Enlèvement

I'm not going to spell out the synopsis since it's been done before. This seemingly low budget thriller does a fine job putting all the pieces together. The acting, for the most part is adequate. The fx are a lot better than what I've seen in films with a much bigger budget. The director (Clay Staub) does a great job of hiding the monster until it couldn't be hidden any longer. With the exception of some CGI you never get the feeling that this is a cheap and cheesy student film. But by far the crowning glory of the whole project is the brilliant cinematography. Miroslaw Baszak does an excellent job of capturing the bleak and dreary landscape to the point that you don't want to visit the area, let alone live there. His interior shots are perfectly lit, giving the desired creepy-old-house affect while still allowing us to see what's going on. Editing, sound design and the score all complement the film so seamlessly that you never think about them - you experience them. The story is nothing new. (But what is these days?) It combines elements of several other stories we've all seen before. Which isn't to say that it's bad, it's just not ground breaking. All in all the completed project is something that all cast & crew involced should be proud to have been a part of.

This film is overwrought and overacted and fits well into the middle of M. Night Shyamalan's middle years of film making. It does kind of look cool at times and some of the creature work is okay, with a couple of creepy scenes. Unfortunately, it leaves itself wide open for a sequel, but one hopes that won't happen.

"You both need to clear off my property, or as god is my witnessI will not be responsible for what happens! Colt, If she goes in there Maria and Jonah are as good as dead."

An onrushing hot rod that suddenly breaks down near an awful looking, abandoned farm with lots of barbed wire and warning signs. There are squeaky doors and you can hear a howling wind while the person with car trouble is looking for someone who can help him. And then he experiences that awful moment. Something he did not see coming. I immediately sat straight up in my chair and expected an intense horror. Especially when the title of the film is "Devil's gate". The poor, dilapidated farmstead and the desolate environment immediately reminded me of "The Texas chainsaw massacre". A no-man's-land where a psychopathic, crazy family terrorizes and kills lost tourists so they can brew a hearty one-pan meal afterwards. To my disappointment, the movie title turned out to be the name of the town where the story takes place.

To be honest, the first part of the movie was tremendously fascinating. A missing woman and her son. The F.B.I. Agente Daria (Amanda Schull) who, together with the local policeman Colt (Shawn Ashmore), investigates the disappearance of both persons. And the downright suspicious acting Jackson Pritchard (Milo Ventimiglia) where the two enforcers of the law finally arrive. And when the two law enforcement officers make a rather disconcerting discovery in the Jackson cellar, the film will take a completely different turn. That's the biggest plus of this film. The surprise effect is huge. You are repeatedly misled. One moment you expect a sort of "Silence of the Lambs" serial killer scenario. Then you come to the conclusion that this film has an "X-Files" vibe. Such a movie you'd come across on some SyFy channel.

Unfortunately, the quality of this indie SF drops as the film progresses. I wasn't interested in the religious aspect. The "an eye for an eye" principle was rather laughable. Despite the sometimes high-quality special effects and generally not so bad acting (with even a cameo of the Star Trek veteran Jonathan Frakes), this film didn't really appeal to me. It seemed as if a whole arsenal of ideas and proposals were being collected and subsequently they didn't know anymore which direction it should go. In the end it felt as if I had watched a pilot episode of the umpteenth television series. "Devil's gate" is such a film where the story doesn't really match the footage when it comes to quality. Unfortunately. Because it had potential.

Set in the fictional town of Devil's Gate a federal agent teams with a local officer to investigate a missing wife & child. Trouble is their investigation leads them to the unbalanced husband and his trap filled home.

I expected horror, it was advertised as horror..........it's not really.

Milo Ventimiglia and Shawn Ashmore star in this interesting but ultimately flawed sci-fi movie which looks great but lacks in too many areas that matter.

Jonathan Frakes from Next Generation also stars and is particuly good, shame his role was a tad too small.

I liked the plot I did, even though I'm not a big sci-fi guy I think they did a good enough job here and left it open for potential sequels. Sadly it doesn't flow all too well and something just didn't sit right for me.

Watchable effort and this may really appeal to some, for me it was a deeply average offering.

The Good:

Decent plot

Jonathan Frakes

Great opening sequence

The Bad:

Poorly paced

Seriously, stop killing pets in every damn movie

Things I Learnt From This Movie:

Milo Ventimiglia plays unhinged characters far too well

I would happily live in that house, yes I'm weird

There's not much new going on here, but this is a well executed story, production and performances alike. I liked also that it carries a little mystery through the first half, not revealing who or what the monsters, demons aliens, weird things actually are. Worth a watch.