IMDb RATING
4.7/10
8.5K
YOUR RATING
Ray must race to save his wife and himself from a gruesome secret connected to a desert hotel.Ray must race to save his wife and himself from a gruesome secret connected to a desert hotel.Ray must race to save his wife and himself from a gruesome secret connected to a desert hotel.
Kimmy Jimenez
- Becky
- (as Kimmy Hittelman)
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Oh Mr Cage you've done it again. I have no idea what Nicolas Cage's agent is smoking, but it must be strong stuff. I'm starting to think I was mistaken about Cage retaining his AAA star status but still doing independent/art films and think he might just have fallen from grace after all.
Yet another straight to DVD distinctly average thriller see's Cage play a man who alongside his wife has bought a motel. However things gradually start to seem amiss, as if something just isn't quite right about the place.
Also starring Robin "Prison Break" Tunney and Marc "Buffy the Vampire Slayer" Blucas it at least has a competent cast. I've always disliked Blucas but even he did a good job here so at least the movie has that going for it.
I was frustrated by the tone, frequently it has a real 1980's vibe about it but that comes and goes which seems like a weird call. The pacing is flawed, the script is hit and miss and nothing about Looking Glass exactly flows.
Points for effort certainly but the whole thing comes across rushed. If Cage wants to return to his former spot in Hollywood he needs to turn his back on movies like this once and for all.
The Good:
Robin Tunney
Interesting premise
The Bad:
Rushed finale
Nothing flows
Yet another straight to DVD distinctly average thriller see's Cage play a man who alongside his wife has bought a motel. However things gradually start to seem amiss, as if something just isn't quite right about the place.
Also starring Robin "Prison Break" Tunney and Marc "Buffy the Vampire Slayer" Blucas it at least has a competent cast. I've always disliked Blucas but even he did a good job here so at least the movie has that going for it.
I was frustrated by the tone, frequently it has a real 1980's vibe about it but that comes and goes which seems like a weird call. The pacing is flawed, the script is hit and miss and nothing about Looking Glass exactly flows.
Points for effort certainly but the whole thing comes across rushed. If Cage wants to return to his former spot in Hollywood he needs to turn his back on movies like this once and for all.
The Good:
Robin Tunney
Interesting premise
The Bad:
Rushed finale
Nothing flows
Why did they release this film? Despite Nicholas Cage being in it,the movie is blatantly incomplete.Its a turd. I was disturbed by the creepiness of the film but there were no explanations,no closure,not even a climactic revealing scene. When I saw it say "the end" i was confused.Did someone pull a hoax and release this movie incomplete? NOTHING is explained...i get it-some things are mystery and should be but wtf...this movie is one giant plothole.Its not worth watching unless you don't mind plotholes and well.lack of a plot...the biggest mystery is why this film was released.I've NEVER seen a movie with so many plotholes,misleading scenes seemingly deliberate..only to end abruptly as if the makers ran out of time.
Nothing anywhere near perfect, or even super logical, but I still enjoyed watching 'Looking Glass'.
It builds up the tension and darkness well, with the ghost town feel to everything. The cinematography, particularly the lighting, is rather nice. The premise and its execution, while intriguing, does have problems, but the two leads are fun to watch.
Nicolas Cage (Ray) and Robin Tunney (Maggie) make for a good pairing, both give satisfactory performances. Marc Blucas is, I thought anyway, pretty decent in his role as Howard; though the writing does let his character down. Other negatives for the film include the average music and crappy opening credits.
Overall though, I felt suitably entertained by this.
It builds up the tension and darkness well, with the ghost town feel to everything. The cinematography, particularly the lighting, is rather nice. The premise and its execution, while intriguing, does have problems, but the two leads are fun to watch.
Nicolas Cage (Ray) and Robin Tunney (Maggie) make for a good pairing, both give satisfactory performances. Marc Blucas is, I thought anyway, pretty decent in his role as Howard; though the writing does let his character down. Other negatives for the film include the average music and crappy opening credits.
Overall though, I felt suitably entertained by this.
There are few actors who alternate between commercial and personal projects- that "one for me, one for them" concept- more than Nicolas Cage. For every interesting, quality film he makes, like Michael Sarnoski's 'Pig,' there are ten others, lacking artistic merit or entertainment value. Forgettable actions films, like Dimitri Logothetis' 'Jiu Jitsu,' or mediocre melodramas like Maria Pulera's 'Between Worlds' litter Cage's filmography, outweighing the genuinely good films he stars in. However, even in the worst of his movies- those clearly made just for the paycheque- Cage is usually interesting to watch, and, more often than not, highly entertaining.
Unfortunately, this is not the case with Tim Hunter's overwhelmingly dull 'Looking Glass.' The film follows Ray and Maggie, a married couple suffering from the loss of their daughter. They purchase a motel in an isolated town in Arizona. One day, Ray discovers a secret underground hallway, leading to a two-way mirror, allowing him to see into one of the motel rooms and spy on the guests. As Ray becomes obsessed with voyeurism, sinister events unfold, as he becomes embroiled in a seedy plot that he and Maggie may not survive.
It is a cliched picture, a David Lynch rip-off that lacks the suspense and surrealness of his work. Written by Jerry Rapp and Matthew Wilder, the narrative is predictable and unengaging. The film moves at a pace that would irritate a snail, and the underwritten characters lack depth. Moreover, the dialogue is stilted, the characters acting like robots; disconnected from the reality of their situation.
Ray and Maggie are plunged into a dark underworld of sadomasochism and violence, and do not react to it like real people would, pottering around in the motel, disassociated and confused. The supporting characters are one-note cliches, and the identity of the villain of the piece is evident from the moment they appear on screen. It is a shame it is so mundane and quotidian, as the concept of a motel owner becoming a voyeur- mirroring the real-life case of Gerald Foos, who reconstructed his motel to allow him to spy on his guests- could make a great film.
However, director of photography Patrick Cady effectively generates a Lynchian atmosphere of murky danger. The low-lighting, combined with Cristopher R. DeMuri's ominous production design, creates tension and a headily menacing mood. Additionally, the score- from Mark Adler, Kristin Gundred and Andrew Benjamin Miller- signifies doom.
Unfortunately, the visuals and score don't elevate the picture out of mundanity. Despite scenes of S&M, brawling and murders, the film isn't in any way suspenseful or engaging, and the cast do unimpressive work. Cage underplays the role of Ray, trying to give a subtle performance, but overdoes it. He is criminally boring, moping about the motel, looking like a lethargic, bespectacled rabbit caught in the headlights. Robin Tunney is given nothing to do as Maggie; her talents are completely wasted, and she fades into the background. Marc Blucas, as the local Sherrif, does the strongest work, though his character is woefully one-dimensional.
While it's interesting how Nicolas Cage alternates between diverse projects- and while some miss the mark- his performances are generally intriguing. Unfortunately, this can't be said for his work in 'Looking Glass'. Although the visuals and score are atmospheric, the narrative is formulaic, the dialogue is mannered and the characters- as well as the situation they're in- are unbelievable. Sadly, 'Looking Glass' is not worth a glance.
Unfortunately, this is not the case with Tim Hunter's overwhelmingly dull 'Looking Glass.' The film follows Ray and Maggie, a married couple suffering from the loss of their daughter. They purchase a motel in an isolated town in Arizona. One day, Ray discovers a secret underground hallway, leading to a two-way mirror, allowing him to see into one of the motel rooms and spy on the guests. As Ray becomes obsessed with voyeurism, sinister events unfold, as he becomes embroiled in a seedy plot that he and Maggie may not survive.
It is a cliched picture, a David Lynch rip-off that lacks the suspense and surrealness of his work. Written by Jerry Rapp and Matthew Wilder, the narrative is predictable and unengaging. The film moves at a pace that would irritate a snail, and the underwritten characters lack depth. Moreover, the dialogue is stilted, the characters acting like robots; disconnected from the reality of their situation.
Ray and Maggie are plunged into a dark underworld of sadomasochism and violence, and do not react to it like real people would, pottering around in the motel, disassociated and confused. The supporting characters are one-note cliches, and the identity of the villain of the piece is evident from the moment they appear on screen. It is a shame it is so mundane and quotidian, as the concept of a motel owner becoming a voyeur- mirroring the real-life case of Gerald Foos, who reconstructed his motel to allow him to spy on his guests- could make a great film.
However, director of photography Patrick Cady effectively generates a Lynchian atmosphere of murky danger. The low-lighting, combined with Cristopher R. DeMuri's ominous production design, creates tension and a headily menacing mood. Additionally, the score- from Mark Adler, Kristin Gundred and Andrew Benjamin Miller- signifies doom.
Unfortunately, the visuals and score don't elevate the picture out of mundanity. Despite scenes of S&M, brawling and murders, the film isn't in any way suspenseful or engaging, and the cast do unimpressive work. Cage underplays the role of Ray, trying to give a subtle performance, but overdoes it. He is criminally boring, moping about the motel, looking like a lethargic, bespectacled rabbit caught in the headlights. Robin Tunney is given nothing to do as Maggie; her talents are completely wasted, and she fades into the background. Marc Blucas, as the local Sherrif, does the strongest work, though his character is woefully one-dimensional.
While it's interesting how Nicolas Cage alternates between diverse projects- and while some miss the mark- his performances are generally intriguing. Unfortunately, this can't be said for his work in 'Looking Glass'. Although the visuals and score are atmospheric, the narrative is formulaic, the dialogue is mannered and the characters- as well as the situation they're in- are unbelievable. Sadly, 'Looking Glass' is not worth a glance.
I will always remember the film 'Vacancy' because I went into it with zero expectations and ended up having one of the best film experiences I can remember. Really the only similarity that 'Looking Glass' has to that film is that it was set in a motel in the middle of nowhere. Still though, a part of me had hopes of another hidden gem. It wasn't to be though. The film starts off with some potentially exciting plot points and mysterious goings on, but can never live up to them and provide any pay off.
There's also a serious lack of suspense in the film. At no point are you ever on the edge of your set needing to know what is going to happen next. The film just kind of drifts along and even when something that's supposed to be exciting is happening, it really isn't that captivating. The one bright point for me was Nicolas Cage. Even though his career has been in serious decline for over a decade now, he can still act the pants off most people in the industry when he tries. Sadly though, he's far from enough to save this forgettable film that I wouldn't recommend spending your hard-earned on.
There's also a serious lack of suspense in the film. At no point are you ever on the edge of your set needing to know what is going to happen next. The film just kind of drifts along and even when something that's supposed to be exciting is happening, it really isn't that captivating. The one bright point for me was Nicolas Cage. Even though his career has been in serious decline for over a decade now, he can still act the pants off most people in the industry when he tries. Sadly though, he's far from enough to save this forgettable film that I wouldn't recommend spending your hard-earned on.
Did you know
- TriviaIn interview with The Hollywood Reporter, Robin Tunney described Nicolas Cage as one of greatest actors ever, saying she never enjoyed working with someone as much as him.
- GoofsAt about 45:20, when Cage walks up to Tunney sitting on the computer, both of their wireless mic packs bulge out on their belts.
- How long is Looking Glass?Powered by Alexa
Details
Box office
- Gross worldwide
- $76,788
- Runtime1 hour 43 minutes
- Color
- Aspect ratio
- 1.78 : 1
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