Monster

A little different in terms of comparing this series to other Nordic thrillers. A little slow and plodding, but makes for some interesting characters....especially the women. A relatively new and young actress who plays JANI in the series is interesting in that she emotes much in her facial expressions and lack of speech. Nice job for her first major role. The main female cop, HEDDA, is also interesting in that she shows emotion both in expression and facial responses. most male characters, except for one, are old and dull, and you get tired of seeing them so much...but, alas, they are necessary to the story. The scenery is gorgeous and moody. This is definitely not your typical Hollywood crime thriller. Nordic regions, keep them coming.

Monster tries to make the most of the brilliant, mystical Artic circle, but in the end, for me, the script and pace was a massive let down. Monster is the starts with a missing persons investigation. The lead investigators are a combative couple - a prodigal daughter with a curious past who has returned to care for her ailing father, and a young detective battling his own personal demons. Missing turns to murder and the body count rapidly multiplies as the layers of the small community are peeled away to reveal infidelity, religious zealotism, drug trafficking and more. The investigators flounder as the looping plotlines entangle them and they push up against their own inadequacies (at a certain point one concedes that they are pretty hopeless at the job of detecting). The cinematography is lovely and some of the performances are compelling, but the pace is inconsistent and neither the undercurrent of mysticism nor the tightening circle of a murder investigation are fully realised. As the plot tangents multiplied, my suspension of disbelief was challenged by a few too many convenient coincidences, not to mention police work that would make the Keystone Cops feel like an elite force. I'm pretty sure that a 21st century Norwegian police force, even a small one, in the remote northern reaches, wouldn't settle for repeated crime scene violations and un-bagged, unsecured evidence being traipsed about the countryside. I swear I'm not being pedantic. It's those kind of details that serve as a huge distraction, particularly when the plot itself is at risk of sinking. I think Monster tries too hard to do too much, and in the end become so muddied that none of the storylines feel satisfactorily told.

Monster seems to fall under a sub-genre of Scandinavian noir that I've run into far too often: A crime drama set in rural Finland or Norway or Sweden that involves an ultra religious sect. Invariably, these shows have a large number of unlikable, damaged characters doing unlikable things. As a result, it becomes almost impossible to identify with or root for most of the characters. In Monster, even the detectives are hard to root for, with all their flawed and destructive behavior.

I quickly realized that I was getting little enjoyment out of watching the series. Yet, I somehow felt an obligation to see it through to the end. It was like a bad medicine that I had to take in the hopes of finally getting a payoff at the end. When I finished the final episode, I felt like I had run a marathon. I did in fact like the ending, but the journey there it was so filled with bleak and cynical characters that it was a joyless ride.

I watched the series on the PBS Masterpiece platform. Another strange thing about it was that the episode previews that would appear as you start each new episode were often inaccurate in their descriptions of the episode. Strange. While Monster wasn't terrible, I gave it a 6 and would not recommend.

Monster or as I have come to know it, "mord i vildmarken" (murder in the wildernes). Is a Norwegian thriller, that unfolds in the remote, northern reaches of Norway, somewhere near the Russian border. It's a small, isolated community, maybe not as tight-knit, as one might think. With secrecy, religion and more. After a young girl goes missing, the police gets their hands full. And we, the viewers, soon gets introduced to alot of new characters. Everyone with their own story and even agenda, it could seem. And it is surely a challenge, to try and figure out how the whole story fits together, with past events and current stories all entangled. Alot of the story, being told, aren't even important for the actual plot in the story. But then again, that all adds to the mystery and oddness. The cinematography ain't bad, the scenery is convincing and there is a general eerie feel to this story in the arctic north. There are none of the characters that you will "root for", and I'm sure it's intended that way. It adds to the whole story. However, I don't really think any of the characters performed outstandingly, but they weren't bad either. There are certain slower sequences, but not to a point where you start to get bored. I gave this 6 stars, which is typically my cutoff for something worth watching, with so much other on offer. In all, this series has enough to offer, to be worth a watch, good camerawork, decent performances and a mysterious thriller with alot of extra oddness added.

Can somehow please explain who killed who? I got thoroughly confused at end