose, but it just did not make much sense.

Lead actress is unique, story catches your attention and keeps it all the way through

I will credit this movie with being an interesting composition. If you watch R. O. T. O. R. Or Terror at Tenkiller enough times you see what the filmmakers are aiming at, and the director and lead actress really do have a something that they are going for.

I would be a liar if I said I did not enjoy the scenes that are only appropriate for adults. I'm human, all too human.

On the whole, I found myself walking alongside this story and getting the point.

It's an odd film Blood Prism, while most of the acting is of a poor quality I truly believe this is intentional due to the overwhelming positives this film contains in spades in other areas.

The lead actress delivers in my opinion a stunning performance that is so unbalanced yet essentially charming...robotic yet organic, it's truly something to behold, the other actors in the film fail to keep up with her, again maybe by design.

The horror elements are the strongest though and the director has a real ability to stage an atmospheric sequence, with great Argentoesque lighting in some scenes.

It also contains a compelling and atypical soundtrack...with some Lynchian elements...this extends to some of the dialogue to be fair.

I really liked this film although I was unsure if it was going to end well, it did better than most horror films.

A future indie horror cult classic.

An artist on a mission assembles materials for her first exhibition, but love intervenes.

Naive film-making that tells an interesting story. Even allowing for the shoe-string budget, it's hard to forgive the poor quality of production in the first half, particularly the editing, sound and picture quality. But I really liked the lead performance, which had a stilted frankness. The actress also relishes cavorting in the nude - a true exhibitionist, which suits the story.

The quality improves as our heroine slashes her way through her victims, who are marked by the apparition of a shadowy figure. The high point is a genuinely good scene involving a door-to-door gospeller, which contains true blasphemy and a blast of black humour.

The theme is purpose in life - or purposefulness - whether in art, in spirit, or in love. You reflect who you are, and hope others see themselves in the reflection. Does it come together in the end? Well, the soundtrack over the final scene is from the Napoleonic wars, so watch and find out.

The music is a real rattle-bag, ranging from Fur Elise to a bit of punk, with a lot of creative commons stuff in the credits. Sounded good to me.

Overall: Plenty of sex and violence, but more a refraction through the blood prism that is life than a horror.