[go: up one dir, main page]

    Release CalendarTop 250 MoviesMost Popular MoviesBrowse Movies by GenreTop Box OfficeShowtimes & TicketsMovie NewsIndia Movie Spotlight
    What's on TV & StreamingTop 250 TV ShowsMost Popular TV ShowsBrowse TV Shows by GenreTV News
    What to WatchLatest TrailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily Entertainment GuideIMDb Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideBest Of So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralAll Events
    Born TodayMost Popular CelebsCelebrity News
    Help CenterContributor ZonePolls
For Industry Professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign In
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Cast & crew
  • User reviews
  • Trivia
  • FAQ
IMDbPro
Marlene Burow, Sabin Tambrea, and David Schütter in Dans un pays qui n'existe plus (2022)

Review by jantobi

Dans un pays qui n'existe plus

9/10

Looking back, looking forward

For many of its audience, life in the GDR will not have been a personal experience. For its writer and director, it is all based on personal memory, and that shows. We look back to East German history, especially the story of its very modern fashion scene with magazines like Sibylle, and forward to what freedom means in such a society and for one personally.

From the start we can feel with the characters, whether its Suzie, the girl turning model after a photographer called Coyote takes a photo of her, or Rudi, the flamboyant designer, but also the unheroic father or the boss of the fashion magazine, both of whom have arranged themselves with what it takes to live in a totalitarian state. And as cliché-ridden as that sounds, the characters are very real and believable. The journey Suzie ges on is troublesome and seems exaggerated, but shows what life in East Germany also was, without being a film focussing too much on history. Its main topic, freedom in a society that does not allow for freedom, is shown very convincingly and lets the viewer understand the characters and root for them, although the fashion scene is vastly different from what most people will have as a workplace.

Great actors (Tambea as Rudi is wonderful) plus creativity in direction and montage make this a much better film than the (incorrect) summary on imdb suggests.

Saw the film at a presentation with the director and the stylist who was the Rudi character and was moved by how accurately the film shows both their experiences with oppression and freedom within such a state. Decidedly personal (and unpolitical), it is an extremely political film, but also very moving on a personal level.
  • jantobi
  • Oct 5, 2022

More from this title

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb App
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb App
For Android and iOS
Get the IMDb App
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.