Adorables ennemies

Cleverly written, this little film is a gem and shows that a good movie doesn't have to be a big blockbuster. AnnJewel Lee Dixon is wonderful and her personality shines through every scene she is in. Shirley MacLaine, while getting older, shows she still has "it." While my wife cried at the end, I didn't think of it as a typical "chick flick."

I have to admit going into this a little unprepared and not sure what to expect. I hadn't read any write ups and went in with very little knowledge of what the movie was about.

I nearly always like Shirley MacLaine movies, she rarely does a bad one and Amanda Seyfried usually does OK. This was no exception and Shirley MacLaine really shines in this one. The roles is not really new, we have seen her in this type of role before so it is one she is either picked for or picks for herself.

Amanda Seyfried does quite well, but the real performance to look out for is from AnnJewel Lee Dixon, she really does make for a fun movie and steals some of the scenes she is in from Shirley MacLaine.

Word of warning, if you don't like the use of foul language by young children you may not like this movie, be prepared for that.

Some would say this is a predictable movie, so be it, it probably is, but it is also very entertaining and worth the price of admission.

8/10 for me and I would see it again.

This is a predictable movie - will not give anything away as you will see it for yourself. Shirley Maclaine is fun to watch and believable -she is a lady used to having her way and all of a sudden she is having questions about how she will be remembered. The main characters beside her, are the obit writer and the young person she is going to help and turn their life around. This is a film that is easy to watch, predictable and believable. Just not a great one but a good way to spend the afternoon.

This film tells the story of an elderly woman who is difficult and controlling. One day, she comes up with the idea of controlling what her obituary should look like. Therefore, she hires an obituary writer to work on the last words that would summarise her existence on Earth.

The first five minutes should have been a warning sign for me. There is little dialog, as the screen shows Shirley MacLaine's character, Harriet being grumpy by herself. Then, she is as difficult as can be, evoking no sympathy for her from me.

I can't quite bear her creating artificial relationships with Amanda Seyfried and the little girl either, as their bond with Harriet is contrived and unconvincing. Am I really to believe that you can chat up a little girl in the school yard, and subsequently take the girl on a one day trip without parental consent? The whole subplot of the little girl is seriously flawed.

The story is slow, and there is not enough content to fill the screen time. I felt seriously bored. I almost dosed off when Harriet does something similar on the sofa. Then something unbelievable happens. I cannot possibly imagine anyone does what Amanda Seyfried does in that situation. Her lack of action is entirely absurd and senseless.

Normally I like a brain off film with a predictable plot, but "The Last Word" manages to bore and irritate me.

Harriet Lauler (Shirley MacLaine) is an opinionated controlling rich old lady. She's retired after running an advertising company. Her family is estranged and nobody likes her. After OD'ing on her meds, she starts being concerned about her obituary. She hires newspaper obit writer Anne Sherman (Amanda Seyfried) to write one for her.

After talking to the at-risk girls, the story end point is more than obvious. There is also an obvious route for this movie. It's two great actresses on a road trip to self-discovery. Shirley MacLaine has made a career out of this character. This movie just needs some good writing. The writing is sometimes good standard stuff but sometimes gets clunky. The two leads usually are able to work out some good chemistry but some scene falls completely flat. For example, Anne is on a date when Harriet confronts her about her writing. It's an important moment but the date keep budding into it. He's a third wheel who keeps causing them to drive off course. Then there is the main third wheel, the little girl. She's the quintessential sassy black girl. She gets overshadowed despite the movie wanting her to be the breakout star. Harriet's reconnection with her daughter ends with a weird fake laugh. The audience is just like the other characters, looking at Harriet side-eyed. At the end of the day, I just want this to be better. The writing needs to be better.