Above average Eastmancolor B-Western with a good pace and one of Audie Murphy's most underrated.
Medium budget'd B-Western, starred by the all-american clean shaved Audie Murphy, one of the most condecorated combat soldiers of World War II which turned Hollywood star, mostly in Western films, with more than 40 credits in his resumé.
Stoic, healthy, soft-spoken with a natural shyness, but projecting an on-screen likeability that earned him his loyal fanbase, Audie Murphy was (and still is) one of the most beloved American icons.
"Posse from Hell" directed by Herbert Coleman, making his debut in the director's chair after being an assistant director, and shot by Clifford Stine in the beautiful palette of Eastmancolor, is one of Audie's most underrated Westerns.
Written by Clair Huffaker, based on his own novel, tells the story of four fugitives from death row that rode to the pacific town of Paradise, and after killing the Town Marshal, they made hostage a beautiful girl and ran away with $11,200 from the Bank. Former gunfighter Banner Cole (Murphy) arrives to town the next day and makes a promise to the dying Marshal that will form a Posse and bring the four men to justice.
The story itself is nothing new to the genre and has been seen before in countless B-Westerns, but the way it was shot and paced, makes a joyful entertaining and exciting experience to the viewer. The movie looks good visually and the cinematography is above par, including nicely composed shots from Alabama Hills, Lone Pine and Olancha Dunes in California.
Audie Murphy plays himself effortlessly, with a good bunch of supporting players, including a young John Saxon; a sadly underused Vic Morrow as the leader of the fugitives pack; future Western icon, Lee Van Cleef; method actress Zohra Lampert and the character actors Robert Keith, Rodolfo Acosta, Frank Overton, Royal Dano and Ward Ramsey, among others.
"Posse from Hell" could have been more nastier (as the story suggests) and could have ended sooner, but with Audie aboard, he made sure that his moral valors and code of honor were there to the character's redemption, with the film ending in a positive note. Every Audie Murphy's is a happy end and that's what his fans want.
I give it a 7.5
Recommended !!
"Posse from Hell" directed by Herbert Coleman, making his debut in the director's chair after being an assistant director, and shot by Clifford Stine in the beautiful palette of Eastmancolor, is one of Audie's most underrated Westerns.
Written by Clair Huffaker, based on his own novel, tells the story of four fugitives from death row that rode to the pacific town of Paradise, and after killing the Town Marshal, they made hostage a beautiful girl and ran away with $11,200 from the Bank. Former gunfighter Banner Cole (Murphy) arrives to town the next day and makes a promise to the dying Marshal that will form a Posse and bring the four men to justice.
The story itself is nothing new to the genre and has been seen before in countless B-Westerns, but the way it was shot and paced, makes a joyful entertaining and exciting experience to the viewer. The movie looks good visually and the cinematography is above par, including nicely composed shots from Alabama Hills, Lone Pine and Olancha Dunes in California.
Audie Murphy plays himself effortlessly, with a good bunch of supporting players, including a young John Saxon; a sadly underused Vic Morrow as the leader of the fugitives pack; future Western icon, Lee Van Cleef; method actress Zohra Lampert and the character actors Robert Keith, Rodolfo Acosta, Frank Overton, Royal Dano and Ward Ramsey, among others.
"Posse from Hell" could have been more nastier (as the story suggests) and could have ended sooner, but with Audie aboard, he made sure that his moral valors and code of honor were there to the character's redemption, with the film ending in a positive note. Every Audie Murphy's is a happy end and that's what his fans want.
I give it a 7.5
Recommended !!
- DeuceWild_77
- Feb 19, 2020