Oasis's breakthrough years documented into a detailed depiction of the band from the formation in Manchester in the early 1990s leading up to the legendary performance at Knebworth Festival.Oasis's breakthrough years documented into a detailed depiction of the band from the formation in Manchester in the early 1990s leading up to the legendary performance at Knebworth Festival.Oasis's breakthrough years documented into a detailed depiction of the band from the formation in Manchester in the early 1990s leading up to the legendary performance at Knebworth Festival.
- Awards
- 2 wins & 2 nominations total
Paul Arthurs
- Self - Rhythm Guitar
- (as Bonehead)
Christine Biller
- Self - Ignition Management
- (as Christine Mary Biller)
Debbie Turner
- Self - Rhythm Guitar & Singer, Sister Lovers
- (as Debbie Ellis)
Peggy Gallagher
- Self - Noel and Liam's Mother
- (as Peggie Gallagher)
Tim Abbot
- Self - Creation Records
- (archive sound)
Richard Ashcroft
- Self
- (archive footage)
Featured reviews
I have never been a big fan of Oasis, considering them to be a simple rehash of old musical ideas spiced up with a heavy dose of Manchester attitude, but I found this film to be utterly compelling. It was shown on TV in the UK at 10pm when I was ready to retire to bed but my wife and I ended up glued to it and watched the whole thing.
I played in a Manchester band in the early 90s and I thought I knew everything I needed to know about Oasis but this film revealed a new perspective. Rather than the snarling, foul-mouthed oaf he is depicted as in the UK media (and by his brother) we see Liam as a far more three-dimensional character, projecting glimmers of genuine charisma and talent alongside the sweary outbursts. It's a PR job of course, but a very good one nonetheless.
And that's where the only real problem with this film lies; it is an advert for brand Oasis and it is very kind to them. The film sees us through to the peak of their fame with the massive sold-out shows at Knebworth, but we don't get any insight into the wasted opportunities and rapid decline which followed. As impressive as the band's rise was, the story arc doesn't feel complete.
I would recommend this film to anyone interested in rock music though, even if they don't particularly like Oasis. In fact, if you don't know their story already that probably just makes it all the more interesting.
I played in a Manchester band in the early 90s and I thought I knew everything I needed to know about Oasis but this film revealed a new perspective. Rather than the snarling, foul-mouthed oaf he is depicted as in the UK media (and by his brother) we see Liam as a far more three-dimensional character, projecting glimmers of genuine charisma and talent alongside the sweary outbursts. It's a PR job of course, but a very good one nonetheless.
And that's where the only real problem with this film lies; it is an advert for brand Oasis and it is very kind to them. The film sees us through to the peak of their fame with the massive sold-out shows at Knebworth, but we don't get any insight into the wasted opportunities and rapid decline which followed. As impressive as the band's rise was, the story arc doesn't feel complete.
I would recommend this film to anyone interested in rock music though, even if they don't particularly like Oasis. In fact, if you don't know their story already that probably just makes it all the more interesting.
Biblical, well I ain't no God fearing person but Whatever, the film captures, for most part, the simplicity we brought to being a modern day Rock n Roll star.There are two sides to it for the fan and the icon. The buzz of being recognized,quoted, followed and rich are fantastic and trying.To wake up and think "yeah I am really famous" as a first thought of the day is a buzz, a high better than any drug. But then after a while it grinds you down and you kinda want it to go away at times but it doesn't want too.I think the film shows signs of that and the demise was fame fatigue amongst other things.For the fans this is showing that we are just lucky guys who wrote and performed some great songs that caught the mood around at the time for a certain generation. Don't forget the Blur's and Suede and Elastica's but it's our tunes and our story that mirrors the times. Politics were dirty and confusing. The media were trying to create a Britpop scene and worse thing potato head did was sip champagne with Tory Blair, sorry Tony Blair. Stupidity aside come and rock n roll with me and the boys, I am all the things they say I am and then again I am nothing that has been written. One thing guaranteed. Love me and I will love you back. What makes the world go around? We did for sometime anyway. Love LGx
Popular musicians can pass from obscurity to worldwide fame in a very short period of time; and that's the focus of 'Oasis: Supersonic', a documentary which charts the rapid rise of the Gallagher brothers' band. It's a not uninteresting story: the group sprung from humble origins, its two leading figures were both combative in nature (especially with each other), but the basic narrative here is the story of sudden, overwhelming fame. There's a merciful absence of outside talking heads, which means we are spared solemn pontification abot their musical significance, but also there's no discussion of the general 'Britpop' phenomenon of which Oasis were just one part. But Noel and Liam are sufficiently frank that it doesn't feel like an airbrushed history either; we do get a sense of what it was actually like to be part of Oasis at this time. As with any music documentary, the music itself is part of it: personally I liked Oasis's their retro rock-and-roll sound even if it wasn't outstandingly innovative, so I enjoyed the soundtrack. The film ends with musing that, in the modern digital age, a similar story couldn't happen now. In general, I'm sceptical about theories about the end of history; even so, twenty-plus years since Oasis played Knebworth, it's hard to think of a band since that has, however briefly, seemed so totally to capture the national mood.
Oasis climbed to success at an amazing speed. They went from performing together for a few times to recording an album and gaining some fame and momentum, to recording a second album and becoming the biggest band on the planet. At their peak, they claimed to be better than the Beatles. Well, I don't know about that, but I guarantee that the legion of fans they had, that could have filled up a stadium 2 weeks in succession is not something to take jokingly. Either way, we are not here to discuss the quality of the band, but rather, the quality of the documentary. My opinion: the documentary is great, but I don't know if I am biased and that the cheer pleasure of seeing footage of one of my favorite bands makes me the worst person to give an opinion about it. Let's put it this way: unless you hate the Gallaghers, what you find in the documentary is guys with great personality, full of desire to enjoy life who became rock stars and lit up the world. I think that's a good enough reason to watch anything.
Some young men, very sincere, strongly talented and even winsome, in the end. The film is nice, easy to watch and not boring (a bit repetitive sometimes). I would recommend it to anyone loving or simply interested in music.
The songs are good, some of them outstanding. Nothing to do with the Beatles, not that kind of history and any comparison would end to be heavy and unmotivated. They were a good band, nevertheless (and an incredibly successful one), one of those having the gift of making music simple: good ear, good voices, good sound
Near the end Noel Gallagher states that ' people will never, ever, ever forget the way that you made them feel '' and I wish with him this to be true.
The songs are good, some of them outstanding. Nothing to do with the Beatles, not that kind of history and any comparison would end to be heavy and unmotivated. They were a good band, nevertheless (and an incredibly successful one), one of those having the gift of making music simple: good ear, good voices, good sound
Near the end Noel Gallagher states that ' people will never, ever, ever forget the way that you made them feel '' and I wish with him this to be true.
Did you know
- TriviaWhen the location for the UK premiere was announced to be London, Liam Gallagher took to Twitter to vent his anger, saying that it should be in Manchester, where Oasis were originally based.
- ConnectionsFeatured in Breakfast: Episode dated 3 October 2016 (2016)
- SoundtracksShakermaker
Written by Bill Davis, Roger Greenaway,Bill Backer (as William Backer), Roger Cook & Noel Gallagher
Published by Universal Music Publishing Ltd
o/b/o Dick James Music Ltd & SM Publishing (UK) Ltd
Performed by Oasis
Licensed courtesy of Big Brother Recordings Ltd
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Supersonic
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $242,867
- Opening weekend US & Canada
- $16,880
- Oct 30, 2016
- Gross worldwide
- $1,492,044
- Runtime2 hours 2 minutes
- Color
- Aspect ratio
- 2.35 : 1
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