Bonjour Anne

I don't get the low rating for this film. As a man, I can understand how it would be borderline boring, but still it is a good movie, with good acting and very beautiful content. I went through a trip in France, with the great lighting and the great food and the beautiful countryside and I can tell you it's truly what women want. My wife was happy for months. And this is the film adaptation of such a trip, written and directed by Eleanor Coppola.

There are two problems with this film. One is that this is about rich people traveling through France and getting the best of the best from fancy restaurants and places for the in-people. That can annoy some folk. The other is that there really is no story. There's just a French guy trying to woo a beautiful American married woman.

One can learn a lot from this film, too. Basically, the writer says "hey, men that take their wives for granted! Your women want romance!". OK, that can be annoying, too, but also serves as a manual on how women would like to be made to feel.

Bottom line: a true romantic road trip movie, with no pointless comedy or drama added. Refreshing and inspiring.

"Paris Can Wait" is one of those escape type drift away movies that has one to reflect on the fine things in life like arts, culture, great food and wine, it proves that for so long that life can be carefree. Set in the south of France with Anne(Diane Lane)a middle age woman who's going thru the middle roads of life, decides to break away from her husband a tough and work a lot movie producer(Alec Baldwin). And Anne takes a road trip to Paris, with one of her husband's best friends and on the road trip it's a journey of thought and seeing of the sights for Anne. Really it's an adventure of arts, wine, and food. Also underneath it all reflection and memories and escape all are written over Anne's face, plus a possible new love and romance interest seems to begin. Overall good escape film that shows one can drift away from the present life with an adventure journey.

I expected a lot after reading the synopsis but was highly disappointed after watching the movie. There was an excellent story-line and beautiful landscapes with possibly romantic sequences but despite Diane's good performances, the movie doesn't inspire anything substantial. Main reason is the absence of that spark between the two. Diane is a lovely actress and I would always love to see her in any character which she always does well. But something was missing and she doesn't get the same enthusiasm from the opposite character to show the vibrancy of their connection. Viard is a charming actor and tries hard but he doesn't have the so called Frenchman's sexual flare! He rather looks like an average bus driver to me, not an eager, romantic and intimate kind of a person. I would have expected them to have an intimate relationship halfway through the movie but both looked like not having enough energy or that spark to get intimate.

I wouldn't say I wasted my time but expected more and got disappointed would be more accurate to put it in a nutshell.

Paris Can Wait is absolutely a great comedy-romance movie from the talented director Eleanor Coppola.

It is an entertaining movie from the beginning to the end. Great scenery of Paris ,amazing acting, enchanting romance,delicious French food and stunning direction.

Rated PG and suitable for all children .Adults would definitely enjoy it especially when they learn that this movie was screened in the Special Presentations section at the 2016 Toronto International Film Festival.

God Bless The Amazing Eleanor Coppola (The Wife Of The Great Director Francis Ford Coppola).

Indeed:" Behind A Great Man There Has To Be A Great Woman.

Diane Lane is married to Alec Baldwin, a successful movie producer. They have a successful marriage and a daughter in her second semester at college. They are at Cannes when word comes that a movie in Budapest needs him on the scene. When Miss Lane's ear infection makes the pilot ground her, they agree she will meet her husband in Paris; his European partner, Arnaud Viard, is driving there anyway, and will take her. So, with misgivings about leaving his wife in the hands of a single Frenchman, Baldwin is out of the movie (except for a few phone calls) and Lane & Viard are off on a road trip. Of course, Viard offers a Cook's Tour of the regions they are passing through, complete with Roman remnants and far more food than anyone can eat, the perfect wines to accompany the food, and remain as photogenic as these two.

It's a chick flick, pure and simple, meant for middle-aged and older women. The food is photogenic (Miss Lane takes photos that would grace the pages of BON APPETIT) and everyone knows Viard, including the manageress of the Lumiere Museum in Lyon. It's a movie about the glories of French Cuisine and Diane Lane, and if it remains PG-rated at all times, there is the offer of a meeting at a well-known clam bar in San Francisco and a jaunt up the Californian coast and Miss Lane staring thoughtfully into the camera after Viard has left.

The director is Eleanor Coppola, the wife of Francis Ford Coppola (it's an American Zoetrope production) and if she waited until she was 80 to make her feature film debut, it makes one wonder how autobiographical a trifle (to borrow a cooking term from another cuisine) this pleasant, minor film is.