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Hermia & Helena (2016)

Metacritic reviews

Hermia & Helena

79

Metascore

12 reviews · Provided by Metacritic.com
  • 91
    The Film StageEthan Vestby
    The Film StageEthan Vestby
    The film is named after the two characters from a Midsummer’s Night’s Dream, Camilla works at translating Shakespeare into Spanish, and this plays like an analogy for Piñeiro’s films in general: an attempt to reconfigure the Bard into modern times and his very modern, niche cinematic ideals.
  • 90
    The New YorkerRichard Brody
    The New YorkerRichard Brody
    Filming cityscapes and intimate gestures with avid attention, adorning the dialogue with deep confessions and witty asides, Piñeiro conjures a cogently realistic yet gloriously imaginative vision of youthful ardor in love and art alike.
  • 88
    Slant MagazineCarson Lund
    Slant MagazineCarson Lund
    It may be Piñeiro’s most inspired and thrilling work to date, exhaustive in its means of keeping the viewer off balance and yet rich in its emotional implications.
  • 83
    IndieWireEric Kohn
    IndieWireEric Kohn
    By positioning Shakespeare within a chatty tale of young adulthood — and giving it a feminist slant — Piñeiro proves the vitality of the material without becoming subservient to it.
  • 80
    The New York TimesGlenn Kenny
    The New York TimesGlenn Kenny
    The film belongs to Ms. Muñoz. She’s the kind of performer (like Setsuko Hara, the Japanese actress to whom the film is dedicated) you can’t take your eyes off, even when she doesn’t seem to be up to much of anything.
  • 80
    Village VoiceAbbey Bender
    Village VoiceAbbey Bender
    There are a few different potential films within Hermia & Helena — a Shakespeare adaptation, a tale of romantic relationships, a tale of family — but the totality proves a sunny and affable literary collage.
  • 75
    The A.V. ClubIgnatiy Vishnevetsky
    The A.V. ClubIgnatiy Vishnevetsky
    Part of the charm of Hermia & Helena is in the way it freely and randomly plays with form, employing luxuriantly slow dissolves, unexpected snatches of superimposed text, and even a black-and-white film-within-the-film.
  • 70
    The Hollywood ReporterBoyd van Hoeij
    The Hollywood ReporterBoyd van Hoeij
    Only in an extended sequence late into the proceedings...do we get a sense that Pineiro has tried to move outside of his comfort zone and does the film really become affecting.
  • 60
    VarietyGuy Lodge
    VarietyGuy Lodge
    With its tricksy timeline and waifish subplots, the film feels unduly stretched even to reach its modest length, while our dramaturgy-fixated protagonist is slow to stumble into a compelling arc of her own.
  • 50
    RogerEbert.comNick Allen
    RogerEbert.comNick Allen
    Hermia & Helena’s touch-and-go approach weakens the movie’s key expression of being a relatable story about being lost during your late 20s/early 30s.
  • See all 12 reviews on Metacritic.com
  • See all external reviews for Hermia & Helena

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