Beneath the Leaves

I don't know why this was made. Poorly acted and bad script. Highlight is watching the cliches fly through the plot. Love Mira Sorvino. But this was just a mess.

Except for a very promising start sequence, where some kids does their father, this was a mediocre,mish-mash acting and full of nick-nack talking grown ups with some inner demons that destoroy the story. its something about the acting that doesnt appeal to me, they are too rough,too designated and too perfect for the roles they fill. just watching them police doing house searches, look at how they move forward, how they handle the walkie talkie and gun. have they had any professional advisory at all ?

i guess i'm wrong, but i think that this kind of flicks are made to lure the brainblasted part of the population into the vivid world of b-movies, beacause its b or c all over. the filmography starts with a tempting glow of perfection, then when the real film starts,you are strangled by the shining bright picture of hd'ish quality, with bad focusing . how could you.....? the fights and special effects are blurry with a lot of ketchup action.

do watch if you want, im sure some will feel tensed by the action, to me though,the old grumpy man its not good enough and not recommended

What happened to Mira Sorvino? Why is she taking any role available? We may never get an answer to that but we have an answer to what rock bottom really is: this movie. Poorly written, pathetically directed, hilariously overacted, with effects that make Sci Fi Channel movies look competent, this is garbage. Three out of ten only because I feel sorry for Sorvino - she deserves better.

I lasted fifteen minutes. Just about everything is terrible. Direction. Script. Acting. Lighting. Locations. This is a low-rent, filler film.

The supporting actors keep "mugging" in a juvenile, distracting manner.

These " nine star" reviews are bogus.

Greetings again from the darkness. It doesn't happen often, so it's probably kind of fun for them when a father and daughter are able to appear in the same film. This is writer-director Adam Marino's first feature film, and he cast Paul Sorvino and Mira Sorvino not as father-daughter, but as Police Captain and Detective. The script, co-written by Marino, Naman Barsoon, Daniel Wallner, and Mark Andrew Wilson treads familiar, yet usually interesting ground ... a crime topic covered previously by numerous TV shows and movies.

The film opens with an abusive father (Don Swayze) doing despicable things to his young son and daughter, before the two of them take action against him. We then flash forward to a prison escape that occurred after a fire is set. One of the escapees is an especially demented psychopath with a trait that ties the story back into the opening sequence. What follows is a whodunit police procedural that focuses on Detective Erica Shotwell (Oscar winner Ms. Sorvino) and the four boys who survived their encounter with the twisted prison escapee some 15 years ago. Doug Jones plays James Whitley, the prison escapee returning to finish the job on the 4 that got away. Mr. Jones is best known for his fabulous "creature" work in THE SHAPE OF WATER and PAN'S LABRYNTH.

The four boys, now grown men, are played by Ser'Darius Blain, Christopher Backus, Christopher Masterson, and Kristopher Polaha, the latter of which is now Detective Shotwell's partner ... though, against his vociferous protests, is prohibited by the Chief from working the case that he is oh-so-close to. Also providing support work are Melora Walters, Jena Sims, and fingernails in general. Director Marino's film is mostly B-level material, and actually much milder than what we see on many TV shows these days. It does, however, reinforce the notion that screwed up kids quite frequently grow into screwed up adults.