IMDb RATING
7.3/10
1.6K
YOUR RATING
14-year-old Chakra is sold as a slave labourer to the captain of a Thai fishing vessel. The captain's rule on board is cruel and arbitrary.14-year-old Chakra is sold as a slave labourer to the captain of a Thai fishing vessel. The captain's rule on board is cruel and arbitrary.14-year-old Chakra is sold as a slave labourer to the captain of a Thai fishing vessel. The captain's rule on board is cruel and arbitrary.
- Awards
- 10 wins & 17 nominations total
Sovichea Cheap
- Minivan Driver
- (as Cheap Sovichea)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The Bravery of the 14 year old slave shines through, hope in a hopeless human story. Corruption of fishing Industry for dog and cat Food To sell in cans at Woolworths and Coles and supermarkets around the world involves Children slaves and humans being abused and exploited. PLEASE STOP BUYING CAT AND DOG FOOD
A 14 year old boy, Chakra (Sarm Heng), is tired of working hard and receiving only a small amount of money from his family. Chakra believes he is the hardest worker within the family and wants something more. He decides to run away from home and work elsewhere. His goal is to earn more money and return home to his family in due time. Unfortunately, Chakra is soon sold off to a slave worker who captains a Thai fishing boat. Chakra soon learns the Captain has cruel ways of running his ship. When Chakra and his fellow slaves don't submit to the daily work required or obey the rules, punishment and cruelty is enforced.
Buoyancy as a film is shot wonderfully. The film's style is rather creative in creating tension, drama and showing wonderful landscape and scenery shots. The director appears to enjoy aerial shots which were also effective in key moments.
Performances were outstanding, particularly from the leading actor played by Sarm Heng. He is simply convincing and believable. Portraying the situation the character falls into would not have been an easy task, especially considering this is based on real themes and event. Supporting actors, particularly those who are also on the fishing boats, were also outstanding.
Tension is a key element. With quality all around performances there is also a suspenseful element in this film, especially in regards to the film's audio track. The audio track has a huge part to play. It is somewhat basic but highly effective during tense moments.
Overall, make no mistake, Buoyancy can be classed as a tough drama film to watch but I personally have no regrets in seeing it. This film was a positive experience filled with solid performances and I would gladly recommend this film to many others.
8.1/10 Walkden Entertainment
Buoyancy as a film is shot wonderfully. The film's style is rather creative in creating tension, drama and showing wonderful landscape and scenery shots. The director appears to enjoy aerial shots which were also effective in key moments.
Performances were outstanding, particularly from the leading actor played by Sarm Heng. He is simply convincing and believable. Portraying the situation the character falls into would not have been an easy task, especially considering this is based on real themes and event. Supporting actors, particularly those who are also on the fishing boats, were also outstanding.
Tension is a key element. With quality all around performances there is also a suspenseful element in this film, especially in regards to the film's audio track. The audio track has a huge part to play. It is somewhat basic but highly effective during tense moments.
Overall, make no mistake, Buoyancy can be classed as a tough drama film to watch but I personally have no regrets in seeing it. This film was a positive experience filled with solid performances and I would gladly recommend this film to many others.
8.1/10 Walkden Entertainment
The cruel business of Asian forced-labour fishing is no joke, but if you want to make a movie of it, it still has to work as a movie.
Rathjen largely succeeds, aided by fine camera work, and cinematic interludes that break up what would otherwise be an unbearably grim tale. The interludes might be a high-altitude shot of the death boat, a thoughtful moment of beauty, or a flashback to the young conscript's home village.
The ending strikes an apt note, neither too sad nor too sentimental. It's hard to imagine this one will do huge box office, so let's hope that Rathjen comes back for another round. Talented Australian directors are rare, and rarer still do they kick on for longer careers.
Rathjen largely succeeds, aided by fine camera work, and cinematic interludes that break up what would otherwise be an unbearably grim tale. The interludes might be a high-altitude shot of the death boat, a thoughtful moment of beauty, or a flashback to the young conscript's home village.
The ending strikes an apt note, neither too sad nor too sentimental. It's hard to imagine this one will do huge box office, so let's hope that Rathjen comes back for another round. Talented Australian directors are rare, and rarer still do they kick on for longer careers.
What a joy to see this gem at the Berlin Berlinale. I went knowing and expecting nothing... and to be honest? Having seen another film made using young inexperienced Cambodian actors that somehow didn't touch me... i was not expecting a whole lot.
I go to films, wanting an immersive experience. It doesn't take much to snap me out of the moment. An actor with 2 lines who somehow manages to deliver them poorly, mood music that is masturbatory in its dramatic emotion levels.... poor scripting, silly, boring premises.
I got to the end of Buoyancy and was so sad for the moment to have ended. Just wonderful film making. Such a solid effort from the whole cast.... i believed every single one of them were living what i was seeing not just acting... but Sarm... the lead? Wow. What a performance.
The story itself I won't touch as I don't want to spoil it for those who have not seen it.. but its gut wrenchingly realistic, brutal, human and inhuman all at once. I really can't think of another movie to compare it to.
Just wow.
I go to films, wanting an immersive experience. It doesn't take much to snap me out of the moment. An actor with 2 lines who somehow manages to deliver them poorly, mood music that is masturbatory in its dramatic emotion levels.... poor scripting, silly, boring premises.
I got to the end of Buoyancy and was so sad for the moment to have ended. Just wonderful film making. Such a solid effort from the whole cast.... i believed every single one of them were living what i was seeing not just acting... but Sarm... the lead? Wow. What a performance.
The story itself I won't touch as I don't want to spoil it for those who have not seen it.. but its gut wrenchingly realistic, brutal, human and inhuman all at once. I really can't think of another movie to compare it to.
Just wow.
So this is an Australian film about a very poor, 14 year old Cambodian boy, who gets sick and tired of being exploited by his family (despite many older brothers, he is forced to do all the work in his family and also forced to do free slave labor for neighbors basically sowing rice paddies - and that is major work, son). So he takes a debt to go to Thailand and work. But, because he doesn't pay up front, he is sold into slavery to a fisherman trawler, and from there he experiences all kinds of torture and abuse. The adults can't handle it; will he? This is an exceptional foreign independent film. The film is not brutal but is darkly realistic. The direction, acting, script, cinematography, editing, and score are all top notch. This is a film from last year worth searching out. SEE IT!
Did you know
- TriviaOfficial submission of Australia for the 'Best International Feature Film' category of the 92nd Academy Awards in 2020.
Details
Box office
- Gross worldwide
- $50,281
- Runtime1 hour 33 minutes
- Color
- Aspect ratio
- 2.35 : 1
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