Macbeth

The main drawback I found watching the film was in its conception of Macbeth as complete fabrication. Scenes take place underneath, within or above a transparent phantom house. The actors all have different English accents so there is really no coherent wider/national context to which we can relate unless the impression is to convey a kind of diaspora of corruption (which the king tapping globe image may suggest). It's not that the insistent visual theme of transparency up against Shakespeare's text is anachronistic, it's self negating: the entire impression of text vs. Image becomes meaningless. And although the character of Macbeth descends into nihilism by the last act the movie certainly shouldn't. What is the human recourse when the only measure of structure against insanity is itself a phantom? Fairly bleak considerations here. 3 Stars for the great visuals.

Of course Shakespear adaptions are hard to judge, but I'm a bit surprised to see such low rating on this one to be honest. The actors are top class, the cinematography is simply brilliant and the soundtrack by Jed Kurzel is out of this world.

Mark Rowley made me cry. In the "Is this a dagger..." soliloquy, I honest to god cried it was so good. Al Weaver and Akia Henry, they rocked it. Truly amazing.

You either like the anachronistic versions or don't. If you don't like them, then this is not for you. If you are open to them, then this is truly a 10 out of 10 version of Macbeth.

Macbeth is an old classic, and this film re-tells the story in a very creative, fresh way, utilising modern techniques to produce something original and engaging. it combines film-making with a theatre vibe, which is really interesting. nice to watch something different that breaks the mould. the performances of the main actors were great too. give it a watch.

If you want to watch Macbeth on film simply type it into your search bar, you'll find so many earlier good versions. This seems intent on not only taking film to theatre but your local amateur dramatics production. The original Globe theatre in London, Shakespeare's hangout, would literally create tapestries to embroider the narrative.This film seems to think a few actors mouthing the words in a cupboard or dark room is artistic interpretation. Well I know a dark place you can shove it, the worst ever.