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Alexandra Daddario, Robbie Amell, and Adam Devine in When We First Met (2018)

Metacritic reviews

When We First Met

36

Metascore

6 reviews · Provided by Metacritic.com
  • 60
    Los Angeles TimesKatie Walsh
    Los Angeles TimesKatie Walsh
    This watered-down rom-com doesn't fully deliver but it's a diverting twist on the genre nonetheless.
  • 50
    RogerEbert.comBrian Tallerico
    RogerEbert.comBrian Tallerico
    Ultimately, no one could save the script by John Whittington, who relied so completely on his concept that he failed to write jokes or characters.
  • 50
    Movie NationRoger Moore
    Movie NationRoger Moore
    Devine, like Adam Sandler, has hitched his cinematic wagon to Netflix, and they have done likewise. But as ready as the Jack Black comparison (musical, plump, tries too hard) might be, it’s only mean because it’s accurate.
  • 33
    IndieWireDavid Ehrlich
    IndieWireDavid Ehrlich
    From the start, Whittington’s script lays everything out so schematically that there’s little reason to keep watching for the story.
  • 20
    New Orleans Times-PicayuneMike Scott
    New Orleans Times-PicayuneMike Scott
    To be fair, though, even if all three actors had brought their A game, the half-baked story behind When We First Met is so formulaic and so uninspired that it would still be a forgettable film.
  • 16
    The PlaylistLena Wilson
    The PlaylistLena Wilson
    Neither romantic nor comedic, When We First Met is almost too vapid to be aggravating. After watching it, you might be tempted to hunt down a time-traveling photo booth of your own so that you can undo your mistake. Luckily, this movie is so shallow you probably won’t even remember it after you wake up tomorrow
  • See all 6 reviews on Metacritic.com
  • See all external reviews for When We First Met

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