L'art du mensonge

'The Good Liar (2019)' is, in essence, nonsense, comprised of twists either far too obvious or completely out of the blue. Even though its marketing all but spoils its most major revelation, the flick still plays as a relatively unassuming drama until a final exposition dump aims to re-contextualise its plot, turning the affair into a pseudo thriller. Perhaps this is an effort to provoke a second viewing, but the movie doesn't have an ounce of ambiguity or, indeed, foreshadowing. It makes for a completely blindsiding ending that has little to no consequence because it feels so utterly disconnected from everything we've seen prior. The protagonist is suddenly transformed into something they never were before and we're just expected to accept it, to change allegiances at the last minute. This is a big ask and it makes for an unsatisfying end. Conceptually, it's fine, it's just that its execution doesn't capitalise on its potential. The picture isn't bad, though. It's forgettable and retroactively strained but it's engaging enough. The two leads are as good as you'd expect, playing ever-so-slightly against type and feeling comfortable while doing so. The actual writing is decent, if a little cheesy, and the direction is competent. There are a couple of OAP scuffles that work surprisingly well, too. Generally, it's relatively enjoyable throughout, despite some eye-rolling moments. It does feel a bit 'BBC 2' but it's not a bad effort, even though it's already fading from my memory. 6/10