Porcupine Lake

A film that delicately reminds us of that small window of innocence and the weeks leading to a new and more courageous way of being in the world no matter the chaos or uncertainty around us. Inner strength shines through these two young girls in stellar performances. The film transports you to another place and time in Canada and in your soul....that precious time before that first kiss that changes everything forever. Music by Zeus is subtle and adds to the films ability to take you back in time.

Not a single character in the entire movie is likeable. 1 star feeling sad for the hard work the movie makers did and 1 star for the dog. Only the dog can be watched in the entire movie. Please put a story when you make a movie next time.

Beautiful and surprising coming of age film. Authentic to the core. I had the pleasure of seeing the premier of this film at TIFF 2017, and the entire cast and creative team and crew were present for the Q&A. The sense of family and heart and generosity, led by director Ingrid Veninger, during the Q&A was felt throughout the entire film.

Film Review: Porcupine Lake. Director, Producer, Writer (here) and actress Ingrid Veninger proves she clearly has a pulse on the youth coming of age summer experience. Bea (Charlotte Salisbury - a young version of Helen Hunt) finds herself in Northern Ontario, as her mom Ally (Delphine Roussel "Almost Adults" 2016) reluctantly agrees to meet and work at her out of town dad Scotty's (Christopher Bolton "Rent-like-a-Golie" TV) roadside cafe. Enter local rambunctious and fast-talking fellow youth Kate (Lucinda Armstrong Hall "Neighborhoods" TV), who befriends Bea and quickly becomes her friend, confidant and summer attraction. Surrounded by preoccupied parents, and a slue of stereotypical small town folk (including the terrific facial expression given by gay boy Emile "Maxime Robin Tom Clancy's Jace Ryan" 2018), the girls find ice cream, candy, knick-knack selling and experimentation easy to come by. Veninger's quiet back woods Ontario setting provides the girls a carefree and safe setting to observe and do as they please. What works here is that while the setting is without confrontation, there is an underlining energy that all can feel, yet no one is willing and/or able to address. Salisbury and Armstrong Hall are like two little "Thelma & Louise," unafraid of what lies ahead, yet cautious as to what each day has to offer. Running at about 1 1/2 hours, the films pace will lose many. DVD/VOV release: August 14, 2018

Bea and her mother is moving to Port Severn for the summer. It's cottage country and a small lakeside community. Her father inherited the local diner from his father. Her mother wants to sell it and the marriage is in trouble. Bea is befriended by Kate. Bea is shy and prone to panic attacks. Kate is from a troubled family with troubled older brother Romeo. Kate takes Bea as her girlfriend as she brings Bea into her world.

I've never heard of filmmaker Ingrid Veninger. She seems to be a bit actor in Canada turning to indie filmmaking. There is an interesting voice being used. The two young actresses have the presence and the connection. There are limitations. The story does hold back from the most dangerous possibilities. During the climatic action sequence, the filming lets down the needed thrills for intensity. It takes some interesting moves but this is still very much an indie.