Eternity (aged 10) lives in a haunted gatehouse at the edge of an ancient forest. She likes to dig for buried treasure in the woods, but one day she digs up something she shouldn't and the f... Read allEternity (aged 10) lives in a haunted gatehouse at the edge of an ancient forest. She likes to dig for buried treasure in the woods, but one day she digs up something she shouldn't and the forest want it back.Eternity (aged 10) lives in a haunted gatehouse at the edge of an ancient forest. She likes to dig for buried treasure in the woods, but one day she digs up something she shouldn't and the forest want it back.
- Awards
- 5 wins & 7 nominations total
Zara Tomkinson
- Eloise Winter
- (as Zara Plessard)
Philip Quinton
- Forest God
- (voice)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A truly good film, superbly acted, well scripted, delightfully atmospherically shot, some of the locations (The New Forest, or the Weald I think) are beautifully caught, all in all, a gem among some of the dross found on Amazon Prime. It is a little 'clunky' at times, though on the whole, the film is a great success. the spooks are genuine, the film is well-paced, builds along nicely. The acting is staggeringly good, especially the turn from the young lass.
This is an odd one to review, because I feel like it should be recommended, despite the fact that it's not really more than 60% successful. It is unquestionably flawed throughout and yet worth watching and enjoyable regardless. I felt such a strong respect for not only the bits writer/director Martin Gooch got right, but for what he was attempting during the bits where he failed.
The very young actress Scarlett Rayner is the one element that is perfect from start to finish. And there are some particularly good supporting characters. But a fairy-tale tone in a realistically grounded film is a serious challenge to even attempt, let alone pull off as successively as is accomplished here. Plot holes, underdeveloped character motivations and unjustified behaviors, and, of course, an excessive over reliance on "bad dreams" to add some horror/scary scenes that otherwise serve no purpose except to provide good trailer moments are all here as well. I noticed them. I'm not denying them. And yet... even simply cranking out this review tempts me to watch the film again.
The very young actress Scarlett Rayner is the one element that is perfect from start to finish. And there are some particularly good supporting characters. But a fairy-tale tone in a realistically grounded film is a serious challenge to even attempt, let alone pull off as successively as is accomplished here. Plot holes, underdeveloped character motivations and unjustified behaviors, and, of course, an excessive over reliance on "bad dreams" to add some horror/scary scenes that otherwise serve no purpose except to provide good trailer moments are all here as well. I noticed them. I'm not denying them. And yet... even simply cranking out this review tempts me to watch the film again.
The movie overall was pretty decent and I wished they fleshed it out a bit more. The guardian of the forest needed a better costume to be more believable. Heck if it was made with CGI it would of looked scarier. However, this is not a big budget film so we got what we got. The young actress was had a spunky personality and she made the story flow better than the dad in the film. Again, I wished they fleshed out the story a bit more with lore. I would recommend this to anyone that has some free time and wants to be entertained a bit.
This is a british flick that twists and boogies around many genres, its surtainly mystery,a little bit of comedy and adventure and most of all spooky and a hint of sheer horror. its said to be a family film, but i would have hesitated showing this to children under 6.
its a widower and his 10 yrs old daughter who struggles to make a life out of nothing.,something goes really bad,and the surroundings becomes ominous and spooky. its a nightmare inside a nightmare of a nightmare that rides them both.
the highlight in this film is the girl at 10 portrayed by scarlett rayner, who has her rucksack full of talent,and a lot of the action gravitates around her.very good.rest of the cast are merely just there with hints of old greatness,and also some stiff and uncomfortable newbies.
the technical product varies a lot, there are a few scenes that has been spiced up with some visuall effects, but they are really primitive. there are some nature shots that are smashing, rest is on average. the soundwork could at times have been better,but the sound effects plus a very well timed music gives you a thrill for sure. the story or fairytail are not of the memorable kind,and maybe a bit difficult to understand.
by all means do view if you want to, there are a few surprises,but not enough for me to make a review. 4 is the most i can give......
its a widower and his 10 yrs old daughter who struggles to make a life out of nothing.,something goes really bad,and the surroundings becomes ominous and spooky. its a nightmare inside a nightmare of a nightmare that rides them both.
the highlight in this film is the girl at 10 portrayed by scarlett rayner, who has her rucksack full of talent,and a lot of the action gravitates around her.very good.rest of the cast are merely just there with hints of old greatness,and also some stiff and uncomfortable newbies.
the technical product varies a lot, there are a few scenes that has been spiced up with some visuall effects, but they are really primitive. there are some nature shots that are smashing, rest is on average. the soundwork could at times have been better,but the sound effects plus a very well timed music gives you a thrill for sure. the story or fairytail are not of the memorable kind,and maybe a bit difficult to understand.
by all means do view if you want to, there are a few surprises,but not enough for me to make a review. 4 is the most i can give......
What a surprise! I thought this was a children's movie, right up until the first 'f bomb' that is. During the first few minutes I had no idea what I was watching; children's, horror, fantasy, folk horror, family drama or one of half a dozen other movie genres briefly flickered across my mind. What I did know was that it was very English and pretty good.
Matters quickly settle and we see, 10-year-old schoolgirl, Eternity Winter, played by a larger-than-life Scarlett Rayner, searching for treasure in the forest which surrounds her home, The Gatehouse. She needs the treasure to help her cash strapped and grieving Dad with his finances. The spirit of Eternity's dead mother pops up now and again with timely advice for her. Eternity eventually does find treasure but the forest spirit wants it back.
It's a plot which could be dropped into any woodland setting, but writer and director Martin Gooch applies layer upon layer of Englishness and we quickly find ourselves unable to view The Gatehouse as anything but British. Eternity's father played by Simeon Willis literally walks through 1000s of years of English history, Eternity's school and school uniform are clearly borrowed from Roland Searle's St Trinian's stories and illustrations, there is a scene straight from Boorman's classic movie Excalibur, the humour is of that quirky, peculiar British type, perhaps think Terry Pratchett and, on and on it goes. Oh, and it's all wonderful.
Rayner and Willis bounce off each other as daughter and dad, with humour and pathos. In fact, the film could have been an intense exploration of family grief. But it's not.
The spirit of the forest is perhaps the weakest aspect of the film and may be evidence of a tight budget. It is just a little shonky but is usually seen back lit so its shonkiness is hidden.
The horror tropes are rapid fire but not to the point of numbing the viewer. Conjuring evil, jump scares, alone in a dark house, alone in a dark forest, alone on a dark road, dismemberment, ancient evil, creepy children, hauntings (of sorts), sinister secondary characters, evil under the bed, nightmares bleeding into real life and so on. In fact, a willing drama teacher could develop an interesting unit on horror tropes in general as encountered in The Gatehouse. Jack, the father, even picks up some hack work completing another author's novel after the original author dies mysteriously. The novel, a fantasy / horror work, is referred to as 'legend of the black flowers'!
The pacing is solid and the musical score effective. The cinematography is well above average. It is a beautifully shot film.
I don't want to oversell The Gatehouse. It does have problems. There is the subpar spirit of the forest costume. The film can feel picaresque'ish', a little episodic. There is probably a little too much in the 97 minute running time. Some more brutal editing might have helped this.
In the interest of full disclosure, I must declare that The Gatehouse does tick a few boxes for me personally. It's English, it's a horror movie and it's quirky. If the opportunity presents, give it a try. (I watched it on Prime.) There is a lot in The Gatehouse which is both entertaining and worth watching.
Matters quickly settle and we see, 10-year-old schoolgirl, Eternity Winter, played by a larger-than-life Scarlett Rayner, searching for treasure in the forest which surrounds her home, The Gatehouse. She needs the treasure to help her cash strapped and grieving Dad with his finances. The spirit of Eternity's dead mother pops up now and again with timely advice for her. Eternity eventually does find treasure but the forest spirit wants it back.
It's a plot which could be dropped into any woodland setting, but writer and director Martin Gooch applies layer upon layer of Englishness and we quickly find ourselves unable to view The Gatehouse as anything but British. Eternity's father played by Simeon Willis literally walks through 1000s of years of English history, Eternity's school and school uniform are clearly borrowed from Roland Searle's St Trinian's stories and illustrations, there is a scene straight from Boorman's classic movie Excalibur, the humour is of that quirky, peculiar British type, perhaps think Terry Pratchett and, on and on it goes. Oh, and it's all wonderful.
Rayner and Willis bounce off each other as daughter and dad, with humour and pathos. In fact, the film could have been an intense exploration of family grief. But it's not.
The spirit of the forest is perhaps the weakest aspect of the film and may be evidence of a tight budget. It is just a little shonky but is usually seen back lit so its shonkiness is hidden.
The horror tropes are rapid fire but not to the point of numbing the viewer. Conjuring evil, jump scares, alone in a dark house, alone in a dark forest, alone on a dark road, dismemberment, ancient evil, creepy children, hauntings (of sorts), sinister secondary characters, evil under the bed, nightmares bleeding into real life and so on. In fact, a willing drama teacher could develop an interesting unit on horror tropes in general as encountered in The Gatehouse. Jack, the father, even picks up some hack work completing another author's novel after the original author dies mysteriously. The novel, a fantasy / horror work, is referred to as 'legend of the black flowers'!
The pacing is solid and the musical score effective. The cinematography is well above average. It is a beautifully shot film.
I don't want to oversell The Gatehouse. It does have problems. There is the subpar spirit of the forest costume. The film can feel picaresque'ish', a little episodic. There is probably a little too much in the 97 minute running time. Some more brutal editing might have helped this.
In the interest of full disclosure, I must declare that The Gatehouse does tick a few boxes for me personally. It's English, it's a horror movie and it's quirky. If the opportunity presents, give it a try. (I watched it on Prime.) There is a lot in The Gatehouse which is both entertaining and worth watching.
Did you know
- TriviaDirector Martin Gooch and the producer Clare Pearce were introduced by a mutual friend. The producer got the full budget and within 2 weeks of meeting they were in production.
Details
Box office
- Budget
- $2,200,000 (estimated)
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 2.35 : 1
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