Review by smkbsws

When anybody (even I used to say the same) tells you more money leads to lesser art, this epic saga can be a staple example to prove them wrong. This is based on a semi autobiographical novella by Adwaita Mallabarman, depicting the life and times of a fishing society by the bank of a River, called Titas, over a period of time. I can say that this has more distinguishable cast than "Sholay". Or till some extend, this has the range, both chronological and geographical, this even tops "Gangs Of Wasseypur" or "The Godfather" series. There are many features and documentaries on this film and I remember someone telling this was Ghatak's El Dorado (Note that the kid in "Bari Theke Paliye" started his journey by inspired of the stories of El Dorado). One of the major positive change was in editing, and the uber famous Bashir Hossain did show his fresh take on cutting and transitions to both Bangladeshi and West Bengal audience. His technique was so liked that Ghatak hired him again for his own semi autobiographical "Jukti Takko Aar Gappo". Another thing is heavily layered and beautifully set up blocking, which we have been seeing from "Ajantrik" till his latest series, and kudos to Baby Islam's camerawork to take it to the next level. One of my friend told that Ghatak loved the relationship between a boat and camera, which was incepted in "Bari Theke Paliye", shown accordingly in the trilogy and blooms to its full potential in this film. Also, have to mention the plot explicitly as it shows the microcosm of a society of people who belong to the lower caste of a minority section and all the hierarchy was used for plots.