Dernier train pour Busan

If I have not watched the trailer, I will give it a score of 10 for its entertainment value but having seen the trailer, a little is lost. I don't remember having watched any movie that is so damn engaging, so easy to follow, and so exciting right from the first few minutes all the way to the end. All the exciting moments end with a climax that's fit for a movie. The few minutes during each break for audience to catch their breath is not boring or wasted, perfectly used for characters development. I don't understand why someone commented the last 30 minutes is not as good. I find each climax better in the next. If they make a sequel to show some happenings elsewhere with the same plot and concept, I will still watch it.

We're leaving (leaving) on that Zombie Train to Busan (leaving on the undead train).

Use to seeing Korean horror films about ghost, but Zombies!? This was refreshing.

So this neglectful dad tries to make amends with his daughter by riding with her on the train (which she wanted to go by herself) to take her back to his ex-wife. Lucky for both of them as a zombie outbreak happens while their on the train. Now, their only hope for survival is to make it to the Busan stop.

You really can't go wrong with a Zombie movie. It's rare that I've have seen one that I did not like. Train to Busan is definitely a good one too. Its filled with interesting characters. Other than the father daughter team, the train is also occupied by a pregnant women and her Macho and humorous husband, a school girl and her baseball playing boyfriend and some homeless wonderer who saw the outbreak first hand, just to name a few.

The social commentary speaks on what you are made of as an individual and as a society with the best and the worse coming out of everyone during this crisis.

I loved how relentless and aggressive the Zombies were. More like 28 days later than Romero. The special effects do get a little cartoony with zombies that seem to come form nowhere piling over one another like poring cereal into a bowl or something, but it does give you that man, these guys are screwed feel. Train to Busan focus on the idea that the walking dead sense you through sight and sound. If they can not see you or hear you they have no way of knowing your living flesh is a foot away from their hunger. It made for some cleaver obstacles when a group of passengers have to maneuver through train cars filled with zombie passengers (Sounds like the next game in the Resident Evil franchise).

Also found it interesting that no zombies were shot in this picture. I don't know how Korean gun control laws work, but I can assume it's strict enough that the story would make no sense if someone on the train just happen to have one for zombie killing (unlike an American movie in which the unborn child having a gun would be fine so long as it moved along the story). Definitely a rarity in a Zombie picture and it worked.

It's Action packed, it's humorless, with incredible looking zombies and a cast of characters so lively you give a crap what happens to them in the end.

http://cinemagardens.com/

Forget about the ordinary and immerse yourself into this amazing zombie thriller experience. If you love thrillers and zombie flicks, then you are in for a ride with this one. This film has it all: the hero arc, character development, insane action, relentless tension, drama, tear jerk, comedy, special effects, great cinematography and most of all excellent pace! Well done to the Korean cinema. Excellent film. 9/10

This lively South Korean zombie flick arrives in Oz with a limited release, which is a pity as it's a riotous adventure filled to the brim with action, gore and damn interesting story beats. Like all good films within this subgenre, the narrative is rife with metaphors about modern day issues (parent-child connections, corporate greed, human interaction, etc) but it also provides a compelling survival plot when taken at face value. The core relationship between Yoo Gong's self-centred businessman and his quiet, emotionally-neglected 9-year-old daughter (Soo-an Kim – a tour de force) is riveting as it gets put through the wringer, never feeling anything less than authentic. There are spurts of melodrama, however, that induce the odd unintentional chuckle, whilst a select few from the supporting cast play up their stereotypes – love-struck school girl, despicable scaremonger, muttering homeless man – a little too much. Sang-ho Yeon directs with unabashed gusto, pumping up tension and thrills though a string of adrenaline-pumping set pieces, an amazing train-station sequence that turns from hopeful to deadly being a particular high point. The undead are suitably grotesque and enjoyably expendable, their physical movements a mix between the 28 Days Later mode of rapid flesh-eaters and the herky-jerky twitches of J-horror ghosts, although the rules for how quickly someone becomes "infected" seems to vary depending on plot requirement. It doesn't necessarily bring anything new to the zombie genre, but with a bunch of exhilarating set pieces and a willingness to kill off anyone at anytime, Train to Busan certainly adds a whole lot of spark.

Train to Busan was a treat.

A look into Selfishness vs Selflessness and Individual vs The Collective.

I can't remember the last time I enjoyed a foreign film this much. The cinematography is excellent, the story is original, and I will definitely be keeping an eye on Sang-ho Yeon's future projects.