Money

There is not an extra word or an extra shot in Money. Everything is brilliantly calculated to take the audience on a smooth ride. There are no explosions or fireworks in here. It's all about humans making choices and making mistakes based on their darkest ambitions. I enjoyed very much the performances and how the script can flip the circumstances upside down in just a second. There is some kind of seductive coldness in this film. It didn't make me care particularly for any of the characters. Instead I was fascinated watching their actions and decisions. The film kept me intrigued until the very end. The premise is simple yet the unfolding is quite elegant and believable. I recommend this film to anyone that likes smart thrillers that rely on human psychology.

I really didn't expect a lot from this film, having Googled the reviews, but it caught my attention from the get go. Not familiar with Bamber's work, but will be looking for more from him. Kept my attention for the duration & loved the ending. Highly recommend this film. Ranks way up there with the Thriller genre. A previous reviewer suggested that this was perfect for Christian Bale. Agreed. The other actors could have been anyone but acceptable for this assignment. Didn't really see the connection with the father in the opening scenes, but essential for the ending I suppose. Loved the interaction with the scorned wife & the psychopath while waiting for the safe to open.

After directing "Voice Over" one of the most successful and spectacular shorts of the last years with more than 100 awards, Martin Rosete directs his first feature film, "Money." The short is fantastic so the expectations for "Money" were pretty high and I wasn't disappointed.

The movie has an impressive cast that includes Jamie Bamber, Kellan Lutz, Jesse Williams and Jess Weixler. I thought they were all pretty great, specially Jamie Bamber and Jesse Williams. The film's limitations in terms of budget and location are not a handicap but an asset. Its clever dialogue and unexpected twists kept me guessing at the edge of my sit for an hour and a half.

If you are a fan of cat-and-mouse thrillers, "Money" is definitely for you.

It seems to me that 'Money' is a perfect, elegant and flawless product; a very stylized classic drama. While I was watching it, movies like The Rope (Alfred Hitchcock, 1948) or Wait Until Dark (Terence Young, 1967) came to my mind. The movie is concise, pragmatic and straightforward. Its goals are clear and they know how to reach them. Its message is, on top of that, beautiful, illuminating and not indulgent. The tension is built up in a superb manner for a movie that needs to keep us in suspense. And the director's work with the actors is sublime. With perhaps the exception of Kellan Lutz, more inexpressive, they are all splendid, and that makes the text shine and the credibility of what is taking place escalate. In that sense, the actor's direction is spectacular. At times, the necessity of filming hastily is noticeable, but not so much because of the editing, which is perfect, with just some isolated glimpses that can be observed. However, it is more noticeable in the staging: it looks like there wasn't time to plan a proper communicative meaning beyond what's functional. There is not a genuine relationship between the characters and the space, not a single shot provides more information than what the characters verbally announce. It would have been a spectacular movie if they had taken more risks in that sense. It would have been even better if they had what every movie lacks of: time! But, in spite of that, everything in 'Money' is believable, accurate and intense. Concision, focusing on a single location, a right pace in the dialogues, witty replicas and great performances are but a few of its virtues. In that sense, 'Money' is a complete success.

Great movie with impeccable dramatic development. From the presentation of the characters to their arrival to the house until the development of the past of each of them within it, the story is provoking in the viewers a continuous change of reference point and, therefore, fixation of your interest. Excellent management work of actors who manage to set the tone for each of the personal stories of each and an almost perfect casting for each of the roles. The film, whose development does not leave indifferent to the spectators by its continuous change of point of view of the history on the part of each one of its personages, ends of surprise form presenting / displaying a worthy end of the whole history.