Kaatru Veliyidai - L'Étendue du Vent

A Maniratnam film always has a "solid" base for human relationships and this film isn't different in that aspect. Where it differs is the story narration - that is less verbose, more visual(and cryptic). The Characters (VC & Dr.Leela) seems to be well thought- out (but defined more through visual cues & motifs). The director has focused more on reflecting the "moments"(What happens) - of their love, togetherness and conflicts than elaborating their story(and the Whys).. These moments give a trajectory that's sinusoidal. The final culmination (climax) might seem out-of-place for many, but for me that an organic end (where the characters seem to resolve their conflicts within and with the other, and end-up together,at least that moment).. This movie is definitely a visual treat and will stand-out as a classic(though it doesn't appear so today)

P.S: If Karthi's(VC) acting has irritated you, then the character has achieved its purpose(the same goes with you ending up adoring Dr.Leela -Aditi).How these opposites connect is a phenomenon(you call it love or whatever) that's mystical, not logical.. And the movie just reflects that.

I don't understand why this film got many negative reviews perhaps they thought this film portrays Lust in the name of love.This film portrays both that's why I called it "A story of Passionate love".A love between two almost opposite characters who wants enjoy love and sexual pleasures but not prepared for Family life and it's responsibilities.The psychological differences between the two main characters were well portrayed. Karthi suits his role when he plays "Rough" Character but his facial expressions irritated me during romantic scenes.Mani's Heroines are usually well educated,independent and adorable. Dr.Leela (Aditi) is an addition to this list. Aditi did a good job there. I was surprised to see RJ Balaji in Dr'Ilyas Hussain's role.As usual visuals were eye pleasing and I enjoyed them very much.Songs were good.I was disappointed that Mani was trying to normalize premarital sexual relationships.I'm aware premarital sexual relationship is increasing in India and SriLanka but portraying those as culturally "Normal" is unacceptable.

There is a line between portraying an abusive relationship as problematic, and showing it as glorious. Prisoner of war VK (Karthi) reminisces about his romance with an army hospital doctor, Leela (Aditi Rao), while plotting his return to India. The film, mostly told in flashback, is an endless array of abusive segments pegged as somehow romantic and indicative of the intensity of the fighting man. With each missed warning signal of "Run, Leela, Run" the educated, independent doctor is endeared more and more by the egregious excesses of her fighter pilot suitor. If relationship abuse were were required to be flagged with a written warning accompanying the scene (as the Indian government requires for scenes with characters drinking or smoking), the film would have a second layer of subtitles. The only mildly redeeming feature of the film is the locales, which Mani Ratnam's films are known for, though they scarcely do much to assuage the unwitting unfolding of the portrait of an acid attacker as a young man. The screenplay mainly consists of seven or short-film like sequences of bizarre behavior, offset by a momentary apology and close-up shots of the protagonist's pained face, to set up the next. There is no real plot development or dive into the characters, which even the lovers of the MGR model of macho screen romance would find hard to empathize with. The best scene in the film is when a paunchy character actor dies, and is stuffed into a coffin at best designed for a svelte fashion model, leaving the audience to rue the scriptwriter editing away the compelling scene in which his arms would need to be sawed off to fit the grave. That scene was only saved by its irrelevance to the plot.

It's a Mani Ratnam film. One of the rare filmmakers, whose films does not need to be analysed or enquired to decide to watch, despite whoever the actors are. The best thing from his flicks are the production quality and this film too had an excellent presentation. Always high standards, even for a simple storyline. A perfect line drawn between reality and cinematic. His films are always a family friendly as this one. This is another love story, but with the backdrop of Indian Air Force during the Kargil war. You should not anticipate more actions, because those parts were only part of the story in a small scale. So it is totally a love tale, though not your regular one. That's the highlight.

Like most of the Ratnam films, this is also a flashback narration. An ace Indian fighter jet pilot, VC, is locked down in a jail after his jet was shot down behind the enemy line. He has to concern for getting out of there alive, instead he begins to recall his romantic life with a doctor named Leela. How they met for the first time and developed their awkward relationship were slowly revealed. The struggle to patch their differences and make it to work. They saw more downs in their relationship than the ups. Now rotting in a prison, VC has to go back to his homeland to locate her and make everything right from where he had left before going to the war.

Jammu and Kashmir, captured, clumsy relationship, does not it remind you something else from the past. Yes, it was like another 'Roja'. Except it was partially inspired by a real event of the 70s. Great direction. The locations were breathtaking. Like never seen before Jammu Kashmir. The performances were not bad at all. Then what's wrong with this flick? It was the screenplay. Not engaging as a theme like this requires. This should have been a 90 minute film. They had dragged it for another 40 minutes, that did not work.

The story was not to be blamed. You won't see such concept in Indian cinema. All the big star's films are the same old storyline with a slight change. This was refreshing, but they let it slip away from the opportunity. Particularly Dileep Kumar's music was a let down. There are many promising musicians today, Ratnam should consider to work with them for a change. As usual, the songs were the disadvantage of the film. But it has always been Ratnam's strength in his storytelling. Here it completely failed. Just one time watchable film. I hope he comes back strong with his next project.

6/10

Kaatru Veliyidai / Cheliyaa (2017) : I never believe in such thing called Love these days because I never found a charming and true love like shown in Mani Ratnam's films.He is the only director who can make a perfect poetic love story with memorable cute performances,soulful music and stunning visuals.There is no such director like Mani Ratnam who can make movies like an artistic painting.He scored a memorable hit with OK Kanmani last year and this year he brought us another love story Kaatru Veliyidai starring Karthi and Aditi Rao Hydari.Music by A.R.Rahman is already a chart buster and trailer raised expectations.Did the movie reach it??

Plot:

The story of the film is set during the Kargil war of 1999 where doctor Leela(Aditi Rao Hydari) falls in love with a fighter pilot named Varun(Karthi). The romance is kindled right away but Varun's commitment phobic attitude keeps pushing Leela away from the relationship.The twist in the tale arises when Karthi is jailed in Pakistan because of the tense war situation. Rest of the story is as to how Karthi frees himself from Pakistan and wins his love all over again.

Plus Points:

1)Aditi Rao Hydari: Aditi Rao Hydari is a show stealer with her wonderful performance.She looks drop dead gorgeous as Mani Ratnam has showcased her in a never before seen way. Aditi's emotional performance is the backbone of the film as she delivers in both the glamor and acting departments.Her eyes twinkle in delight, twitch in anxiety and pale in fear and anger.Karthi gave a great performance too but Aditi overshadowed each and every other actor in this film.

2)Cinematography: Ravi Varman is a world class painter whose painting brush is camera and world is his canvas.Full marks to Ravi Varman for his spectacular cinematography. The snowcapped mountains, the silhouette featuring Karthi and all the song sequences are shot beautifully.Especially a scene where our heroine comes out of house to watch air crafts is one of the most visually stunning scene of the year.Another scene where Karthi and his companions escape from military and run with joy,that scene is captured stunningly.We have lot of such stunning visuals throughout the movie.

3)Music: Ratnam-A R Rahman chemistry of 25 years is unbeatable and inseparable.Like all his albums,Kaatru Veliyidai has soulful music but mostly in poetic way..Vaan Varuvaan is an instant classic and best song of this year.Azhagiye is foot tapping brilliant.But what I didn't;t know is about song Nallai Allai.That song is awesome and really captured the feel.

4)Dialogues: Mani Ratnam films do not have any path breaking or award winning dialogues but still there are lot of fans for his work.They are most realistically beautiful and make us fall in love with movie.But overuse of poetic language may not suit all.

Minus Points:

1)Lack of required emotion in crucial scenes: Mani Ratnam succeeded in bringing out 100% output from all the departments like acting,music,cinematography,settings but forgot to bring his best output.This movie lacked the emotion especially in crucial scenes like their conflicts and failed to create any patriotic feel in serious scenes.

So,Kaatru Veliyidai is a best proof about Mani Ratnam's brilliance in bringing out best output from all his departments but failed in bringing his best.

My rating 7.25/10