Der Junge muss an die frische Luft

I admit it, I hate German cinema. Either the plot revolves around some marketing persons in their swanky villas or nobles in their castles. German cinema strives to be far removed from reality. This film is such a beautiful and also sad exception to this rule. It is so funny and sad at the same time. Fantastic actors down to the smallest role, especially little Hape (Julius Weckauf). I am really happy that there is also a German film worth seeing. A great work.

All About Me is based on the biography of German comedian and presenter Hans-Peter "Hape" Wilhem Kerkeling. It chronicles his childhood and family upbringing, growing up in the countryside of Recklinghausen in the 1970s.

The German title, Der Junge muss an die frische Luft, is transliterated as "This Boy Needs Some Fresh Air", which sounds like a euphemism describing a hyperactive child (that's my best non-confirmed linguistic guess anyways). It would have been a more suitable English title than "All About Me".

Director Caroline Link, who previously won an Oscar for Nowhere In Africa, skillfully balances comedy and tragedy with precise timing. The script captures that feeling of everyday time passing that Richard Linklater was shooting for in Boyhood, though the story covers a much shorter timespan. The audience effectively watches the Kerkelings watching Hans-Peter grow up and get to share their joy. When tragic things happen, you've realized you have become a part of the family and you are sobbing with them. Ready the tissues, this is a tearjerker. It's August now so it might be early to say this, All About You is the nicest cry you will have at the movies this year.

Julius Weckauf delivers a great child actor performance on par with a young Dakota Fanning. He possesses the acting chops, the presence and comedic timing, which is the rarest skill to have at such a young age. The boy is the star of the show and sufficiently in carries the film through its hilarious and the serious moments.

What was moving about All About Me was that it captured the joy of family in its best conditions. It is unrequited love, having a mutual support system, and endless inside jokes. As someone who works in education, how the Kerkeling family raise Hans-Peter is a great standard that parents and teachers can refer to. It illustrates the possibilities when you go along with a child's interests, instead of rejecting them offhand on the account of social norms or conventional thinking.

Hans-Peter has a natural God-given theatricality and develops a comedy bug as a child, doing impersonations of old ladies at the local mom and pop shop. When Hans-Peter wants to dress up like a woman for a local festival, his family encourages it, despite the occasional grimace from other families. "Just do what you want to do and forget what other people think," Hans-Peter's grandmother tells him. The routine of performing spontaneously improvised comedy bits for his family becomes the seed for his future comedy career.

All About Me is on my current top ten of 2019. It was serendipitous that I got to see it having perused its poster display walking out of Pain and Glory in a Taipei movie theater. It was a box office hit in Germany. If the film is released in your local arthouse cinema, go have a good laugh and a good cry.

Ein wunderbarer Film, der meine Ansicht von "deutschem Kino" positiv erschüttert hat. Normalerweise befindet sich Filmmaterial zwischen Tatortverschnitten, 2. Weltkriegdrama und Til-Schweiger-Komödien...

aber dieser Film war anders.

Ich habe ihn nur durch Empfehlungen gesehen, da ich mich selbst nie in das deutsche "Klischeekino" wage - und der Film fast ähnlich zu anderen Komödien aussah. Weit gefehlt. GENIAL.

Hans-Peter "Hape" Kerkeling ist ein Urgestein der deutschen Comedy - oft wurde seine selbst erschaffene Kultfigur "Oskar Schlemmer" verlacht. Aber dies ist endlich der Film nach der Autobiographie, der offen legt - warum er so exzentrisch und expressiv sein Talent auslebte... wie er seinen Träumen folgte und so zu etwas unvergesslichem der deutschen Mediengeschichte werden konnte.

Ein Film über den Jungen Hans-Peter und seine depressive, überforderte Mutter. Über eine herzliche Familie, Lebenslust, Lachen, Schmerzen und Träume. Oskar konnte seine Mutter nur durch Witze und Verkleidungen zum Lachen bringen - und fand sich als kleines Kind auf der Bühne plötzlich ... wieder.

Großartige Regie, natürlich wunderbares Geschichtenmaterial von Kerkeling und fantastische Schauspieler, gerade der Junge Julius Weckauf bringt frischen Wind, viel Talent und nuancierten Humor auf die Leinwand.

Zeitzeugen (also die Generation, die in den 70ern groß wurde) sagt mir aus ihrem Erleben, dass sie die Darstellungen der Läden, Räume und visuellen Welt ähnlich empfangen, wie es im Film dargestellt wird... hier entspinnt sich ein authentisches Bild nicht nur über Menschen und ihre Probleme, die ihr Leben verändern... sondern auch der damaligen Welt.

Ich bin froh, dieses Schmuckstück gesehen zu haben und ein wenig mehr daran zu glauben: Alle Wunden können uns zum wachsen bringen - und wir können Träume erreichen, wenn wir nur daran glauben... und es ein paar Menschen gibt, die auch an uns geglaubt haben, irgendwann auf dem Weg.

Wunderbar, must see!

This film about the childhood of germanys most famous comedian went deep under my skin. Not only for fans of Hape Kerkeling this is a true loveletter to individuality and crazyness. The local dialect and peculiarities of the "Ruhrgebiet area" are on point and reminded me of my own childhood. Also: strong female roles and great acting. Treat yourself!

We laughed a lot, cried a little and were all amazed by how good the film portrays the emotions of being in a big, a bit weird family in Germany. This film connects with you through strong performances and is just beautifully done.

Now it wont be for everyone and probably will not translate (both in terms of language and culture) but for Germans it is a must see.