Mei Gong he xing dong

I've watched quite a few Chinese-Hong Kong action films lately, and Operation Mekong is quite fun. That being said however, I'm not a fan of the characters in movies like this. This is because I feel like Chinese action movies like Mekong or Red Sea, in my opinion, don't really develop their characters all too well, but then again that's pretty much the same for a lot of western action cinema as well.

The action in this movie isn't too bad, and I feel like there's just the right amount. The problem I have with Operation Red Sea (Mekong's spiritual successor) is that there's just wayyy too much action, and it hardly calms down even for a second. However, Operation Mekong has enough action to keep you entertained and watching and isn't a two-hour-long firefight like Red Sea.

The acting I felt was pretty good, as I thought that most of the actors in this film had good performances. The story was coherent and easy to follow. The movie definitely does offer quite a few fun action scenes (the mall scene is probably my favorite part of the film). The cinematography and music were, at their best, not bad.

For those who just want a fun action story told from a different country's perspective, I'd recommend watching Operation Mekong.

Action scene well done. Full of thrill and tension all the time. You won't get bored since there are different fight scenes with variations. The plot is somehow simple. Well, I would say most action movies are not focused on weaver a complicated plot. The patriot of main characters serves its purpose, yet a bit more depth would be nice.

Some of the reviews are quite judgemental and not based on the movie per se. If we see all movies as somehow a Propaganda then all American movies with heroes in it will fall into the category. Since when does IMDb cares about politics rather than the movie itself? This is kind of disappointing.

As well-intentioned as his inspirational youth cycling drama 'To the Fore' may have been, we'd much prefer Dante Lam's character-driven yet action-packed cop dramas 'The Stool Pigeon', 'Beast Stalker' and even the under-appreciated 'That Demon Within'. It should therefore be relief to his fans that Lam is returning to familiar territory with his latest, based upon the Chinese government's response to the real-life incident often referred to as the 'Mekong River Massacre' in which a special narcotics investigation was assembled to enter the Golden Triangle to arrest the notorious drug lord Naw Khar and his compatriots responsible for the killing of 13 Chinese fishermen and crew on board two merchant vessels. And true enough, Lam does not disappoint – not only does 'Operation Mekong' represent his return to large-scale hyper- kinetic action cinema, it is his most ambitiously action-packed movie ever and will quite likely be one of the best action movies you'll see this year.

True to its title, the focus is on the covert operation led by Captain Gao Gang (Zhang Hanyu), a no-nonsense hard-nosed anti-narcotics officer handpicked by the Home Affairs Minister. Except for an opening prologue that tells of the devastating impact of the drug habit in Chinese society and introduces the Golden Triangle as a key producer of the narcotics, there is no attempt at social commentary. Nor does the film try to portray the politics involved, aside from mentioning the multi- national task force that was set up among China and the three aforementioned Southeast Asian nations in the days following the massacre to conduct joint patrols of the Golden Triangle and the titular river. Whether to avoid becoming propaganda or risk becoming a flashpoint in complex geopolitics, Lam and his four co-writers steer clear of the vagaries surrounding the unilateral move by the Chinese government to sanction its officers sent under the guise of the multi- national task force to bring the criminals to face trial back in China than in any of the other countries.

Brought to the fore (pun intended) instead is the intricacies of the operation, as Gao's elite squad teams up with locally based intelligence officer Fang Xinwu (Eddie Peng) to identify the location of Naw Khar's base deep in the jungles of the Golden Triangle Special Region. That entails trying to rescue one of Naw Khar's men Yan Taung Pha responsible for setting up the deal that led to the massacre, which inadvertently exposes Xinwu's informant Gong Chai; when that fails, posing as a rich businessman looking to use Naw Khar's drugs to complement a new casino venture; and by doing so, getting closer to Naw Khar's inner circle, in particular his son Naw Htuu, to extract that crucial piece of information in order to apprehend Naw Khar.

Each one of these three new leads is opportunity for Lam to stage a high-octane action set-piece (with impressive direction by Tung Wai) – first, a breathless foot chase through a claustrophobic market and a busy train station that turns into a jaw-dropping car chase complete with gunfights and RPGs; then, a shootout in a crowded mall which ensues in mass chaos and a tragic outcome for one of Gao's men; and finally, the all-out assault on Naw Khar's jungle lair that culminates in a spectacular boat chase along the Mekong River. Lam's insistence on realism, whether in terms of sets or props, ensures that every one of these elaborate sequences looks, sounds and feels real and thrilling. Coupled with that is his flair for build-up – prior to the mall shootout for instance are gripping parallel theatres of events, one led by Gao masquerading as businessman Mr Qian meeting Naw Khar's number- three Ya Ta and the other led by Gao's man Wenfeng trailing the bag of money used for the exchange – which accentuates the tension and sheer white-knuckle suspense of each major sequence.

Compromised in the process is character detail or development, which frankly is somewhat of a pity. The most we learn about Gao aside from his solid leadership of his team is through a few occasional scenes where he looks at videos of his young daughter and one where he shares with Xinwu that the tolls of his job have led to his divorce years earlier. Xinwu gets a tragic backstory with Xing Deng which leads to questions about his ability to remain objective during the operation, but that little history hardly builds to anything compelling. The rest of Gao's team are defined only by their unique skills as well as by their Greek God-code names. There are also no shades of good and evil here, such that Gao and his men are uniformly heroes whereas Naw Phar – depicted as an over-the-top villain who snorts heroin and laughs when his child soldiers blow their own brains out playing Russian roulette – is unquestionably to be despised.

There is never any doubt that Lam has set out to make a wall-to-wall action movie, and on that count, he succeeds tremendously. Mind you, this is not some Hollywood B-movie, but one where every gunfight, car chase and explosion is choreographed with panache, adding up beautifully to a single movie that has nary a dull moment. Unlike his peers who have taken on similar subjects (such as Johnnie To in 'Drug War' or Derek Yee in 'Protégé'), Lam isn't taken so much by the fallouts of the drug business or its victims – notwithstanding the brief nod to the limbless villagers punished for disobeying Naw Khar's orders – as he is on the complexities and minutiae of the clandestine operation that helped bring to justice one of the biggest criminal kingpins in the Golden Triangle. If you accept 'Operation Mekong' on its terms, you'll find this one of the most exhilarating movies of the year, an accomplishment which cements Lam's reputation as the foremost Hong Kong director for big-scale action cinema.

Whether it is the anti drug version of "outwitting Tiger Mountain" or the national propaganda film, good-looking is the last word. From Tsui Hark to Lin Chaoxian, Hong Kong directors are becoming smarter and smarter about how to combine action elements with national policies, which is a good momentum. After watching it, an aunt nearby lamented that it was not lost to American blockbusters at all. Such films were not only exciting Chinese films, but also exciting.

5 stars only because of the first 5 or 10 minutes, which were well done. Anything after that, with the exception of the final moments is absolute and total nonsense. It is said in the end that the film is based on real events, and true enough, the very basics of the story are correct. That is that 13 Chinese sailors were murdered, and drugs found on them. Who murdered them remains a mystery, but there is a good chance it wasn't the men executed for it. The movie purports to tell the official version agreed upon by the Chinese and Thai governments, but it fails at it too. The action scenes are unreal, like the ones you would expect from a grade B American action film. The green screen in some places was more than obvious thanks to bad lighting. What was supposed to be a jungle in some places is clearly an artificial forest. The men who are supposed to be speaking Shan are speaking Thai. There's also the issue with some of the characters that are very out of place (their ethnicities wouldn't per it them to become drug lords)

Finally, the antagonists are all depicted as crazed men who train kids high on drugs to be soldiers. Without any spoilers: absolutely unreal. The real life drug lords of the Golden Triangle supported their communities to gain their trust and help when needed. They build schools and clinics and were called fathers. This film is bad, twists a real story unil it's unrecognizable, and is just badly done!