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Karla Souza in Le meilleur est à venir (2016)

News

Le meilleur est à venir

Ex-Netflix Exec Juan Mayne Launches N&l Films (Exclusive)
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Former Netflix exec Juan Mayne has hung his own shingle, Madrid-based N&l Films, which is bulwarked by strong talent relationships, a strategic alliance with Exile Content and a sure sense of market opportunities for Spain-based independent producers.

Exile Content and N&l Films have struck a first-look development deal. Jeff Glaser, who oversaw Netflix production finance in Mexico City and Madrid, has joined the company.

N&l’s first slate includes a Mexican remake of “Miracle in Cell No. 7,” co-produced by Rock & Ruz and Mexico’s Corazón Films, which will handle distribution in the country, and “Aristides: A Righteous Life,” the true-life account of a Portuguese diplomat who saved thousands from the Nazis in WWII, from Seanne Winslow.

N&l is also in conversations with with Lluis Quilez and Fernando Navarro – director and writer of Netflix Top 10 non-English movie “Below Zero” – to develop a true crime film based...
See full article at Variety Film + TV
  • 5/20/2023
  • by John Hopewell
  • Variety Film + TV
Netflix Touts New Pics from Mexico’s Rodrigo Prieto, Fernando Frias, Ernesto Contreras (Exclusive)
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Netflix has reaffirmed its 300 million commitment to Mexican cinema and series, announcing a slew of new movie projects to celebrate the country’s National Day of Cinema on Aug. 15 and as part of its #QueMéxicoSeVea initiative.

The year-old initiative, which can be roughly translated to “Let Mexico Be Seen” has the mission “to make visible the work of Mexican creators, screenwriters, writers, directors, actors and people who make national cinema possible,” as well as its wealth of original stories.

Leading the pack is the widely anticipated directorial debut of Oscar-nominated cinematographer Rodrigo Prieto who is helming an adaptation of Juan Rulfo’s seminal novel, “Pedro Paramo.” Produced by Redrum, the film’s crew includes Oscar-nominated production designer Eugenio Caballero and costume designer Anna Terrazas, whose notable credits include “Roma,” “Spectre” and “Bardo.”

“Our commitment to Mexican culture also includes adapting great Mexican works to the cinema, and ‘Pedro Páramo’ will...
See full article at Variety Film + TV
  • 8/11/2022
  • by Anna Marie de la Fuente
  • Variety Film + TV
Pantelion Films, The Lift Start Production on Ambitious Movie ‘La Usurpadora, the Musical’ (Exclusive)
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Major Latino Hollywood studio Pantelion Films is starting production on what it describes as its “most ambitious undertaking to date”: “La Usurpadora, the Musical.”

Given Pantelion was the distributor of “Instructions Not Included,” the highest grossing Spanish-language film of all time in the U.S., as well as producer of “No Manches Frida,” its highest grossing Spanish comedy, that claim to ambition means something, singling out “La Usurpadora, the Musical” as one of the big Spanish-language releases of 2022.

Produced by Pantelion Films and The Lift Entertainment, the movie marks a modern musical adaptation of one of the most succesful telenovelas of all time, “La Usurpadora,” a 1998 Televisa classic that hit huge ratings and was exported to 125 countries.

Directed by Santiago Limón,, “La Usurpadora, the Musical” teams music producer Sebastian Krys, winner of eight Grammy awards and 12 Latin Grammy awards, choreographer Priscilla Hernández, creator of the Day of the Dead parade in “James Bond: Specter,...
See full article at Variety Film + TV
  • 12/2/2021
  • by John Hopewell
  • Variety Film + TV
‘How to Get Away With Murder’ Star Karla Souza to Headline Ana Cristina Barragan’s ‘The Ivy’ (Exclusive)
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Karla Souza, co-star of “How to Get Away With Murder” and star of two of the three highest-grossing Mexican films of all time – “¿Qué Culpa Tiene el Niño?” and “Nosotros los Nobles” – is bringing her marquee clout to “La Hiedra” (“The Ivy”), the third feature from on-the-rise Ecuatorian writer-director Ana Cristina Barragán.

Now at second draft re-write, “The Ivy” will be presented by Barragán and Souza at the 2021 Rotterdam Festival CineMart co-production market.

Born in Quito, Barragán broke out with her debut feature, “Alba.” Ecuador’s Oscar submission, it was selected as one of five titles at the 2015 Bal Goes to Cannes showcase, world premiered at the 2016 Rotterdam Festival, winning the Lions Film Award, and subsequently snagged a special mention at San Sebastian’s Horizontes Latinos.

“The Ivy” is set up at Ecuador’s Botón Films, headed by producer-director Joe Houlberg, director of “Thirst,” a groundbreaking psychological thriller for Ecuador,...
See full article at Variety Film + TV
  • 1/11/2021
  • by John Hopewell
  • Variety Film + TV
Baston, Symon, Martinez Unveil Elefantec Global (ExclusIVe)
Miami — Three of Latin America’s best known TV execs – José ‘Pepe’ Bastón, Jeff Symon, Carlos Martínez – have unveiled Elefantec Global, a content production-distribution house which adds a new and significant player to Latin America’s – and Turkey’s – content creation scene.

Based out of Los Angeles, Miami and Mexico City, Elefantec Global has also revealed its first talent relationships and a clutch of its first titles, as it made its official market bow at Natpe, hitting the ground running with over 50 original media properties in development, including dramas, biopics, comedies, thrillers and scripted reality.

Unveiled to Variety Wednesday at the Natpe conference in Miami – where the executives took discreet one-to-one meetings with targeted potential clients – Elefantec sees Bastón, a former president of Mexican TV giant Televisa, join forces with Symon, who previously headed up the Global Content, Distribution & Licensing & Merchandising Business for Grupo Televisa, and Martínez, ex-president of Fox Networks Group Latin America,...
See full article at Variety Film + TV
  • 1/23/2020
  • by John Hopewell
  • Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

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