After hearing a young boy's cry for help, a sister and brother venture into a vast field of tall grass in Oklahoma but soon discover there may be no way out...and that something evil lurks w... Read allAfter hearing a young boy's cry for help, a sister and brother venture into a vast field of tall grass in Oklahoma but soon discover there may be no way out...and that something evil lurks within.After hearing a young boy's cry for help, a sister and brother venture into a vast field of tall grass in Oklahoma but soon discover there may be no way out...and that something evil lurks within.
- Director
- Writers
- Stars
- Awards
- 2 wins & 3 nominations total
Harrison Sloan Gilbertson
- Travis
- (as Harrison Gilbertson)
Gracie Callahan
- The Mud Woman
- (uncredited)
Annie Chen
- Mud Person
- (uncredited)
- …
Peter D'Souza
- Mud Person
- (uncredited)
- …
Everett Smith
- Mud Man
- (uncredited)
- …
Mike Tracz
- Grass Person
- (uncredited)
Amanda-May Wilson
- Mud Person
- (uncredited)
- …
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
So, this is not by any means a ground breaking piece of cinema. That being said I found it to be rather enjoyable. I put it on at 11:30 at night thinking it would be something to fall asleep to. Let's face it, most unknown films you find randomly scrolling through netflix usually are good for a snooze and that's about it. I ended up engrossed in the film and watched it all the way to the end feeling rather involved in the story. I see a lot of people complaining about how the characters made bad decisions. This is a horror film people, horror wouldn't exist if it weren't for people making bad decisions. If characters did the smart thing in any horror film it would be about 5 minutes long. Secondly the film's ending is quite easily understood ad long as you dont need your plots soon fed to you. Solid acting, good atmosphere and an amusing if not horribly original plot. You could definitely find worse things to watch.
This is the 3rd Netflix feature film Stephen King adaptation (Gerald's Game, 1922) and, for what it's worth, I think they can surely make some more. "In the Tall Grass" is not flawless, but it's entertaining, aesthetically pleasing & there's great bits in an otherwise mixed bag.
A lot of people are and will call "In the Tall Grass" pointless or empty, and it's true that its biggest flaw is the near miniature plot. The story never leads to anything shocking, huge or, well, to nothing quite satisfying enough. The shallowness of the main story line is compensated with shabby side plots of some of the characters. Sadly, I have not expierenced the novella and can't do any comparisons. I've read a LOT of King though. Besides the story, there were other aspects that kept me watching & engaged. Compliments to the cinematographer and camera & sound crews - technically "In the Tall Grass" is a treat, the stylistic solutions add a lot to the atmosphere & the sound design is the kind that can give you goosebumps given that you have the hardware of a melomaniac. Besides the technical side of the movie the acting's also top level, as much as it could be taking into account the script & characters. You'll probably find yourself not caring for one or few of them, but if one thing's for sure it's that Patrick Wilson most definitely doesn't fail to entertain. The pacing is quite fine - the middle part might get slower but it picks up again.
Overall "In the Tall Grass" is a mood piece, if you're not looking for a lot of substance, this is a good horror movie to watch loudly & in the darkness. I'll eat up any Stephen King adaptation and this one's grantedly above average. My rating: 7/10.
A lot of people are and will call "In the Tall Grass" pointless or empty, and it's true that its biggest flaw is the near miniature plot. The story never leads to anything shocking, huge or, well, to nothing quite satisfying enough. The shallowness of the main story line is compensated with shabby side plots of some of the characters. Sadly, I have not expierenced the novella and can't do any comparisons. I've read a LOT of King though. Besides the story, there were other aspects that kept me watching & engaged. Compliments to the cinematographer and camera & sound crews - technically "In the Tall Grass" is a treat, the stylistic solutions add a lot to the atmosphere & the sound design is the kind that can give you goosebumps given that you have the hardware of a melomaniac. Besides the technical side of the movie the acting's also top level, as much as it could be taking into account the script & characters. You'll probably find yourself not caring for one or few of them, but if one thing's for sure it's that Patrick Wilson most definitely doesn't fail to entertain. The pacing is quite fine - the middle part might get slower but it picks up again.
Overall "In the Tall Grass" is a mood piece, if you're not looking for a lot of substance, this is a good horror movie to watch loudly & in the darkness. I'll eat up any Stephen King adaptation and this one's grantedly above average. My rating: 7/10.
The story seems to be pretty simple, and I was left wondering how the film can go on for 80 minutes. The story gets a little more complex as time goes on, more thrilling, suspenseful and more disturbing. I enjoyed it.
The problem seems to be that some people can't handle the delightful subtlety of some of King's work. Light on plot, sure, but that's not the point. There's a single POINT of plot and everything else is only there to frame it and illustrate it. King thrives in a terrible sense of wrong. Disjointed, twisted, tied-in-knots, all of it ...wrong-but-real. Especially in the short-stories and novellas, King hyper-focuses on a POINT of something terrible and wraps detail around it.
Some adaptations are better than others. This one is really not bad. It's pretty good. The sense of wrong is prevalent, but not insistent. I love the concept of knotted, non-linear time. But even that isn't all of it. (And if you want to look, there ARE sub-plots in the relationships between the characters. But they aren't the point!)
I'm a country-boy. I grew up in farm country. And not even truly LARGE farms, by national standards! As a kid with wide freedom to roam, (free-range, as they say) there was a fear, a wariness of things like the wide corn fields. They are so huge, so endless. Half-way through you start to wonder if you are lost, how you might get out; the doubts begin to creep-in and fear takes root. Things turn sinister as the leaves of the corn give you sharp, paper-cut-like pain, drawing blood as you run through it. ...And that's in the day-time. Try it at night... and the Unknown can grow to fill the edges of the whole world. I know it. I loved it. And I carried a cheap samurai sword everytime I went out to the woods or the fields after dark.
There's some of that in this movie. And with an actor that makes a really good bad-guy. And special effects that do very well to portray a terrible, amorphous, unnameable concept.
This is a well done move. Salute to the director, who took a short novella of treacherous ideas and made a decent 90+ minutes.
Some adaptations are better than others. This one is really not bad. It's pretty good. The sense of wrong is prevalent, but not insistent. I love the concept of knotted, non-linear time. But even that isn't all of it. (And if you want to look, there ARE sub-plots in the relationships between the characters. But they aren't the point!)
I'm a country-boy. I grew up in farm country. And not even truly LARGE farms, by national standards! As a kid with wide freedom to roam, (free-range, as they say) there was a fear, a wariness of things like the wide corn fields. They are so huge, so endless. Half-way through you start to wonder if you are lost, how you might get out; the doubts begin to creep-in and fear takes root. Things turn sinister as the leaves of the corn give you sharp, paper-cut-like pain, drawing blood as you run through it. ...And that's in the day-time. Try it at night... and the Unknown can grow to fill the edges of the whole world. I know it. I loved it. And I carried a cheap samurai sword everytime I went out to the woods or the fields after dark.
There's some of that in this movie. And with an actor that makes a really good bad-guy. And special effects that do very well to portray a terrible, amorphous, unnameable concept.
This is a well done move. Salute to the director, who took a short novella of treacherous ideas and made a decent 90+ minutes.
Well, this is one of those films that will be like marmite, you'll love it or you'll hate it. Stephen King is unpredictable at best and he delivers again with this movie. I would love to say that you will watch it from start to end and know and understand the story line and meaning of the film but I'd be lying. It keeps you wondering and guessing throughout and gets weirder as it progresses. Yet, I was compelled to keep watching. I think it's interesting and has a deeper connection and meaning to life and the choices we make or should have made. Watch it and make up your own mind, but I loved it! My other half however, was asleep within the first 45 minutes. Like I said Marmite.... enjoy!
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Did you know
- TriviaMuch of the film was shot in Canada with the field being located near a bowling alley which was featured in the film. The church, however, was a temporary set made for the film on site.
- GoofsBecky uses her phone to call herself on the exact same phone, from the past. It is usually done when calling into ones own voicemailbox but it may not be possible for all providers. furthermore, it's not explained how she manages to decide a specific point in time to call herself in, however she may be assuming there is sort of a temporal overlap. After all this is supernatural time dilation.
- Quotes
Tobin Humbolt: My Daddy's right. We are grass. We keep dying and coming back.
- ConnectionsFeatured in WatchMojo: In the Tall Grass Ending Completely Explained (2019)
- SoundtracksIt's All Right
Written and Performed by Sam Cooke
Published by ABKCO Music Inc.
Courtesy of ABKCO Music & Records, Inc. obo itself and Sony Music Entertainment
www.abkco.com
- How long is In the Tall Grass?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- En la hierba alta
- Filming locations
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- See more company credits at IMDbPro
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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