Other People

IMDb.com classifies this 2016 film as a comedy/drama. Well there are one or two laughs but they are of the nervous variety. The focus here is on drama. A struggling comedy writer, played by Jesse Plemons is fresh off a breakup and in the midst of the worst year of his life. He returns to Sacramento, to the bosom of his family to care for his dying mother, Molly Shannon in an outstanding performance.

Train's "Drops of Jupiter" features several times during the movie; the lyrics of which deal with someone dying. Lead singer Patrick Monahan has stated that the song was inspired by his late mother, who had died after a struggle with cancer. It is apt.

Other People is writer Chris Kelly's first big screen outing as director. He is also currently an Emmy-nominated Co-Head Writer at "Saturday Night Live". Other People debuted at the Sundance Film Festival in 2016. Molly Shannon won Best Supporting Female at the 2017 Film Independent Spirit Awards while Jesse Plemons was nominated for Best Male Lead; Chris Kelly for Best First Screenplay and all deservedly so.

Above all this is a human drama. Multi-layered, the story is about the illness and death of the family's mother from cancer. It also deals with the father's reaction and his lack of acceptance of his son being gay. To borrow a line from Captain Kirk in Star Trek II: The Wrath of Khan – "how we deal with death is at least as important as how we deal with life"

Have the tissues ready.

A solid 4 out of 5.

Be careful - this film might just break your heart ! It took me a while to warm to this, totally unspectacular and unpolished as it first appears. It just observes a family's interactions as the mother is slowly dying from cancer, with the focus on the young gay son who has come back home to help look after her. At times it feels hardly like a 'movie', there is such a sense of simple observation. There were moments where it almost seemed to be a documentary and I felt like I was eavesdropping on a real family's real pain and grief. Increasingly I became aware of the film being rich with ever-so-subtle elements, easily missed, gradually deepening an atmosphere of great authenticity. It is a sad film, but also (astonishingly) with a wonderful sense of wry humour and real warmth. A million miles away from Hollywood, this gem could be easily overlooked. Don't !

This film tells the story of a young writer who goes back home to take care of his gravely ill mother.

I have the misconception that it is a comedy because Jesse Plemons is in it. The first half of the film is quite funny in a morbid way, and then the second half of the film is just very depressing. The story is very engaging because all the main characters are well crafted and the story telling is excellent. There are no filler scenes at all. I particularly care for the writer and his mother. I feel their pain. I just never expected this film to be so so good.

Brilliant little movie that is sad and funny and seems almost improvised. A collage of the last year in the life of the "matriarch" of a family. Jesse Plemons plays David, a son who is having the worse year of his life. His dreams of being a comedy writer are not coming true, he's broken up with his boyfriend of five years, his father won't acknowledge he's gay even after ten years, and his mother is dying, Sounds pretty dreary, huh?

And it is so sad to watch Molly Shannon as the mother as she slowly dies and deals with the ravages of chemotherapy and the depression that life is going on on on without out her.

And yet this little gem is out-standing. There are so many little moments that say so much about life, growing, family, acceptance, reaching out, discovery, and more. One scene after another that tells the story *of* life. From beautiful to silly to painful to triumphant.

The short short scene where David tries to order three medium chocolate shakes without whipped cream—and then you have to be paying attention to see him sit down with his parents with three shakes—with whipped cream. This movie really is something I will have to watch again. The final shot is what gave me hope—that life, no matter what, does go on, and maybe, just maybe, it will be okay.

I made the decision to watch this because of the hype and talk of Molly Shannon's performance. She was undeniably powerful. However, Jesse Plemons also surprised me in his best performance yet. Incredibly authentic, heartfelt, and lived-in, it's him showing the kinds of dramatic chops that he has and he more than delivers. It's been great to see his transformation from his earlier roles and to see him gaining more and more prestige with the types of smart choices he has made in terms of roles. I cannot wait to see more from him. Overall, the film was very effective. It's simple, but its themes are timely and they hit really chose to home. Not as raw as last year's James White, but instead it has something else to offer.