Under the Sun

This is a documentary that sheds an unflattering light on the propaganda machine within the hermit kingdom known as North Korea. It's safe to wager that Russian filmmaker Vitaliy Manskiy didn't tell DPRK officials of his plans ahead of time.

To the North Korean government, the premise of the documentary is to follow an ideal family as their 8-year-old daughter, Lee Zin-mi, prepares to join the Children's Union (run by the Workers' Party) on the Day of the Shining Star (that's a fancy term for the North's "founder", Kim Jong-il's birthday). It's a great idea for a propaganda film! Anything that spews respect and admiration for the Great Leader will go over well in North Korea. Not to mention the reassurance and comfort the citizens will feel knowing how great and wonderful and protective Big Brother is.

What we end up seeing, however, is less propaganda and more how a propaganda film is made and that's not exactly favorable to the regime. The family patriarch, whose name we never do learn, is a print journalist, but that doesn't fit with the filmmaker's (government handlers') vision. For this "documentary", Zin-mi's father is an engineer in a garment factory. The reason for this sudden change of career becomes rather evident a little later during a ridiculously staged event. Mother works at a soy milk factory, an "essential job" that contributes to the excellent health of her family and friends. "Workshop" as the Handler likes to correct, "Not a factory." And it's not friend, it's Comrade because "it sounds better." It doesn't take too long to see where this film is going. Manskiy's handlers have scripted nearly every move the camera makes, and every word spoken.

The handlers are master exploiters, and the exploited are terrified. You can see it in their expressions and in their actions. If this were a movie you'd be laughing at the horrible acting. But this isn't acting, it's real. Frighteningly real. It's what happens after the camera supposedly stops rolling that makes this documentary. Manskiy dutifully films the action his handlers have scripted, almost as if he acquiesced to his role of propaganda cameraman. Unbeknownst to his handlers though, it is them who will be the stars of this film because the camera continues to record long after they believe it to be off. The manipulator becomes the manipulated.

TWO things you'll LIKE about "Under the Sun": 1) You'll learn a few things about North Korea, and you'll be thankful you don't live there. 2) There is no narrator per se, but there is some written text that appears on the screen every so often that further analyzes (albeit subjectively) a scene. There is English subtitles for spoken dialogue. It's important to listen (read) to what is being said. There's a particularly heart-wrenching scene where Manskiy, who is filming a crying girl, asks the handler to help her. The response is as disturbing as it is sad.

TWO things you'll DISLIKE: 1) Although informative, this film doesn't quite show enough of the neglected underbelly of North Korea. You won't see the starving and emaciated we often hear about. You won't see the abuses or horrifying examples of what happens to those who don't clap loud enough or aren't as effusive as they should be when instructed. Just as well, anyway, because what we do play witness to is troubling enough. 2) Some scenes are a little longer than they should be, almost to the point of being boring.

Under the Sun was well-received at Austin's SXSW Film Festival. It is a surreal film which was filmed by a Russian director who was given extraordinary access to film a family in Pyongyang, North Korea. Of course the entire film was scripted by the government and the director and his crew were monitored by government minders. The product is a picture of the family eating dinner, the young girl in class, the parents at work and everybody following the script. The young girl gets to join the children's union, a group that bears a striking resemblance to Hitler Youth. It is like a scene out of George Orwell that would fit well in Leni Riefenstahl propaganda film. Oddly, perhaps by accident or carelessness, the North Korean minders sometimes allowed the film crew to film some scenes where they are given instructions on what they want done in the next scene. The overall picture is eerie and it is difficult to tell whether the people just obey out of habit or out of fear. Are they complete automatons in most bizarre regime in the world? Do they even understand that there is alternative reality or have they been completely brainwashed to believe that they live in some sort of workers' paradise? While a little repetitive at times, Under the Sun is fascinating and rare chance to see inside the most isolated and repressive country on Earth. Recommended if you can deal with this sort of material.

A foreign crew is somehow given permission to shoot in North Korea. The term "documentary" is a bit far-fetch here, since everything is actually staged by an escort crew that supervises, scripts, directs and rehearses every scene being filmed.

If you want to see what George Orwell's NINETEEN EIGHTY-FOUR would look like if it became real life, watch this documentary.

Watching it, I got strong vibes of movies such as EQUILIBRIUM, METROPOLIS, SLEEPER and THE PRISONER. Basically, every movie which depicts life in a state of dictatorship becomes a reality here and Orwell's book is the bible. All the elements from his book can be found here: Pictures of the leader at every corner, a constant state of war with military at every corner and as the center of every class in school, brainwashing the minds of people since an early age and basically turning them into human robots that would obey everything they are being told to do and learning how to hate the Japanese and Americans, production is always told to be getting "more efficient", TV constantly broadcasts programs about the leader, his military and war, and you hardly see anyone smiling.

This is life in a constant state of fear and it's a living nightmare.

The movie is far from perfect – many scenes are way too long and repetitive, tighter editing could have made wonders here – but its value lies in the achievement of showing a surreal regime that is almost impossible to believe that still exists in the 21st century and showing how "reality" can easily be fabricated.

Good cinematography and excellent musical cues by Karlis Auzans.

6.5/10 Highly recommended

This would be a great documentary if permitted so by North Korea. However, movies transfer emotions from the location or situation to a person watching it. As my summary says, it did it perfectly. We cant really see what is happening inside North Korea and how people live their every day lives but this certainly gives an idea how it may be in reality. It still leaves a great deal of details to our imagination but certainly gives us a hint.

I will not comment or review this piece from a technical point of view as I could not focus on this part watching this. What we need to focus on, are certain aspects of life in North Korea and this staged documentary surely gives us an overview. You end up feeling upset, angry and at the same time heartbroken and in tears.

Filmmakers deserve thumbs up for trying to achieve the impossible and they did the best from what they have been permitted to get and still came out of country all together and alive.

This documentary is very important. It helps to show the manipulation that must go on daily in North Korea. The constant reminders to "be more joyful" or to act "with patriotism" demonstrate this. It is well worth watching, if for no other reason that to see how Orwellian the world can become if allowed.

But by the end of the film, I felt sympathy for everyone involved. The children, the parents, and even the handlers.

While the children and parents are being directed by the handlers, the handlers are following the directions of those above them, and so on. These handlers are simply people who want to do their jobs and avoid punishment, the same as everyone else. You can see it, especially in one scene towards the end, when they are tucking Zin-mi into bed. The North Korean director looks as tired as anyone else, and as downtrodden. Everyone has a role to play, it seems.

The film is conflicting because you have to wonder what could happen to these people for their failure to censor this film adequately. Or for their failure to act appropriately patriotic in some of the takes that the censors didn't want us to see. We have to hope that the honesty of this film didn't lead to anyone coming to harm.