What's in store for TV in April, you ask? NBC will see if they still remember how to successfully launch a half-hour comedy. HBO unveils a one-two punch (one doc, one based-on-a-true-story drama) about women's-health issues. FX brings back one of its Mvp anthology shows. AMC tries their hand (again) at a Western, and Fox launches millions of utterances of "Oh yeah, I remember Prison Break ... wasn't that the one where they break out of the prison?" Here's what you'll be watching this month; check out our Best Movies and...
- 3/29/2017
- Rollingstone.com
While best documentary conversations start to take shape in January at the Sundance Film Festival, making the transition from rapturous festival play to awards-season contender is a harrowing road. A documentary must be truly extraordinary to make the final Oscar five.
The number of Sundance docs with awards potential is breathtaking: Breaking out of Sundance 2016 were U.S. Grand Jury Prize winner “Weiner” (IFC), an entertaining portrait of a politician brought down by his weakness for sexting, which turned into a summer hit; U.S. Documentary Directing Award winner “Life, Animated” (The Orchard), a moving portrait of an autistic child who grows up with Disney movies; and HBO’s Audience Award winner “Jim: The James Foley Story.”
Scoring great reviews were Ezra Edelman’s five-part movie “O.J.: Made in America” (Espn), an exhaustive examination of O.J. Simpson and race relations in Los Angeles from the ’60s through the Trial of...
The number of Sundance docs with awards potential is breathtaking: Breaking out of Sundance 2016 were U.S. Grand Jury Prize winner “Weiner” (IFC), an entertaining portrait of a politician brought down by his weakness for sexting, which turned into a summer hit; U.S. Documentary Directing Award winner “Life, Animated” (The Orchard), a moving portrait of an autistic child who grows up with Disney movies; and HBO’s Audience Award winner “Jim: The James Foley Story.”
Scoring great reviews were Ezra Edelman’s five-part movie “O.J.: Made in America” (Espn), an exhaustive examination of O.J. Simpson and race relations in Los Angeles from the ’60s through the Trial of...
- 9/23/2016
- by Anne Thompson
- Thompson on Hollywood
While best documentary conversations start to take shape in January at the Sundance Film Festival, making the transition from rapturous festival play to awards-season contender is a harrowing road. A documentary must be truly extraordinary to make the final Oscar five.
The number of Sundance docs with awards potential is breathtaking: Breaking out of Sundance 2016 were U.S. Grand Jury Prize winner “Weiner” (IFC), an entertaining portrait of a politician brought down by his weakness for sexting, which turned into a summer hit; U.S. Documentary Directing Award winner “Life, Animated” (The Orchard), a moving portrait of an autistic child who grows up with Disney movies; and HBO’s Audience Award winner “Jim: The James Foley Story.”
Scoring great reviews were Ezra Edelman’s five-part movie “O.J.: Made in America” (Espn), an exhaustive examination of O.J. Simpson and race relations in Los Angeles from the ’60s through the Trial of...
The number of Sundance docs with awards potential is breathtaking: Breaking out of Sundance 2016 were U.S. Grand Jury Prize winner “Weiner” (IFC), an entertaining portrait of a politician brought down by his weakness for sexting, which turned into a summer hit; U.S. Documentary Directing Award winner “Life, Animated” (The Orchard), a moving portrait of an autistic child who grows up with Disney movies; and HBO’s Audience Award winner “Jim: The James Foley Story.”
Scoring great reviews were Ezra Edelman’s five-part movie “O.J.: Made in America” (Espn), an exhaustive examination of O.J. Simpson and race relations in Los Angeles from the ’60s through the Trial of...
- 9/23/2016
- by Anne Thompson
- Indiewire
In one of the first scenes in “Abortion: Stories Women Tell,” a pro-life religious leader exclaims to his congregation: “We now have the ability to look into the womb.” This important, comprehensive and heartrending documentary probes even deeper. Director Tracy Droz Tragos (“Rich Hill”) explores a range of complicated emotions as women cope with increasingly diminishing rights over their own wombs. “Stories Women Tell” seeks to shows how multi-faceted the issue can be, while retaining a keen eye for regional specificity. Dozens of women — teenage to elderly — offer honest testimonies about their varying experiences surrounding terminated pregnancies. The...
- 8/10/2016
- by Claudia Puig
- The Wrap
Advocates against abortion in the United States have so far been unsuccessful at overturning the landmark Supreme Court case Roe v. Wade, and re-criminalizing the procedure nationwide. But over the past decade especially, the pro-life movement has made significant progress at the state level, by adding waiting periods and restrictions that have simultaneously reduced the number of clinics and have made it increasingly difficult for patients to get treated. More importantly, protestors and politicians have largely controlled the conversation surrounding abortion, making it so that even after women weigh their decision carefully and jump through all the regulatory hoops, they’re made to feel ashamed. The result is that those who’ve made the choice are less willing to talk about it openly—which in turn has led to those who are following in their footsteps feeling isolated and embarrassed.
Tracy Droz Tragos’ documentary Abortion: Stories Women Tell gives women...
Tracy Droz Tragos’ documentary Abortion: Stories Women Tell gives women...
- 8/9/2016
- by Noel Murray
- avclub.com
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