Tread
- 2019
- 1h 29m
IMDb RATING
7.1/10
3.8K
YOUR RATING
Pushed to his breaking point, a master welder in a small town at the foot of the Rocky Mountains quietly fortifies a bulldozer with 30 tons of concrete and steel and seeks to destroy those h... Read allPushed to his breaking point, a master welder in a small town at the foot of the Rocky Mountains quietly fortifies a bulldozer with 30 tons of concrete and steel and seeks to destroy those he believes have wronged him.Pushed to his breaking point, a master welder in a small town at the foot of the Rocky Mountains quietly fortifies a bulldozer with 30 tons of concrete and steel and seeks to destroy those he believes have wronged him.
- Awards
- 1 nomination total
Marvin Heemeyer
- Self
- (archive footage)
Glenn Trainor Jr.
- Self - Grand County Undersheriff 1993 - 2004
- (as Glenn Trainor)
Cody Docheff
- Self - Owner, Mountain Park Concrete
- (archive footage)
Dick Thompson
- Self - Former Mayor of Granby, CO.
- (archive footage)
Ron Thompson
- Self - Vice President, Sewer District Board
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"When you visit evil on someone, believe me, it will be visited on you." Marv Heemeyer
And so, you get to see the most bizarre documentary this year at a time when you may have had just enough of formulaic dramas on demand. Netflix brings us Marv, who is so pissed at the small town of Granby, Colorado, that he outfits a giant Kubota bulldozer like a tank and wrecks a serious number of buildings.
We don't remember this tragic and sometimes amusing incident from 2004 because we were grieving the day after for Ronald Reagan. Now, however, we can relive the bizarre event and give it its just due in Paul Solet's magnetizing documentary called Tread, for obvious reasons. I've lived in a small town like that (pop about 2000) where life can be unforgiving with slights remembered, rumors deadly, and good ol' boys rule not always to a working stiff's benefit.
It's not important to know who is right or wrong. Rather it is discouraging to know that neither side is right and that provincialism thrives as could be expected in blue collar enclaves where zoning and sewage district decisions are not made by God but by petty bureaucrats, who can change a modest welder's life to their advantage and his distinct outrage.
After setting the scene of growing acrimony, Solet shows original footage and voiceovers to chronicle the tank's journey, helicopter and drone shots, and a few restaged moments to try to replicate the eccentricity of the event. Marv's cassette tape testimony is the most interesting, for he barely reveals his rage in favor of his apocalyptic predictions. No one can stop the giant as it targets the buildings and homes of Marv's perceived enemies.
Working-class outrage does gets lost in sheer wonder at the forbidding destroyer, perhaps echoing our own numbed inability to stop a pandemic or a destructive political machine. Yet, as almost low-key as this revenge is, it is nonetheless true, and a bit of our outrage rides inside with Marv.
Tread seems to hold our abiding struggles as if in a nightmare where we tread on our perceived enemies and forget the lessons of tolerance our parlous times demand of us.
You'll not move from your seat in disbelief. It makes being cooped up worth while for 89 minutes.
And so, you get to see the most bizarre documentary this year at a time when you may have had just enough of formulaic dramas on demand. Netflix brings us Marv, who is so pissed at the small town of Granby, Colorado, that he outfits a giant Kubota bulldozer like a tank and wrecks a serious number of buildings.
We don't remember this tragic and sometimes amusing incident from 2004 because we were grieving the day after for Ronald Reagan. Now, however, we can relive the bizarre event and give it its just due in Paul Solet's magnetizing documentary called Tread, for obvious reasons. I've lived in a small town like that (pop about 2000) where life can be unforgiving with slights remembered, rumors deadly, and good ol' boys rule not always to a working stiff's benefit.
It's not important to know who is right or wrong. Rather it is discouraging to know that neither side is right and that provincialism thrives as could be expected in blue collar enclaves where zoning and sewage district decisions are not made by God but by petty bureaucrats, who can change a modest welder's life to their advantage and his distinct outrage.
After setting the scene of growing acrimony, Solet shows original footage and voiceovers to chronicle the tank's journey, helicopter and drone shots, and a few restaged moments to try to replicate the eccentricity of the event. Marv's cassette tape testimony is the most interesting, for he barely reveals his rage in favor of his apocalyptic predictions. No one can stop the giant as it targets the buildings and homes of Marv's perceived enemies.
Working-class outrage does gets lost in sheer wonder at the forbidding destroyer, perhaps echoing our own numbed inability to stop a pandemic or a destructive political machine. Yet, as almost low-key as this revenge is, it is nonetheless true, and a bit of our outrage rides inside with Marv.
Tread seems to hold our abiding struggles as if in a nightmare where we tread on our perceived enemies and forget the lessons of tolerance our parlous times demand of us.
You'll not move from your seat in disbelief. It makes being cooped up worth while for 89 minutes.
Greetings again from the darkness. If not so tragic, this story might fit best in Ripley's Believe it or Not. What better description is there for a small town welder who builds an armored bulldozer, weaponizes it, and then takes it on a rampage of revenge, destroying the buildings, homes, and businesses of those he believe 'wronged' him? This actually happened in Granby, Colorado in 2004, and that welder's name was Marv Heemeyer.
Filmmaker Paul Solet begins the film with a recording of a 911 call and news clips of the actual events of June 4, 2004. Solet then proceeds to lay out the backstory of Heemeyer, and how things escalated to the point where destruction and suicide seemed like the only logical step to him. Solet cleverly utilizes Heemeyer's own self-recording (via audio cassette) as a framing structure for the film. Heemeyer's voice tells us what his plan was, and why he had reached this level of desperation.
Interviews are key, and we hear from law enforcement officers who were on the scene that day, Heemeyer's ex-girlfriend Trisha MacDonald, his best friend, a younger man from his snowmobile club, brothers from a family that had supposedly targeted Marv, and a newspaper reporter, Patrick Brower, who also wrote a book on Heemeyer's rampage. Actual news clips and reenactments are used to show us what those being interviewed tell. In this case, it's an effective approach.
It's particularly interesting to hear that Marv was mostly a likable guy who just bumped up against local town and county politics a couple of times. Marv was not part of the 'good old boys club' and admits to needing to "teach a lesson" to those he perceived has gone out of the way to make life difficult for him. His bulldozer was a way for him to dole out the justice that was otherwise going unserved.
This is a story of revenge told in a somewhat sympathetic manner towards Marv Heemeyer, a man who considered himself "an American Patriot." The audio tape is clearly a confession of what he planned (and later carried out), and it was clear he knew this was a suicide mission. Listening to his rants, we assume some form of mental illness was involved, and his best friend describes him as a man who 'spent too much time alone."
The video clips of the carnage, and of the many law enforcement officials on the scene - all of whom were helpless to stop the bulldozer - are captivating and difficult to watch. Fortunately, after the fact, we know that no one died that day other than the man who was responsible. Marv, a man of "righteous anger", had his day of serving justice and rare 'Bulldozer Rampage' headline knocked off the front page one day later by a much bigger story.
Filmmaker Paul Solet begins the film with a recording of a 911 call and news clips of the actual events of June 4, 2004. Solet then proceeds to lay out the backstory of Heemeyer, and how things escalated to the point where destruction and suicide seemed like the only logical step to him. Solet cleverly utilizes Heemeyer's own self-recording (via audio cassette) as a framing structure for the film. Heemeyer's voice tells us what his plan was, and why he had reached this level of desperation.
Interviews are key, and we hear from law enforcement officers who were on the scene that day, Heemeyer's ex-girlfriend Trisha MacDonald, his best friend, a younger man from his snowmobile club, brothers from a family that had supposedly targeted Marv, and a newspaper reporter, Patrick Brower, who also wrote a book on Heemeyer's rampage. Actual news clips and reenactments are used to show us what those being interviewed tell. In this case, it's an effective approach.
It's particularly interesting to hear that Marv was mostly a likable guy who just bumped up against local town and county politics a couple of times. Marv was not part of the 'good old boys club' and admits to needing to "teach a lesson" to those he perceived has gone out of the way to make life difficult for him. His bulldozer was a way for him to dole out the justice that was otherwise going unserved.
This is a story of revenge told in a somewhat sympathetic manner towards Marv Heemeyer, a man who considered himself "an American Patriot." The audio tape is clearly a confession of what he planned (and later carried out), and it was clear he knew this was a suicide mission. Listening to his rants, we assume some form of mental illness was involved, and his best friend describes him as a man who 'spent too much time alone."
The video clips of the carnage, and of the many law enforcement officials on the scene - all of whom were helpless to stop the bulldozer - are captivating and difficult to watch. Fortunately, after the fact, we know that no one died that day other than the man who was responsible. Marv, a man of "righteous anger", had his day of serving justice and rare 'Bulldozer Rampage' headline knocked off the front page one day later by a much bigger story.
When watching this very well 'crafted' documentary one question kept springing to mind....what about his long lost girlfriend...the one he loved so much..
Even though this is a gripping insight into a man and his fight against an unjust system it could have been perfected with some more 'unbiased' interviews from family and friends...in the end this docu slanted towards 'he was mad..' but I believe he wasn't...
even in a grown up society where we should all be able to thrive, the bullies still exist.. And Marvin Heemeyer fell victim to this...and to his own demons..
Watch it....
Even though this is a gripping insight into a man and his fight against an unjust system it could have been perfected with some more 'unbiased' interviews from family and friends...in the end this docu slanted towards 'he was mad..' but I believe he wasn't...
even in a grown up society where we should all be able to thrive, the bullies still exist.. And Marvin Heemeyer fell victim to this...and to his own demons..
Watch it....
I believe Marv 100%. I grew up in a small town of 1100 people and anyone who grew up in a similar town knows these good old boys clubs exist without a doubt. There are 3 or 4 familys in these small towns and if you cross them, they will have you excommunicated and isolated and do whatever they can to smear your name. Marv had an extreme reaction to such an experience for sure and it's terrible that he did so, but anyone trying to act like his story doesn't hold any water at all is fooling themselves. These people undoubtedly pushed him and now want to act like they were innocent little lambs in all of it. Not buying it.
This documentary, to me, is a mixed bag of content. Its basically a destructive revenge story. But what the makers don't focus or expand on , are the issues of Anger, Suicide, Loneliness, Mental Health, Corruptionion, Loss, Nepotism or Paranoia. Could have made a very good documentary an excellent documentary.
It's a bit of a slow burner, but the pay off is worth it. This would make a great fictional movie. Small town lives and small town mind lead big time problems.
It's a bit of a slow burner, but the pay off is worth it. This would make a great fictional movie. Small town lives and small town mind lead big time problems.
Did you know
- TriviaMarvin Heemeyer posthumously attained the nickname "Killdozer" due to his rampage.
- ConnectionsReferenced in The Cinema Snob: Thunder Warrior (2022)
- How long is Tread?Powered by Alexa
Details
Box office
- Gross US & Canada
- $36,527
- Opening weekend US & Canada
- $10,585
- Feb 23, 2020
- Gross worldwide
- $36,527
- Runtime1 hour 29 minutes
- Color
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