IMDb RATING
7.2/10
2.4K
YOUR RATING
Nanami is an apathetic, part-time junior high school teacher, whose only solace comes from connecting with others on "Planet".Nanami is an apathetic, part-time junior high school teacher, whose only solace comes from connecting with others on "Planet".Nanami is an apathetic, part-time junior high school teacher, whose only solace comes from connecting with others on "Planet".
- Awards
- 5 nominations total
Himeka Asami
- Kanon Okamoto
- (voice)
Featured reviews
The visuals, cinematography, and acting were great. However, story was lackluster. The movie dares to have 4 stories drag in a 3 hour movie.
The main female protagonist starts off down on her luck with risk of unemployment. However she meets a man online, gets married, then (without spoiling the story) we never see him again in the film. The truth is never revealed why it concluded that way. This trend continues with the actress meeting people but we never find out who they really are and what their motives are. We spend 3 hours in a movie but we do not even know the characters or get character development. That's right, the main protagonist doesn't learn anything through her journey.
The music choice was beautiful, however it felt like a cop out since they used popular pre- composed music.
The main female protagonist starts off down on her luck with risk of unemployment. However she meets a man online, gets married, then (without spoiling the story) we never see him again in the film. The truth is never revealed why it concluded that way. This trend continues with the actress meeting people but we never find out who they really are and what their motives are. We spend 3 hours in a movie but we do not even know the characters or get character development. That's right, the main protagonist doesn't learn anything through her journey.
The music choice was beautiful, however it felt like a cop out since they used popular pre- composed music.
When well-intentioned parents coddle their children, the children may have difficulty fending for themselves after leaving the family rose garden. This film depicts the travails of a naive young woman who faces the world alone after her protective bubble bursts. Her story is structured in two parts. In the first the heroine Nanami seamlessly continues her comfortable middle class life after finishing college, but then loses her husband and her job. Uprooted and displaced, in the second part she broadens her social exposure, and for the first time experiences the intense union of passionate love, with a nonconformist woman of great personal integrity who is a law unto herself. Contrasts between part one and part two expose shortcomings of typical middle class child rearing and of passionless relationships, and reveal the potential for self-affirmation through our fundamental need to love.
Nanami speaks for many young adults who are ill-prepared to deal with reality. The film is psychologically insightful, emotionally eloquent, witty, moving, and executed on a high technical level. Acting is wonderful, brava brava Haru Kuroki and Cocco. Renaissance man Shunji Iwai proves himself to be at the pinnacle of auteurs. The connection between the music and Nanami's emotional states is so intimate that the film could be viewed as an interpretation of the music. For example, in part one Mozart's delicate and other-worldly Concerto for Flute and Harp mirrors the blissful innocence of one who is naively out of it. Part two begins with Bach's Air on the G String, solemn, melancholy, like a funeral march infused with tenderness and sympathy. It captures her dire state of helpless bewilderment and our compassion for a despairing soul. This film is in that tradition of Japanese cinema where enlightenment on important humanist issues was accomplished through empathy. There is much to appreciate for viewers who are interested in the existential crisis that can occur during the transition from a conventional middle class upbringing, to a sustainable path toward self-fulfillment as an adult.
Nanami speaks for many young adults who are ill-prepared to deal with reality. The film is psychologically insightful, emotionally eloquent, witty, moving, and executed on a high technical level. Acting is wonderful, brava brava Haru Kuroki and Cocco. Renaissance man Shunji Iwai proves himself to be at the pinnacle of auteurs. The connection between the music and Nanami's emotional states is so intimate that the film could be viewed as an interpretation of the music. For example, in part one Mozart's delicate and other-worldly Concerto for Flute and Harp mirrors the blissful innocence of one who is naively out of it. Part two begins with Bach's Air on the G String, solemn, melancholy, like a funeral march infused with tenderness and sympathy. It captures her dire state of helpless bewilderment and our compassion for a despairing soul. This film is in that tradition of Japanese cinema where enlightenment on important humanist issues was accomplished through empathy. There is much to appreciate for viewers who are interested in the existential crisis that can occur during the transition from a conventional middle class upbringing, to a sustainable path toward self-fulfillment as an adult.
Porn sells. Yet it is treated with shame. Every one wants love. And it is fraught with all sorts of expectations. This movie doesn't provide any clarity on sex, marriage, friendship and kinship. But it sure asks us to look at them from another point of view.
I didn't know what to think when I started this film. I had to take a break, because it has 3 hours and there was too much emotion for me to take in. A lot of people seem to complain about the story, but I believe it's the strongest point of the film. The writer didn't give you anything on a plate, you have to figure out things on your own, kind of like in real life, you don't actually know what's going on through someone's mind or what their motives are. People have different ways of thinking and so the weird choices made my some characters are not random, and might make sense if there was more in depth analysis of that character in the film. This was a great experience and an amazing film. Everything is great from the actors to the story and cinematography.
For me rating should be around 4-5/10.
the disconnect of the 1st half with 2nd half i thought there's some clever hidden scheme of why he did it to the main protagonist but we dont have an answer for that so it just remain the answer given "the mother made it" and...i should probably stop here not even bother spoil it but my advise is you guys better spend 3hrs doing other things than watching this movie.
i regret watching this movie so badly now
Did you know
- ConnectionsEdited from Rippu Van Winkuru no hanayome. Serial Edition (2016)
- How long is A Bride for Rip Van Winkle?Powered by Alexa
Details
Box office
- Gross worldwide
- $184,727
- Runtime2 hours 59 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content