Morgane

Morgan starts with a simple premise of the moral and ethical implications of genetically crafting a biological being from scratch. Even if such a being looks and acts human, is it? Is the being a "she" or an "it"–and does the being have rights or autonomy, or can it be owned like a pet, or an iPhone?

Based on nothing more than the trailers, the movie struck me as a sort of biological / genetic mirror of Ex Machina. That turns out to be true to an extent, but Morgan doesn't do as good a job of exploring the philosophical question or examining the humanity of the being. The question is sort of posed, and then quickly falls aside as Morgan turns into more of a blood and guts action flick.

There is a twist at the end that I actually didn't see coming. My son says it was obvious early on, but the first hint I got was only moments before the truth of the twist was revealed.

I enjoyed the movie–and I recommend you go see it. I just feel like there was much more potential there to really dig into the philosophical issues and ethical debates of creating a genetic hybrid.

I had a chance to speak to director Luke Scott after seeing Morgan, and we dove into those issues a bit further. Scott told me that in his opinion the basic premise of Morgan is entirely plausible. "A lot of the background science–of course it's a fantasy that we made–but a lot of the background science is rooted in truth."

We talked some about the similarities and differences between the premise of Ex Machina and the premise of Morgan–a cybernetic android being versus a genetic hybrid biological being. Scott shared his belief that the technical possibility of creating something as advanced as the android in Ex Machina is far beyond our abilities, but Morgan, and the ability to create a biological being, is within our reach.

"The science is there," explained Scott. "The only thing holding us back is a moral question."

It is a valid and important moral question, too. If a company like Monsanto can create genetically modified seeds to produce healthier or more bountiful crops and own a patent on that seed, would we allow a genetic engineering company to craft healthier or more capable gene pools and own a patent on those genes? Could we create a society where those with the financial resources are able to purchase superior genetics–thereby artificially widening the gap and creating a population of genetic "Haves" and "Have Nots"? Or, would we deem a genetically modified or engineered being to be less than human–a thing or creature that can be owned, rather than a sentient being with rights?

Those are all great questions to explore, but Morgan really just scratches the surface of them.

I asked Luke Scott what's next on his horizon, and he let me know he's working on a project that also comes with a moral and ethical dilemma, but this one is based on a true story. Scott told me he is working on a script based on a book describing the story of the Donner Party–a group of homesteading pioneers that got caught in bad weather and stranded on a glacier and had to resort to cannibalism to survive.

The film MORGAN is one that you'd file under decent attempt. Directed by Ridley's son, Luke Scott, you wonder if the apple doesn't fall far from the tree or the talent gets passed down trough genes, well, don't expect MORGAN to be on the same level as Ridley's "Alien," that's for sure, but again, a decent attempt is what it is, the closest to a compliment I can give the film at this point.

Kate Mara plays a corporate risk management officer, a troubleshooter, and she's sent to a top secret location to investigate and evaluate a recent accident, she's supposed to be there to find out what went wrong and judge the asset in terms of the overall profit. At this top secret location, scientists have successfully created what is perceived to be the perfect human (Anya Taylor-Joy) but turns out, she comes with her own set of unpredictable threats.

What I can appreciate about MORGAN is that it takes familiar concepts from the world of science fiction and makes it its own. Creating life out of nothing or creating a life that's flawless has always been a fascination for ages. The film has its own way of addressing that. It's not perfect but the build up, the intensity, and the way things escalate as soon as situations go sideways, they're all well-paced and shot quite nicely. Definitely the one that stands out the most is young actress Anya Taylor-Joy, she already impressed me in "The Witch" earlier this year, and so her cold, calculating, fearsome performance in MORGAN only solidifies her reputation as the latest incredible force to be reckoned with. Better watch out for that one, she's going to go places. With its ensemble cast and its emphasis on keeping you guessing till the very end while wowing you with fight sequences and a big reveal, MORGAN is just the right dose of horror/sci-fi/thriller for us fans of such films as 1997's "Cube" or "Event Horizon" -- Rama's Screen --

Morgan is about a risk management consultant having to decide whether or not the current artificial intelligence project should continue or be terminated. Lee Weathers shadows the scientists to see how they work with Morgan and her responses in preparation for the real psychic-evaluation the next day.

I felt the story to be compelling with some minor plot holes that I chose to ignore as the overall experience was worth it. I enjoyed all of the characters and their personal relationships with Morgan as they really presented the family vibe. The pacing was good as it had plenty of time to introduce the characters and make them relatable to the audience. The movie is set at a slower pace so don't expect a lot of action or real horror elements which were kind of advertised.

The movie features Anya Taylor-Joy as Morgan who really owns the role. I really believe the way she is going she will become a house hold name before too long. She reminds me of a younger Jennifer Lawrence but with better range as an actress. Kate Mara also shines as the lead character which is nice to see after the fail of a movie that was the Fantastic Four.

I would rate this a little higher if it were more original but sadly it is too much of a reminder of Blade Runner, and more recently Ex Machina. The latter two created an environment so unique to the sub genre while Morgan just feels like a rehash.

Morgan is still a good movie and worth a watch, but don't expect them to rewrite the book. Also it is a good movie to get everyone excited for Blade Runner sequel in 2017 if anything else.

It's nothing revolutionary to the genre, but for a low budget Irish film by newb filmmakers, I still enjoyed it, and it's an entertaining one-time watch. There were many decent parts, and the concept worked well, but it got a little sloppy and overambitious by the third act. It lacked cohesion and clarity towards the end, and got a little clunky, cliched and predictable. There were plot and technical issues, but nothing grand outside expected rookie mistakes. The cinematography was great, and had a surprisingly fitting and decent score for a B film. All casting and performances were on point, and the fair pacing made the 92 min runtime fly by. Had the third act been fine-tuned, this easily could've been a great film.

This movie will not give you many philosophical questions to ponder about when it comes to the morals of AI, instead we get a pretty run of the mill movie with good performances from Ana Taylor Joy and Kate Mara, whereas the rest of the characters were very forgettable. It's a slow start but picks up after a while!

I would recommend this movie if you are a fan of the actors or the subject of AI.