IMDb RATING
4.7/10
9.7K
YOUR RATING
After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible.After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible.After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible.
- Awards
- 1 win & 1 nomination total
Featured reviews
After waking up and discovering that he's been betrayed by gangsters (Anthony LaPaglia) and undergone gender reassignment surgery , an assassin (Michelle Rodriguez) aware he's been double crossed , then seeking to encounter the doctor responsible and at whatever cost . The hitman now a hitwoman sets out for vendetta against those who betrayed him , and he'll stop at nothing to get them , and eliminating one by one his enemies . Along the way , she is helped by a nurse named Johnnie (Caitlin Gerard) who also has dark secrets , too . One job changed it all !. A revenger's tale !. Payback's !.
Thriller crime containing unstopped action , betrayals galore , violent events , twists and turns . Lots of slam-bang action , shouting , swearing , shooting and there is graphic violence as well as other convenient elements with no much sense , at times it seems too similar to Hill's previous films . The Assignment (2016) is based on a story and script by Denis Hamill and director Walter Hill himself . The stars are pretty decent , but everything is predictable . Michelle Rodriguez provides a nice but unfriendly interpretation as an ace hired killer suddenly falling into the hands of rogue surgeon known as The Doctor who turns him into a woman. There are enough colourful roles in the support cast delivering acceptable acting, such as : Tony Shalhoub as a strange doctor , Anthony LaPaglia as a cunning mobster , Caitlin Gerard as the girl who aids the series killer , and brief performances from Ken Kirzinger , Darryl Quon , Adrian Hough , Caroline Chan, Paul McGillion and the great Sigourney Weaver giving the best acting .
It packs functional and atmospheric cinematography by cameraman James Liston . And moving and thrilling musical score by the veteran Giorgo Moroder and Raney Shockne . The motion picture was regular but professionally directed by Walter Hill , though here he hasn't improved his previous thrillers , resulting in an intriguing but boring and tiring flick .The veteran craftsman Hill is a good writer , producer , filmmaker who has made a lot of films of all kinds of genres , working from late 60s , early 70s to nowadays . As he has directed action movies as Hard times , The driver , Southern comfort , The warriors , Extreme prejudice , 48 Hours , Another 48 hours , Last man standing , Johnny Handsome , Undisputed. Science fiction genre : Supernova . Western: Geronimo American legend , Wild Bill , Long riders . Comedy : Brewster's millions . Terror : Tales of the Crypt . Musical : Crossroads . The Assignment (2016) Rating 5/10. Average and inferior than others Walter Hill pics.
Thriller crime containing unstopped action , betrayals galore , violent events , twists and turns . Lots of slam-bang action , shouting , swearing , shooting and there is graphic violence as well as other convenient elements with no much sense , at times it seems too similar to Hill's previous films . The Assignment (2016) is based on a story and script by Denis Hamill and director Walter Hill himself . The stars are pretty decent , but everything is predictable . Michelle Rodriguez provides a nice but unfriendly interpretation as an ace hired killer suddenly falling into the hands of rogue surgeon known as The Doctor who turns him into a woman. There are enough colourful roles in the support cast delivering acceptable acting, such as : Tony Shalhoub as a strange doctor , Anthony LaPaglia as a cunning mobster , Caitlin Gerard as the girl who aids the series killer , and brief performances from Ken Kirzinger , Darryl Quon , Adrian Hough , Caroline Chan, Paul McGillion and the great Sigourney Weaver giving the best acting .
It packs functional and atmospheric cinematography by cameraman James Liston . And moving and thrilling musical score by the veteran Giorgo Moroder and Raney Shockne . The motion picture was regular but professionally directed by Walter Hill , though here he hasn't improved his previous thrillers , resulting in an intriguing but boring and tiring flick .The veteran craftsman Hill is a good writer , producer , filmmaker who has made a lot of films of all kinds of genres , working from late 60s , early 70s to nowadays . As he has directed action movies as Hard times , The driver , Southern comfort , The warriors , Extreme prejudice , 48 Hours , Another 48 hours , Last man standing , Johnny Handsome , Undisputed. Science fiction genre : Supernova . Western: Geronimo American legend , Wild Bill , Long riders . Comedy : Brewster's millions . Terror : Tales of the Crypt . Musical : Crossroads . The Assignment (2016) Rating 5/10. Average and inferior than others Walter Hill pics.
Forget the uproar from sensitive trans groups, this film was never transphobic, it was just a classic revenge thriller. Waking up as the opposite sex is the worst thing imaginable for the overwhelming majority of society and tat's the crux of the film - not an attack on trans. If anything, its success would spark a franchise of a kick-ass trans-woman - talk about giving trans the spotlight! I am trans myself and I was looking forward to it as it seemed to be a throwback to the films I grew up on in the 80s when one man would avenge his life being ruined (usually his family being massacred). However this film was dull and muddled and riddled with exposition.
The biggest problem is that it's told in flashback and with lots of - literally - one character 'talking' the story to another (Frank to the camera, the Doctor to the other doctor) and as a result there was no tension only on the nose dialogue. The other problem was a completely unlikeable anti-hero in Frank and a completely unbelievable performance by Michelle Rodriguez who never once convinced she was a man with her female frame, female build, female skin and female voice. Similarly, Weaver's The Doctor was lacking. I appreciate she was playing an aloof, detached character but there was nothing to her character. There was no bad guy you wanted to root against just as there was no protagonist you wanted to root for.
This film could have been a solid, action-filled romp had it been told in a linear fashion and with stronger characterisation. As it was, it was a boring affair with too little action, style or interesting characters. The IDIOTS who say it's transphobic are, well, idiots. It's no more transphobic as Death Wish was phobic to people who have been raped and murdered.
The biggest problem is that it's told in flashback and with lots of - literally - one character 'talking' the story to another (Frank to the camera, the Doctor to the other doctor) and as a result there was no tension only on the nose dialogue. The other problem was a completely unlikeable anti-hero in Frank and a completely unbelievable performance by Michelle Rodriguez who never once convinced she was a man with her female frame, female build, female skin and female voice. Similarly, Weaver's The Doctor was lacking. I appreciate she was playing an aloof, detached character but there was nothing to her character. There was no bad guy you wanted to root against just as there was no protagonist you wanted to root for.
This film could have been a solid, action-filled romp had it been told in a linear fashion and with stronger characterisation. As it was, it was a boring affair with too little action, style or interesting characters. The IDIOTS who say it's transphobic are, well, idiots. It's no more transphobic as Death Wish was phobic to people who have been raped and murdered.
The plot is centered on a hit man named Frank Kitchen, played by Michelle Rodriguez, who pisses off the wrong black market plastic surgeon (Sigourney Weaver) by killing her brother being Rodriguez's assignment. Exacting her revenge on Kitchen, the doctor in a rather unorthodox method forces a sex change operation on him to become a woman as a form of psychological torture on Frank to endure the rest of his/her life without any way of fully reversing the procedure. Obviously a tad bit peeved by this, Frank Kitchen seeks retribution for the crimes committed against his body and goes on a one-way killing spree to end the evil doctor's rein of terror.
On paper, this sounds like it would be interesting. No matter what one person's views may be on how good or bad the premise sounds, it is a safe bet that most would hear this synopsis and be at least a little intrigued by it. I can't say that I've ever come across a movie with a plot motivation even remotely similar to "The Assignment". Unfortunately the execution felt sloppy, drawn out, dull, and all around unoriginal. This same exact movie could probably exist beat for beat without the introduction to any sort of gender reassignment operation in the script. Just another quick rewrite and this is your basic revenge film, only with far less interesting characters or action set pieces to be entranced by. The movie goes back and forth within its timeline to tell the story with one line following the plot of Frank Kitchen getting the procedure done to him and seeking answers as well as revenge on the doctor. The second line is set after the events of Kitchen finding and putting an end to the doctor's black market business with the doctor being interviewed by a psychiatrist in an insane asylum about what really went down. The secondary thread feels like a waste of time only to put the plot on hold and pad out the film to make its 90 minute run time.
If everything containing Sigourney Weaver in the interview sections were taken out, while putting more focus on the actual main plot to include maybe some more character development and hopefully a lot more action beats, this movie would have succeeded at being an entertaining sit. Unfortunately those sections remain, leaving the story to feel dry and leaving zero impact. I know little to nothing about Frank Kitchen, nor do I care about him/her. Michelle Rodriguez does a great job, as always, being a total bad-ass. She carries her own very well, knows how to come across as intense and cool at all times. Her character just has little for her to work with, but she sells being a man forcefully transitioned into a woman terrifically.
As I mentioned before, the movie could have used some more action beats. The action is so minimal and shortly lived I couldn't find much fun to be had. No real intensity or thrills from any action scene on screen. The script comes across as if the writer was twiddling his thumbs until the script reached the hour and a half mark. It has no bite to the action or story, no defining personality that can't be found in countless other revenge films, and such limited humor with a premise as quirky as this could have greatly used. Plus with a plot revolving a hit man turned into a woman, the writers had so many opportunities to play with that idea. There are several scenarios, gimmicks, tricks, and just fun that could have been toyed around with to mix things up and give a much more unique experience. Instead the screenplay squanders this and gives nothing in return. It's as though the first act setup and the prologue were extended and edited into the entirety of the film. For myself, that didn't work and I found myself pretty bored throughout. Also there was one or two plot twists that of course a film like this has, one of them made zero sense and could have been cut while the other had no emotional impact on me whatsoever.
This movie is from the same director that gave us "The Warriors", "48 Hours", "Another 48 Hours", "The Driver", "Red Heat", "Last Man Standing"...this man knows how to make an action movie. This man knows how to make a unique premise memorable, fun, humorous, intense, cool, and exhilarating. I don't understand what happened here. From the direction I could tell this was Walter Hill's style, it is a decent looking film with competently made action sequences. Rare as those scenes may be. In the end, this film isn't truly awful but it doesn't have nearly enough entertainment value to it in order for myself to recommend it. Michelle Rodriguez has a good action lead presence, but isn't given enough character to sink her teeth into. Sigourney Weaver plays crazy pretty well and I did like her performance, but there was more character development provided for her in detriment to Rodriguez's character. The action held little to no impact or energy and the story is nothing memorable. I got nothing else for this movie and I honestly wrote about it way more than I intended. Go watch "The Warriors" if you need a Walter Hill action movie fix.
On paper, this sounds like it would be interesting. No matter what one person's views may be on how good or bad the premise sounds, it is a safe bet that most would hear this synopsis and be at least a little intrigued by it. I can't say that I've ever come across a movie with a plot motivation even remotely similar to "The Assignment". Unfortunately the execution felt sloppy, drawn out, dull, and all around unoriginal. This same exact movie could probably exist beat for beat without the introduction to any sort of gender reassignment operation in the script. Just another quick rewrite and this is your basic revenge film, only with far less interesting characters or action set pieces to be entranced by. The movie goes back and forth within its timeline to tell the story with one line following the plot of Frank Kitchen getting the procedure done to him and seeking answers as well as revenge on the doctor. The second line is set after the events of Kitchen finding and putting an end to the doctor's black market business with the doctor being interviewed by a psychiatrist in an insane asylum about what really went down. The secondary thread feels like a waste of time only to put the plot on hold and pad out the film to make its 90 minute run time.
If everything containing Sigourney Weaver in the interview sections were taken out, while putting more focus on the actual main plot to include maybe some more character development and hopefully a lot more action beats, this movie would have succeeded at being an entertaining sit. Unfortunately those sections remain, leaving the story to feel dry and leaving zero impact. I know little to nothing about Frank Kitchen, nor do I care about him/her. Michelle Rodriguez does a great job, as always, being a total bad-ass. She carries her own very well, knows how to come across as intense and cool at all times. Her character just has little for her to work with, but she sells being a man forcefully transitioned into a woman terrifically.
As I mentioned before, the movie could have used some more action beats. The action is so minimal and shortly lived I couldn't find much fun to be had. No real intensity or thrills from any action scene on screen. The script comes across as if the writer was twiddling his thumbs until the script reached the hour and a half mark. It has no bite to the action or story, no defining personality that can't be found in countless other revenge films, and such limited humor with a premise as quirky as this could have greatly used. Plus with a plot revolving a hit man turned into a woman, the writers had so many opportunities to play with that idea. There are several scenarios, gimmicks, tricks, and just fun that could have been toyed around with to mix things up and give a much more unique experience. Instead the screenplay squanders this and gives nothing in return. It's as though the first act setup and the prologue were extended and edited into the entirety of the film. For myself, that didn't work and I found myself pretty bored throughout. Also there was one or two plot twists that of course a film like this has, one of them made zero sense and could have been cut while the other had no emotional impact on me whatsoever.
This movie is from the same director that gave us "The Warriors", "48 Hours", "Another 48 Hours", "The Driver", "Red Heat", "Last Man Standing"...this man knows how to make an action movie. This man knows how to make a unique premise memorable, fun, humorous, intense, cool, and exhilarating. I don't understand what happened here. From the direction I could tell this was Walter Hill's style, it is a decent looking film with competently made action sequences. Rare as those scenes may be. In the end, this film isn't truly awful but it doesn't have nearly enough entertainment value to it in order for myself to recommend it. Michelle Rodriguez has a good action lead presence, but isn't given enough character to sink her teeth into. Sigourney Weaver plays crazy pretty well and I did like her performance, but there was more character development provided for her in detriment to Rodriguez's character. The action held little to no impact or energy and the story is nothing memorable. I got nothing else for this movie and I honestly wrote about it way more than I intended. Go watch "The Warriors" if you need a Walter Hill action movie fix.
This isn't an awful movie and it does have some good moments, but I struggle to think that it really works. Firstly the story itself is pretty improbable although the idea of a mad surgeon wanted to experiment is not new it is still a bizarre thing to want to do, especially to worry about the quality of her work when changing the guys sex to female. Michelle Rodriguez does a pretty good acting job but never really convinces that she is ever male. From the outset it looked like a girl with a beard, apart from the shower scene where they must have used either CGI or good prosthetic. She also didn't really convince as an assassin and made some pretty silly errors of judgement but I guess that is down to the script rather than acting. So over all I have mixed feelings. It isn't a bad movie just not a great one.
I think Michelle Rodriguez did a great job. Her attitude was that of a man, yet when she started stripping she still enticed!
The story line was interesting enough to keep watching and Sigourney did a great job with her superiority complex and cold confident statements.
~give change a chance.
The story line was interesting enough to keep watching and Sigourney did a great job with her superiority complex and cold confident statements.
~give change a chance.
Did you know
- TriviaThe first draft of the screenplay was written in 1978.
- GoofsAt around 48:06, when the main character is videotaping herself, she points a gun directly at the camera from a distance of probably less than a foot. This has the unintended consequence of revealing that the pistol is an Airsoft replica of an M1911 .45 ACP with a much-smaller inner muzzle than that of the real firearm.
- Quotes
[first lines]
Frank Kitchen: I killed a lot of guys. They were worthless pieces of shit, but I killed them, and you're not supposed to kill people. So what happened to me? I guess maybe in the end... it was a lot better than what I deserved. But it takes a long time to work that out. In the meantime, you just want to get get even.
- ConnectionsReferenced in Maldito clásico: Cobra es un maldito clásico (2024)
- SoundtracksBlindfold
Written by Joseph Hicks
Performed by Halo Stereo
- How long is The Assignment?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- The Assignment
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross worldwide
- $388,789
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 2.39 : 1
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