IMDb RATING
6.0/10
2.8K
YOUR RATING
Olivia and Matthew Grey are 18-year-old twins born into a world of privilege and high expectations. There are almost no boundaries between them; even their dreams are connected.Olivia and Matthew Grey are 18-year-old twins born into a world of privilege and high expectations. There are almost no boundaries between them; even their dreams are connected.Olivia and Matthew Grey are 18-year-old twins born into a world of privilege and high expectations. There are almost no boundaries between them; even their dreams are connected.
Josh Schell
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- (as Joshua Schell)
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It's a good movie, but the relationship between the brother and sister is way too weird for me. Sometimes, I forgot they were siblings.
Personifying the ED voice is exactly the tangible concept so many people who do not understand eating disorders needed to see in order to get a glimpse into the eerie, dark world or anorexia. Bellisario is the first person I've ever known to be able to articulate, from a sufferers perspective, what it is to have anorexia. She did it without sensationalizing, glamorizing, or glorifying it. I am 1 1/2 yrs into recovery and watched it without being triggered but rather with such empathy and hope that non-sufferers could finally get a small glimpse into the world of anorexia. I agree with another reviewer that stated Feed should be the movie that is getting national attention as THIS movie is more true to the nature of the illness.
Brilliantly done Troian Bellisario!! Standing ovation! I truly hope this film gets the recognition it so rightly deserves.
Brilliantly done Troian Bellisario!! Standing ovation! I truly hope this film gets the recognition it so rightly deserves.
Although an eating disorder comes into play as the sister tries to quickly join her twin brother I'm not sure if that is the main focus of this story. It seems that anxiety disorder, depression, hallucinations, schizophrenia, and even a possibility of a brain injury from her car accident created this alternate reality that we experience throughout the story. Very well acted, and of course the writers had to leave a "you decide the ending" ending.
It's hard not to review this film without comparing it to To the Bone, due to them tackling the same subject matter and coming out so close to one another. But watching To the Bone first really enabled me to put my finger on what it was I liked so much about this film, and why it was so different to other portrayals of anorexia I've seen. It really allowed you to get into the mind of the sufferer, and drove home the fact that it is more than just not eating, that it is all consuming and that it becomes your reality. Where I saw To the Bone as a kind of surface level exploration of the disease and the way it's perceived by others, that ultimately added nothing much to what people already know about it, you can see that Feed was created with the sole intention of allowing people to empathise and understand this condition more. It let us get into the mind of the individual rather than just watch them, and not once did I feel as if it was used as a plot device or a quirk to drive another story.
Anorexia never had to even be said out loud, and yet we saw it through Liv's visions of her brother, who I suppose is the physical incarnation of the voice that an individual hears. The way it was done was very clever, and less obvious. The whole thing was beautifully shot, acted and written. Lastly, I thought the ending was very, very realistic and true to how an individual with an ED really moves on with their life, and the nature of recovery.
Anorexia never had to even be said out loud, and yet we saw it through Liv's visions of her brother, who I suppose is the physical incarnation of the voice that an individual hears. The way it was done was very clever, and less obvious. The whole thing was beautifully shot, acted and written. Lastly, I thought the ending was very, very realistic and true to how an individual with an ED really moves on with their life, and the nature of recovery.
I have to say, as an aspiring writer who has been failed by society and its twisted way of diminishing mental health, I am in complete awe. I knew Troian and Tom were something but this is beyond. Rarely have I seen movies that depict mental health from a place that is so real. Rarely have I seen movies that show the ugly as beautifully as Feed does. I knew of Troian's history with mental health from what she has mentioned in interviews but honestly had I not known, after watching Feed, I would still know. There seems to be an authenticity to art when it comes from experience. There is a truth that however long you study a case, you can never truly understand and portray have you not lived through it yourself. I know too much how tough writing about certain things can be and that is also probably why I am so touched by Feed. Troian, you did all of this so courageously and I personally thank you for it. Tommy, your directing is so unique and delicate, I look forward to seeing more features of yours. Also, props to Jennifer Vecchiarello for the editing. I can oddly tell that this film was made for good reasons, and that makes it earn so many points.
Did you know
- TriviaTroian's character's battle with a near-fatal eating disorder in the film was inspired by the actress' own battle with an eating disorder in real life.
- GoofsWhen Tom Felton's character Matt is using two pens to tap on a table while Troian Bellisario's character Olivia is talking to her science teacher, the blue pen starts in his right hand and the black pen starts in his left hand, but when the scene cuts back to Matt, the pens have swapped the hand they were held in.
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- Eternamente hermanos
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- Runtime1 hour 35 minutes
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