Der Junge muss an die frische Luft

It's as surprising as it is amazing to feel like a movie has actually been built around a real life. The kid is just amazing in the role, absolutely 100% believable and at points you just forget that you're watching a film.

There's really not much more to say here. Watch the movie. It doesn't get a much better than this.

Schöner Film über Hapes Kindheit. Lustig und traurig zugleich. Tolle Schauspieler!

I admit it, I hate German cinema. Either the plot revolves around some marketing persons in their swanky villas or nobles in their castles. German cinema strives to be far removed from reality. This film is such a beautiful and also sad exception to this rule. It is so funny and sad at the same time. Fantastic actors down to the smallest role, especially little Hape (Julius Weckauf). I am really happy that there is also a German film worth seeing. A great work.

This film about the childhood of germanys most famous comedian went deep under my skin. Not only for fans of Hape Kerkeling this is a true loveletter to individuality and crazyness. The local dialect and peculiarities of the "Ruhrgebiet area" are on point and reminded me of my own childhood. Also: strong female roles and great acting. Treat yourself!

Based on Hape Kerkeling's autobiographical novel, "Der Junge muss an die frische Luft" is one of the most extraordinary German mainstream-fitted films to be released in recent years. People who have never lived in Germany probably won't be particularly familiar with Hape Kerkeling's comedy, but as someone who has continuously watched his presence in German television while growing up, I was probably the perfect target for the film's intention to hit all the nostalgia nerves. It paints a beautiful picture of small-town Germany during the early 1970s, not to mention a stellar performance by young Julius Weckauf, who may just have given one of the best child performances I have seen in a long time. He took over Hape Kerkeling's person and completely vanished into the character, allowing for a very compelling viewing experience.

The movie capably handles tragedy and humor, keeping both of these aspects in perfect balance and allowing the audience some room to laugh one minute and cry the next (I won't lie, I did both of those things). Caroline Link's film probably can't be called critic-proof; someone who wants to find flaws probably will, but as for me, I absolutely loved the experience of just letting this portrait of a boy's upbringing in Germany during the early 70s sink in. Ursula Werner's performance as Oma Bertha is especially note-worthy; she's a scene-stealer whenever Julius Weckauf isn't (which is a rare incident). I fear people outside of Germany probably won't ever get to see this film unless they embark on an extended search for it, though I also think people outside of Germany probably won't care, as long as they aren't familiar with Hape Kerkeling himself. But honestly, even if you don't know anything about him, this is just a fantastic film which is a more than worthy way to spend 100 minutes of your time with.