IMDb RATING
5.9/10
3.6K
YOUR RATING
When a travelling monk is stranded in a wasteland, The Monkey King must escort him across the land to retrieve sacred scriptures and protect him from an evil demon.When a travelling monk is stranded in a wasteland, The Monkey King must escort him across the land to retrieve sacred scriptures and protect him from an evil demon.When a travelling monk is stranded in a wasteland, The Monkey King must escort him across the land to retrieve sacred scriptures and protect him from an evil demon.
- Awards
- 4 wins & 4 nominations total
Shaofeng Feng
- Tang Seng
- (as William Feng)
Shenyang Xiao
- Zhu Bajie
- (as Xiao Shen Yang)
Zimu Zhang
- Treasurer daughter
- (as Zi Mu Zhang)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I really enjoyed it, it was a fun action fantasy romp, and I love the various Journey to the West stories. I didn't see the first Monkey King, it had such poor reviews so I didn't bother. Anyway, Monkey King 2 completely feels like its' own entity, it is a different story from the book and the Monkey King origin story has been told many times before.
Aaron Kwok is a delight to watch. I can't say how he compared to Donnie Yen but he's so lovable. It's FUN, often funny. Gong Li is very hammy, and couldn't chew the scenery more, but it's within the tone of the film. It really is a riveting family adventure from start to finish
It contains the usual overabundance of CG which all these Chinese blockbusters have, but the quality isn't awful this time! Much better than some of the video-game level effects I've seen recently in others. There is a lot of practical wire-work amidst the wash of particle effects and glowy things. Most importantly, the charisma of the stars shines through it.
I saw this on a trip to China, I don't know if it received, or will receive a release in the West, but it should. It will probably turn up in the Netflix graveyard at some point. It's better than most cookie- cutter American fantasy blockbusters, with, of course due to the nature of the source text, much better lessons and values sitting underneath the action than 'yet another Hero's Journey story' as Hollywood pumps out again and again.
Aaron Kwok is a delight to watch. I can't say how he compared to Donnie Yen but he's so lovable. It's FUN, often funny. Gong Li is very hammy, and couldn't chew the scenery more, but it's within the tone of the film. It really is a riveting family adventure from start to finish
It contains the usual overabundance of CG which all these Chinese blockbusters have, but the quality isn't awful this time! Much better than some of the video-game level effects I've seen recently in others. There is a lot of practical wire-work amidst the wash of particle effects and glowy things. Most importantly, the charisma of the stars shines through it.
I saw this on a trip to China, I don't know if it received, or will receive a release in the West, but it should. It will probably turn up in the Netflix graveyard at some point. It's better than most cookie- cutter American fantasy blockbusters, with, of course due to the nature of the source text, much better lessons and values sitting underneath the action than 'yet another Hero's Journey story' as Hollywood pumps out again and again.
The Monkey King 2 picks up right where the first Monkey King left off, continuing the story based on the legendary Journey to the West tales. This sequel is quite a level up from the first in a lot of ways. It's calmer and all around more precise and focused in its filmmaking, which in itself makes for a better upgrade, but the special effects and overall look of the film have been ratcheted up as well. Not that the previous installment was bad, but The Monkey King 2 finally presents a version of this classic Chinese story that lives up to its original epic otherworldliness.
The film is beautifully and intricately designed. The sets are grand, even when they aren't really there. The costumes are lavish, holding great detail and weight. From monkey fur to pig nose, the makeup effects are stunning and amusing. The fight sequences are dramatically extraordinary, as they should be for deities at battle, with great choreographed wirework for literal high-flying action. The CG animation is not the absolute best, but even that doesn't deter from the film. There's so much going on anyway that nothing is ever able to pull you out of the adventure. There is always something else more beyond belief to draw your eye. Since the film was actually shot in 3D, not converted to the format afterwards, it perfectly matches the bigger than life feel of the film and is extremely successful and atmospheric.
The Monkey King is the stuff of legends, and the actors here are perfectly cast in a rich variety of characters. Xiaoshenyang is an adorably perverted piggy Zhu Bajie, Him Law makes a hefty brute in Sha Wujing and Feng Shaofeng comes honest as monk Tang Sanzang. Li Gong is absolutely flawless as the villainous White Bone Demon, a knockout that throws back to classic female villains that are as deadly as they are beautiful. She is formidable. This is what Angelina Jolie should have been in Maleficent. Likewise for her henchwomen and their entrance into the film is a dazzling moment of horror. Aaron Kwok, starring as The Monkey King himself, gives a smoother portrayal than his predecessor. I'm unsure if it was a character choice after the events of the first movie or an actor's choice to make the character a little cooler, but it's a good choice nonetheless, making him simultaneously more relatable and dreamy, but still with his playful monkey mannerisms and charm.
The Monkey King 2 is a top notch spectacle, in incredible 3D, that puts Hollywood's latest over the top endeavors to shame. With movies like Gods of Egypt, and all of its gloriously shiny cultural appropriation, happening more often than not, it is wonderful to see a big budget film made by and for its own culture. It adds more than authenticity. It's also amazing to see how majorly the movie has done in the Chinese box office. No doubt due to its timed release around the Chinese New Year, celebrating the year of the monkey, the film has already set a world record of $548 million in one week, topping Star Wars: The Force Awakens which previously held the spot. And The Monkey King 2 well deserves all the success that the year of the monkey brings to it.
The film is beautifully and intricately designed. The sets are grand, even when they aren't really there. The costumes are lavish, holding great detail and weight. From monkey fur to pig nose, the makeup effects are stunning and amusing. The fight sequences are dramatically extraordinary, as they should be for deities at battle, with great choreographed wirework for literal high-flying action. The CG animation is not the absolute best, but even that doesn't deter from the film. There's so much going on anyway that nothing is ever able to pull you out of the adventure. There is always something else more beyond belief to draw your eye. Since the film was actually shot in 3D, not converted to the format afterwards, it perfectly matches the bigger than life feel of the film and is extremely successful and atmospheric.
The Monkey King is the stuff of legends, and the actors here are perfectly cast in a rich variety of characters. Xiaoshenyang is an adorably perverted piggy Zhu Bajie, Him Law makes a hefty brute in Sha Wujing and Feng Shaofeng comes honest as monk Tang Sanzang. Li Gong is absolutely flawless as the villainous White Bone Demon, a knockout that throws back to classic female villains that are as deadly as they are beautiful. She is formidable. This is what Angelina Jolie should have been in Maleficent. Likewise for her henchwomen and their entrance into the film is a dazzling moment of horror. Aaron Kwok, starring as The Monkey King himself, gives a smoother portrayal than his predecessor. I'm unsure if it was a character choice after the events of the first movie or an actor's choice to make the character a little cooler, but it's a good choice nonetheless, making him simultaneously more relatable and dreamy, but still with his playful monkey mannerisms and charm.
The Monkey King 2 is a top notch spectacle, in incredible 3D, that puts Hollywood's latest over the top endeavors to shame. With movies like Gods of Egypt, and all of its gloriously shiny cultural appropriation, happening more often than not, it is wonderful to see a big budget film made by and for its own culture. It adds more than authenticity. It's also amazing to see how majorly the movie has done in the Chinese box office. No doubt due to its timed release around the Chinese New Year, celebrating the year of the monkey, the film has already set a world record of $548 million in one week, topping Star Wars: The Force Awakens which previously held the spot. And The Monkey King 2 well deserves all the success that the year of the monkey brings to it.
The plot is the same most probably with some modifications but the screenplay was different and all the new characters in this film make it slightly difficult for us to merge in with this film.
The visual presentation of the characters and the mischievous-ness they do are all watchable to a certain limit but we get bored after some time maybe it'd be good to watch for the kids and the twists & turns and the evil gameplay stuff was well made though we've seen them all in other films.
One of the visually appealing Chinese/foreign movies ever made
overall, it's a movie for kids and a must-watch for them.
The visual presentation of the characters and the mischievous-ness they do are all watchable to a certain limit but we get bored after some time maybe it'd be good to watch for the kids and the twists & turns and the evil gameplay stuff was well made though we've seen them all in other films.
One of the visually appealing Chinese/foreign movies ever made
overall, it's a movie for kids and a must-watch for them.
This is full length movie based on one of China's most famous legends, The Monkey King. It stars Aaron Kwok in the title role, tasked to escort a traveling monk, Tang Seng (Shaofeng Feng), to the west to fetch ancient Buddha scriptures while protecting him from the evil White-Bone Demon (Gong Li).
While the TV-series adaptation of the story has the Monkey King and his counterparts dealing a host of demons and monsters to protect the monk in each episode, this movie places emphasis on one demon, the White-Bone Demon, portrayed stunningly by Gong Li. She is a menacing force to be reckoned with, capable of spreading chaos and casualties to those dare to cross her - all the while maintaining her spellbinding beauty.
Kwok is excellent as the Monkey King, feisty and powerful in his own might. Xiao Shen-Yang did great as Zhu Bajie - a womanizer who provides much needed comic relief - and Chung Him Law gave an effective portrayal of Sha Seng - a character more on the sidelines but did a great battle with the skeleton monsters and showed the most concern for the master's well-being.
The movie was a little too high on the CGI in some parts, but it works well mostly, especially in the scenes involving the White Bone Demon as she floats around zapping her dark magic. The visual effects really captures the majesty of the kingdom and rich countryside, and the make-up and costumes brought the characters to life in very detail.
The plot was fast-paced from start to finish, full of suspense and adventure, and the dramatic elements of trust and second chances really make the film all the more interesting. An excellent adaptation of this epic journey!
Grade A
While the TV-series adaptation of the story has the Monkey King and his counterparts dealing a host of demons and monsters to protect the monk in each episode, this movie places emphasis on one demon, the White-Bone Demon, portrayed stunningly by Gong Li. She is a menacing force to be reckoned with, capable of spreading chaos and casualties to those dare to cross her - all the while maintaining her spellbinding beauty.
Kwok is excellent as the Monkey King, feisty and powerful in his own might. Xiao Shen-Yang did great as Zhu Bajie - a womanizer who provides much needed comic relief - and Chung Him Law gave an effective portrayal of Sha Seng - a character more on the sidelines but did a great battle with the skeleton monsters and showed the most concern for the master's well-being.
The movie was a little too high on the CGI in some parts, but it works well mostly, especially in the scenes involving the White Bone Demon as she floats around zapping her dark magic. The visual effects really captures the majesty of the kingdom and rich countryside, and the make-up and costumes brought the characters to life in very detail.
The plot was fast-paced from start to finish, full of suspense and adventure, and the dramatic elements of trust and second chances really make the film all the more interesting. An excellent adaptation of this epic journey!
Grade A
Love the movie. Thought it was entertaining and my kids wanted to see it again. But we all agree Donnie Yen was a better choice for The Monkey King / Sun Wu Kong The Monkey King Havoc in Heaven's Palace was our first choice and favorite among the two so far. Havoc in Heaven's Palace seem to have more story structure and the kids liked the characters better and loved the historical fight scenes with Donnie Yen's Character. My wife seemed to like the most the musical score of the film and we purchased the soundtrack in which we listen to quite often.
My Kids also each wanted there own Blu-Ray in which I purchased for all three of them. With anything the first is always the better of the two but recommend both.
My Kids also each wanted there own Blu-Ray in which I purchased for all three of them. With anything the first is always the better of the two but recommend both.
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- ConnectionsFollowed by Le Roi singe 3 (2018)
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Tây Du Ký 2: Ba Lần Đánh Bạch Cốt Tinh
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $68,005,000 (estimated)
- Gross US & Canada
- $709,982
- Opening weekend US & Canada
- $166,391
- Feb 7, 2016
- Gross worldwide
- $193,678,298
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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