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L'express ne répond plus (1979)

Review by Coventry

L'express ne répond plus

8/10

Take the bus! For Christ's sake, take the bus!

When speaking of disaster movies from the 70s decade, you automatically think of the gloriously flamboyant and heavily budgeted productions of Irwin Allen, with dazzling all-star casts and spectacular stunt work as most recognizable trademarks. As much as I worship those, I must admit that many made-for-TV disaster movies from that same era are just as awesome, or even more awesome, despite their much smaller budgets.

"Disaster on the Coastliner" is such a fantastic TV-film, but for some inexplicable and totally undeserved reason, it's unknown and entirely forgotten. I can't possibly fathom why that is, because it has a terrific yet textbook disaster movie plot, a downright fantastic cast and a more than competent director (Richard C. Sarafian of "Vanishing Point"). Paul Smith is terrific as an embittered and vengeful employee of the Railway company who sabotages the computerized controls and arranges for two passenger trains to head towards each other at high speed, and on the same tracks. In the control room, as well as on both trains and even at Amtrak headquarters, people slowly realize that a catastrophic head-on collision becomes unavoidable.

The film has everything! There's suspense, fast-paced action, a garden variety of interesting characters, odd humor and an edge-of-your-seat climax. Despite this being a TV-production, there are some impressive action sequences and the finale with the miniature derailment is excellent. The sequences in the control room, and especially the interactions between Lloyd Bridges and E.G. Marshall, are quite funny, since Bridges can complain non-stop about computers and modern technology, and you can't help thinking of him in "Airplane!" the entire time. Furthermore, the stellar cast includes Yvette Mimieux, Robert Fuller, Pat Hingle, Lane Smith and the great William Shatner who depicts a petty criminal who nevertheless becomes the hero who saves the day.
  • Coventry
  • Nov 1, 2020

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