A kid from middle America, desperate to move to Chicago, joins the volleyball team to get a scholarship - the only catch is that his high school only has a girls team.A kid from middle America, desperate to move to Chicago, joins the volleyball team to get a scholarship - the only catch is that his high school only has a girls team.A kid from middle America, desperate to move to Chicago, joins the volleyball team to get a scholarship - the only catch is that his high school only has a girls team.
- Director
- Writers
- Stars
- Awards
- 6 wins & 1 nomination total
Mary Catherine Donnelly
- Ms. Bishop
- (as Mary Catherine Connelly)
Jaclyn Bethany
- Mrs. Calvert
- (as Jacklyn Bethany)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Director Nathan Adloff, along with writing partner Justin D.M. Palmer (both of "Nate and Margarett" - 2012), present an enjoyable summer teen flick. Happy go lucky Miles (terrific relative newcomer Tim Boardman - "Wilde Wedding 2017) is coming to grips with his sexuality, while surviving a home where dad (Stephen Root - "Office Space" 1999) is estranged, and mom (Molly Shannon - TV's - "Divorce") is complacent. When dad leaves the family broke, Miles joins the HS girls volleyball team in hopes of obtaining a scholarship to college, and mom begins to live. Along with Root and Shannon, the film is filled with additional familiar character actors, including Miss Pyle ("Gone Girl), Paul Reiser (TV's "Divorce"), Ethan Phillips (TV's "Girls"), Yeardley Smith ("The Simpsons) and Anie Golden ("Orange Is the New Black"). Unforuntately, when a film is filled with so many established comedy character actors, it usually means trouble. Lucky, are all in good hands here with Adloff and Palmer, who have given each (through good writing and a sound storyline) an opportunity to present their dramatic acting chops. Every summer, a good youth film comes along to remind us that somehow we all make it through it, and MILES fits that bill perfectly.
This movie had potential, it was never gonna be a work of art, but it could have been so much better. It's such a shame we have one more case of a movie building up to something that just barely happens. Then we get a time jump that "resolves" everything with no context whatsoever. It's not about the happy ending it's about telling the entire story.
Well produced and well acted. Storyline is just OK. It kind of fizzles at the end and I thought something interesting/surprising or meanginful might happen; it does not. In that regard, it left me a bit disappointed. I didn't hate this ...but expected more from this film.
5/4/18. While I enjoy watching sports-related movies and true stories, this one was only average. It's about a high school boy who wanted to get a sports scholarship to attend college. He wants to play volleyball, but the high school only has a girls team. So, he plays on the girls team and everyone gets hot and bothered about it. There's a side story about the teen being gay, but that doesn't explain anything that is going on. Mothers of some of the girls playing on the time thinks the boy has an unfair advantage. Whatever.
Small town boy wants to run off to the big city of Chicago and cooks up a scheme to play on the girl's volleyball team in order to secure a sports scholarship to Loyola. There's about 150 subplots, none of which are all that resolved, but that's the big one.
It's not terrible; it's just pointless and bland. Every time you think it'll rise up and make some kind of statement... about life, about art, about sexuality, about anything at all... it just quietly ducks off and goes somewhere else. Molly Shannon (Mom) and Paul Reiser (School Superintendent) do what they can with what they're given, which really ain't much. You just have all these stories — the dead father's mistress, the Mom pretending to be a gay man and having an x-rated convo with a guy online (using AOL, since the film is set in 1999), the potentially lesbian volleyball coach, this, that, the other — and in the centre of it all is a manchild so terminally thin and boring that it wouldn't matter if he were gay or straight or nothing at all. His sexuality really doesn't mean anything in terms of the plot: it's a convenient character add-on no doubt to get this some visibility in LGBT film festivals. Toss in a couple of obligatory film montages — his team tryout, the team winning their games, Mom dancing around the kitchen — and the result is a treacley, tasteless movie that tries to have an inspiring message and comes across as a greeting card about personal courage.
It's not terrible; it's just pointless and bland. Every time you think it'll rise up and make some kind of statement... about life, about art, about sexuality, about anything at all... it just quietly ducks off and goes somewhere else. Molly Shannon (Mom) and Paul Reiser (School Superintendent) do what they can with what they're given, which really ain't much. You just have all these stories — the dead father's mistress, the Mom pretending to be a gay man and having an x-rated convo with a guy online (using AOL, since the film is set in 1999), the potentially lesbian volleyball coach, this, that, the other — and in the centre of it all is a manchild so terminally thin and boring that it wouldn't matter if he were gay or straight or nothing at all. His sexuality really doesn't mean anything in terms of the plot: it's a convenient character add-on no doubt to get this some visibility in LGBT film festivals. Toss in a couple of obligatory film montages — his team tryout, the team winning their games, Mom dancing around the kitchen — and the result is a treacley, tasteless movie that tries to have an inspiring message and comes across as a greeting card about personal courage.
Did you know
- TriviaMiles refers to the 'swingline stapler guy' from the movie Office Space. The actor Stephen Root, who plays Miles' father, was also in Office Space and played Milton, a.k.a. the swingline stapler guy.
- Quotes
Miles Walton: Thanks, P.
Penelope Walker: You got it, girl.
- ConnectionsFeatures Nate and Margaret (2012)
- SoundtracksStop and Go
Written by Justin Bell and Jonathan Levi Shanes
Performed by Justin Bell and Jonathan Levi Shanes
Produced by Justin Bell
- How long is Miles?Powered by Alexa
Details
Box office
- Budget
- $400,000 (estimated)
- Gross US & Canada
- $2,537
- Opening weekend US & Canada
- $2,147
- Jun 11, 2017
- Gross worldwide
- $2,537
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 2.35 : 1
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