Tableau de chasse

This is Poland's entry to the Academy Awards and it was not chosen among the five nominees. An old woman living alone in a farmhouse goes on a mission to stop the areas hunters from killing the wildlife. The culture is one with a long tradition of hunting the deer, wild boar, and especially foxes for their furs. They are skinned alive for their pelts, and it is quite vicious. The woman reports a series of murders of the hunters, and she becomes a pain in the ass to the police with her theories based on astrological charts of the local population. The ending is not what I expected, and this is a really strange movie.

East Europe's quality display in all of its glory. Detail view of the nature is superbly put together. Directors from this part of the world have class and taste.

Storyline tempo was too jerky switching from the opening to the conclusions. The events of revelations seemed to lost its tempo. And the detail of character within is blurred from one unto another. Like a car chase with the same type of car with the same type of color. You cannot grasp who is chasing who...

But overall this movie have landed an arrow in my heart like a cupid of destiny. Bravo

A fascinating film and offers a glimpse into post communist Polish society. I don't know much about Poland, I'm an American who has never visited Poland,, but from all that I've read and glean from the last 20 years , the corruption in communism didn't just disappear overnight with a change in government. It seems to be a problem for many Eastern European post communist countries. Highlighted here is not just the indifference and corruption of the police and the political establish meant , but also the horrible way in which wildlife is treated , but also, as a geriatrician, I think discrimination against elderly people is subtle and pronounced, not just in Eastern European countries, but also in the West. The brilliant acting shows the subtle ways in which the concerns of an elderly teacher are ignored, and even ridiculed. As to the anti-hunting bias, I'm not anti-hunting, in fact, hunters in the United States, are often strong conservationists, but I just think you did don't need to kill animals in order to enjoy nature. I used to have when I was young, long ago switched to wildlife photography.

A great movie about a a strong yet gentle character who cannot accept people being cruel to animals or each other. She helps kids and mistreated women apart from her passion: wild life. She gets to know people in depth because she is open to them- never mind how she does it, the key words here are she does! The photography is exceptional too. Great acting! A refreshing movie for those of us who have been watching too many made-up/always-looking-perfect actors in Hollywood movies.

SPOOR (Pokot) was a Competition film at the2017 Berlin film festival. My festival day started with a trip to West Berlin to see this Polish competition entry at the lavish ZOO Palace theater, the most luxurious movie house on Earth at this moment. Agnieszka Holland's SPOOR, (Polish, Czech, Slovak co prod) takes place in a village in Southern Poland near the Czech border. It was (for a change) a very good competition film after a string of losers, with an unusually strong performance by Agnieszka Mandat (64) as Duszejko, the older woman who lives alone with her beloved two dogs, Whitey and Leila. When they disappear mysteriously she sets out on a crusade to stop the murder of animals in this wildlife rich region. The heavy in the film is the local priest..During a church sermon where he is basically defending the right to kill animals on religious grounds she gets up and berates the assembled congregation with the words "How can you listen to this bullshit!" and storms out. A film that Brigitte Bardot will love as will all animal lovers everywhere. Agnieszka Mandat could be a strong contender for an actress Bär in a Berlin competition slate rich with strong feminine roles. Another strong entry in polish director Agnieszka Holland's extremely varied filmography. Ms. Holland, now 68, began her career in Poland as an assistant to Andrzej Wajda then left Poland to flee Communusm and made many landmark in English with top international stars. Holland is arguably the outstanding woman director active in the world today.