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3.4/10
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A young couple moves into their dream house, which quickly becomes a living nightmare upon discovering a demonic secret awaiting them perennially in the cellar - with unholy pleasures, fear ... Read allA young couple moves into their dream house, which quickly becomes a living nightmare upon discovering a demonic secret awaiting them perennially in the cellar - with unholy pleasures, fear feasting and a brute for all who cross its' path.A young couple moves into their dream house, which quickly becomes a living nightmare upon discovering a demonic secret awaiting them perennially in the cellar - with unholy pleasures, fear feasting and a brute for all who cross its' path.
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A young couple (Natasha Henstridge and Lukas Hassle) moves into the house of their dreams which quickly becomes a living nightmare when they discover a dark secret awaiting them in the cellar.
This film is getting some awful reviews. And yes, indeed, it is not a great movie. But look at it for what it is. I think Rolfe Kanefsky succeeds in what he set out to do -- get together a large handful of genre stars and get them to make a somewhat scandalous horror film.
Honestly, there are far, far worse films out there, especially in the horror genre. This one at least redeems itself by having a sense of humor. And yes, it is more smutty than I typically appreciate in a film, but that is exactly what it set out to be. So I can understand mixed feelings, but the overly negative responses seem harsh.
This film is getting some awful reviews. And yes, indeed, it is not a great movie. But look at it for what it is. I think Rolfe Kanefsky succeeds in what he set out to do -- get together a large handful of genre stars and get them to make a somewhat scandalous horror film.
Honestly, there are far, far worse films out there, especially in the horror genre. This one at least redeems itself by having a sense of humor. And yes, it is more smutty than I typically appreciate in a film, but that is exactly what it set out to be. So I can understand mixed feelings, but the overly negative responses seem harsh.
Married couple Paul and Jennifer (Lukas Hassle and Natasha Henstridge) move into their dream home blissfully unaware that there is an incubus (a horny devil in more ways than one) trapped in the basement. When Paul accidentally frees the demon, he becomes possessed by the evil creature, which proceeds to seduce and kill those who cross its path.
The Black Room begins two years earlier with Miss Black (Lin Shaye) woken in the night by the incubus, the monster somehow escaping its prison in the form of smoke (logic is not this film's strong point). While Miss Black screams at the monster, the invisible incubus enters the room where sexy granddaughter Dawn (Alex Rinehart) is sleeping, peels the duvet off her bed, removes her nightie, fondles her nipples, whips off her panties and gives her an orgasm. It's that kind of film.
Dawn is then lured into the basement, where she is groped by slimy demonic hands before being roasted by a fiery blast from the furnace. So far, so tawdry and trashy.
And so it continues, as Paul and Jennifer take ownership of the property, both keen to have sex as soon as possible in their new home, but unable to find the right time. The demon finds a way to keep them both happy, however, using its powers to satisfy Jennifer in the bath and give Paul head while he relaxes in bed.
The horror begins after Paul unwittingly releases the incubus, and becomes possessed, with several people meeting sticky fates: electrician Oscar is dragged into the 'black room', leaving behind his severed fingers; Jennifer's goth sister Karen (Augie Duke) has her mouth torn open by the rapey incubus's schlong; plumber Leo has his head crushed in a washing machine door by the undead Karen; and housewarming guests Howard (Caleb Scott) and Stacy (Dominique Swain) wind up in the basement as demon food.
Eventually, Jennifer realises the truth and attempts to rid her husband of the incubus (using a metal disc with a glowing 'eye') before the creature can be reborn, none of which makes much sense. Despite a reasonable cast (Henstridge, Swain, and Shaye are deserving of much better), the film amounts to little more than some cheap titillation, a touch of not-very-impressive gore, and lots of really bad visual effects.
3.5/10, rounded up to 4 for Henstridge making her washing machine blow up. Way to go!
The Black Room begins two years earlier with Miss Black (Lin Shaye) woken in the night by the incubus, the monster somehow escaping its prison in the form of smoke (logic is not this film's strong point). While Miss Black screams at the monster, the invisible incubus enters the room where sexy granddaughter Dawn (Alex Rinehart) is sleeping, peels the duvet off her bed, removes her nightie, fondles her nipples, whips off her panties and gives her an orgasm. It's that kind of film.
Dawn is then lured into the basement, where she is groped by slimy demonic hands before being roasted by a fiery blast from the furnace. So far, so tawdry and trashy.
And so it continues, as Paul and Jennifer take ownership of the property, both keen to have sex as soon as possible in their new home, but unable to find the right time. The demon finds a way to keep them both happy, however, using its powers to satisfy Jennifer in the bath and give Paul head while he relaxes in bed.
The horror begins after Paul unwittingly releases the incubus, and becomes possessed, with several people meeting sticky fates: electrician Oscar is dragged into the 'black room', leaving behind his severed fingers; Jennifer's goth sister Karen (Augie Duke) has her mouth torn open by the rapey incubus's schlong; plumber Leo has his head crushed in a washing machine door by the undead Karen; and housewarming guests Howard (Caleb Scott) and Stacy (Dominique Swain) wind up in the basement as demon food.
Eventually, Jennifer realises the truth and attempts to rid her husband of the incubus (using a metal disc with a glowing 'eye') before the creature can be reborn, none of which makes much sense. Despite a reasonable cast (Henstridge, Swain, and Shaye are deserving of much better), the film amounts to little more than some cheap titillation, a touch of not-very-impressive gore, and lots of really bad visual effects.
3.5/10, rounded up to 4 for Henstridge making her washing machine blow up. Way to go!
I watched about close to an hour of this trash and just couldn't watch it any more. I heard it was so bad it's good, and I have watched a fair few of the b movies they live up to that standard sadly this one didn't. The acting was terrible I have no idea if it that was intentional or not given the talents from the cast my guess is bad direction. There was no straight forward plot to keep you intrigued , a simple plot line to follow would have made a difference, all I know is a couple bought a house without inspecting it weird things happen for no reason that's about it. I heard it was supposed to be a parody or comedic elements , there was nothing funny at all apart from the bad acting. Dont go by the 9s and 10s of this, it is so bad it is actually bad.
Good intro. Starts out with enough oversexed camp that seems to favor that back in the day horror movie style. Let's me know the tone that I should expect, which I was not expecting cause I was expecting a horror movie trying to actually do horror (At least I'm hoping this movie is not trying to scare me cause it did not work). Gives the essence that this is going to be a light horror film metaphorically poking fun of the concept of how those slasher movies of the 80s seem to be all about sexual frustration. It was arousing watching Natasha Henstridge give us a tease as a woman who moves into a house with her husband that seems to be haunted by an incubus (AKA a male sex demon), and of course it possesses her husband than tries to bang everything in sight, except for his extremely hot wife. Give the movie credit for equality as they had scenes of erotic horror that's not focus on women. Not my cup of tea but respect for attempting the balance.
I personally don't see a horror movie here, it's mostly a parody of this, which is not to say it's bad, it's actually really great for what it is, but if you are expecting to be frighten or see some scary monsters that's not gonna happen, but the imagery is definitely really cool to see, and Henstridge is still hot.
http://cinemagardens.com
I personally don't see a horror movie here, it's mostly a parody of this, which is not to say it's bad, it's actually really great for what it is, but if you are expecting to be frighten or see some scary monsters that's not gonna happen, but the imagery is definitely really cool to see, and Henstridge is still hot.
http://cinemagardens.com
This is simply a gawd awful film. There's not a believable character to be found, let alone empathize with. Generally I'm one to watch a movie to it's end once I've started it and this one was no exception. It was a complete 94 minute waste of time. The plot is hardly original but it could have (and has been) done much, much better than it is here. I've loved the horror genre ever since watching Bela Lugosi in Dracula as a kid many many years ago. There is absolutely no horror, or even a good fright, in this flick. How it's gotten any rating on here higher than a 2 is beyond me.
Did you know
- TriviaMilena Gorum's debut.
- Crazy creditsThe disclaimers at the end of the credits has usual "all names, characters, etc. ... are fictitious", "no animals, human beings, spirits or demons were harmed" but says "Except The Incubus".
- SoundtracksTarkus (Title Sequence)
Written by Keith Emerson and Greg Lake
Performed by Royal Philharmonic Orchestra
- How long is The Black Room?Powered by Alexa
Details
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 2.39:1
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