Review by Peter_Young

Dum Laga Ke Haisha is produced by Yash Raj Films. Thinking about the Yash Raj productions of the early 2000s, one cannot escape the vision of glossy, expensive mainstream films, very romantic, often based abroad and if not, centring on wealthy individuals. Some of them were wonderfully entertaining, including Hum Tum and Salaam Namaste, which were racy and socially progressive for the times, but generally most of their films became quite synonymous with superficial and shallow commercial potboilers with nothing substantial to offer. Following quite a few exceptional gems earlier, like Band Baaja Baaraat and the likes, which started the trend of social and realistic romantic films, Dum Laga Ke Haisha is even a bigger step toward a whole welcome change in Hindi cinema, and it really is a breath of fresh air in both story and execution. This new brand of mainstream Hindi cinema, which deals with everyday issues within simple families from India's lower middle class, is a real blessing. Gone are the days when Indian filmmakers insisted on showing only the glamorous side of India or being ashamed of its simpler reality. On the contrary, recent commercial films, and this film definitely among them, celebrate this simple part of India, celebrate its beauty and cultural richness, going back to the magic of Hrishikesh Mukherjee's memorable middle-of-the-road cinema.

Indeed, Dum Laga Ke Haisha is one such film - it is beautiful, authentic, and it has this sense of everydayness that makes it a terrific watch. Obviously, the core theme of a young guy who is caught in an arranged marriage with an overweight young woman for whom he has zero attraction, is a true draw in and of itself, but it's not just that. The film is charming, just charming in the way it embraces its characters, its story and situations, in the way it rejects stereotypes, and in the subtle portrayal of the romantic buildup between the two leads. Acting-wise, too, the film is a delight. Ayushmann Khurrana as always does his socially conscious cinema, and he is terrific here. He is easy to judge or dislike, but at the same time so easy to understand and feel for. His gradual growth is convincingly portrayed. It is Bhumi Pednekar though who dominates this film with her brave turn. Obviously, the physical change is admirable (she put on quite a lot of weight for the part), but just as a character, she is wonderful, putting in a consistently credible, compassionate, and touching performance. A host of tremendous supporting actors all work together brilliantly. Dum Laga Ke Haisha is set in the mid-1990s, and it also manages to bring some nostalgic value for the music and innocence of those days. The film's last sequence is a cinematic triumph and a great conclusion to this wholesome entertainment that is both enjoyable and educational.