Review by richardchatten

Despite Fassbinder's admiration for Douglas Sirk this glossy production in colour and 'scope by his compatriot Henry Koster more closely resembles the younger director's 'The Marriage of Maria Braun' than anything Sirk himself made (which might not be mere coincidence since leading man Mel Ferrer was later in Fassbinder's 'Lili Marlene').

Because allegiances had switched in the intervening ten years since the time in which it was set the Russians are far less attractively portrayed than the Germans; but at least Theodor Bikel gets to sing!