Sharkenstein

Sharkenstein (2016)

* (out of 4)

Towards the end of WWII a German scientist is working on a shark made from various shark parts. Nothing happens until the current times when a nut gets control of the shark and sends in on a killing spree.

SHARKENSTEIN is obviously a film that you shouldn't expect too much from. The title pretty much tells you what you're about to get into you and if you're expecting SyFy type of material then you've still got your expectations a bit too high. Some might find this mildly entertaining if you like really bad movies with awful monsters.

The CGI shark looks horrible but I'm really hoping the filmmakers knew this and purposely set loose a bad looking shark. It really does look like an ugly doll at times so I'm sure no one really expected it to scare people. In fact, my kid watched this and could tell something wasn't right with this shark. The CGI blood effects really aren't much better and there's no other bits of exploitation to make the film stand out.

As it stands, SHARKENSTEIN is pretty much a really bad movie but the badness of the shark brings some mild entertainment. The performances are pretty much bland, the characters silly and what plot is here isn't worth talking about.

I decided to give it a go, thinking it was going to be just another SYFY channel film that's cheesy but watchable, how the hell this got 3.7 stars is beyond me, I'd rather watch the contents of my daughters nappy. Unlike things like the "Mega Shark" films this has no redeeming qualities at all. It's filled with anachronisms like someone wearing Adidas trainers in 1942 among other things and the CGI was probably done on something like a commodore 64. Worse than the "special effects" is the acting. Seriously, it stinks so badly that I couldn't bear it any longer and turned off after 5 minutes. If you're thinking of watching this, save yourself the aggro. Any time you spend watching this rubbish is time you will never get back.

Where do I begin? First of all, there is an attractive and capable female lead (Greta Volkova) and her hunky friend Coop (Titus Himmelberger). Then there's a third wheel named Skip who seems out of place. Oh, and our "hero" is named Duke. And then there's a shark. Not just any shark. But "Sharkenstein," which is exactly what you think it is. Frankenstein's brain transplanted into a shark. Clever, huh? Sharkenstein features lots of stock footage, tons of aerial footage of beaches, aimless shots of a lifeguard with his back to the camera, lots of white men with hairy forearms, and a posse with guns running through trees sporting fall foliage. Only director Mark Polonia would call this a movie. And he appears uncredited as the mute driver of a boat (did he have to pay himself less for not speaking?). His character's name, Hoskins, is mentioned more times than any of the four principals. Oh, and our director/editor must have run short of Wild Eye Releasing's requisite 70 minute running time, because there is a completely random scene of a long-in-the-tooth "model" getting photographed. The scene is completely unrelated to the rest of the "movie." It appears to be inserted to pad out the running time. The mercifully short running time.

This film is a classic Z-class production that pays homage to the smallest budget cinema. We have the following topics: crazy doctor, Frankenstein's monster, Nazis, a shark and a group of actors each worse off whose mission is to entertain us for the hour and twenty that the film lasts. Greta Volkova, the main character, has the same versatility as a porn actress trying to make a serious film. Still the film entertains if we accept the rules of the genre; If our expectations are consistent with the film, this one will not disappoint us.

The remaining Polonia brother knocks it out of the park and delivers some of the most frightening shark attack scenes ever committed to film.

The special effects are really something to behold, never has your child's toy shark you tried to stitch back together after the dog got a hold of it looked so menacing. The writing is still as sharp as ever, with intelligent, witty banter on par with the great Quentin Tarantino delivered with astonishing conviction by lovable characters you will certainly not forget instantly once the movie's over.

The villain of the movie, a Nazi carrying on the inhumane experiments of his forefathers, is acted using the tried and true formula:

Replacing "W" with "V" every once in a while = German accent

The man exudes so much pure, unadulterated evil that I dare anyone not to get cold sweats whenever he appears on screen.

Even with all this said, I assure you, nothing will prepare you for the film's third act, a harrowing dive into complete insanity.

All I can really say after experiencing this movie is thank you, Mark Polonia. Thank you for making movies, thank you for being alive, thank you for sharing this masterpiece with the world. It seems like only yesterday he put Jurassic Park in its place with his classic Saurians. Now with Sharkenstein, he's rendered another critically-acclaimed piece of celluloid completely obsolete. Sorry Jaws.