A darkly melodramatic autumn
Saw 'Autumn Leaves' as somebody who admires Joan Crawford, 'Mildred Pierce' being a prime example of what made her such a good actress. It was interesting seeing Cliff Robertson in an early role and a large part of me was very intrigued in seeing how he would fare alongside the more experienced Crawford. Also seeing how one of Robert Aldrich's earlier films would rank with his other films. Melodrama does vary in execution and always has done, but there has never been any personal bias against it as there are some great ones out there.
'Autumn Leaves' is not going to connect with everybody, am aware that some respected critics and fellow prolific reviewers didn't care for the film. For me though, it was very good and a near-must see for anybody that likes Crawford, Robertson and Aldrich. Can totally see why Crawford herself thought highly of the film and her reasoning mirrors my feelings on it (also agree with her that it should be better known), and to me it is among Aldrich's better films if not quite in the same league as the likes of 'Whatever Happened to Baby Jane' and 'Attack'.
It is not a perfect film. With my biggest reservation being the ending, which for me and some others was too abrupt and tonally was completely at odds with what came before. For a quite dark story to end on such a jarringly pat note was a shame.
Maybe the film is a little too long as well.
Crawford on the other hand is in a role that she was born to play and pulls out all the way. Robertson gives a very distinguished turn in a not easy role to play and actually appreciated that he doesn't go over the top, a big trap for a character that changes as much as he does here. He works very well together with Crawford and personally didn't think that they were too much of a mismatch together in age and acting style and that their styles of acting didn't clash too much, actually thought that the more understand acting of Robertson contrasted well with Crawford's. Lorne Green and particularly Vera Miles are very good in support and Aldrich directs beautifully with material that he is completely at ease with, thematically this is already classic Aldrich.
Visually, 'Autumn Leaves' is handsomely mounted and photographed with a real sense of atmosphere. The music is haunting and sears in intensity, without intruding too much. The script is soap opera but intelligently written and naturally flowing soap opera that doesn't get too overwrought or heavy-handed. The story deserved a much better ending, but the psychological aspect is hard-hitting and pulls no punches (regardless of any debate on how well it has dated) and it is very intense and moving.
On the whole, very good with a lot of things that come off greatly. 8/10
'Autumn Leaves' is not going to connect with everybody, am aware that some respected critics and fellow prolific reviewers didn't care for the film. For me though, it was very good and a near-must see for anybody that likes Crawford, Robertson and Aldrich. Can totally see why Crawford herself thought highly of the film and her reasoning mirrors my feelings on it (also agree with her that it should be better known), and to me it is among Aldrich's better films if not quite in the same league as the likes of 'Whatever Happened to Baby Jane' and 'Attack'.
It is not a perfect film. With my biggest reservation being the ending, which for me and some others was too abrupt and tonally was completely at odds with what came before. For a quite dark story to end on such a jarringly pat note was a shame.
Maybe the film is a little too long as well.
Crawford on the other hand is in a role that she was born to play and pulls out all the way. Robertson gives a very distinguished turn in a not easy role to play and actually appreciated that he doesn't go over the top, a big trap for a character that changes as much as he does here. He works very well together with Crawford and personally didn't think that they were too much of a mismatch together in age and acting style and that their styles of acting didn't clash too much, actually thought that the more understand acting of Robertson contrasted well with Crawford's. Lorne Green and particularly Vera Miles are very good in support and Aldrich directs beautifully with material that he is completely at ease with, thematically this is already classic Aldrich.
Visually, 'Autumn Leaves' is handsomely mounted and photographed with a real sense of atmosphere. The music is haunting and sears in intensity, without intruding too much. The script is soap opera but intelligently written and naturally flowing soap opera that doesn't get too overwrought or heavy-handed. The story deserved a much better ending, but the psychological aspect is hard-hitting and pulls no punches (regardless of any debate on how well it has dated) and it is very intense and moving.
On the whole, very good with a lot of things that come off greatly. 8/10
- TheLittleSongbird
- Feb 11, 2020