Pop goes the weasel!
Cracking blaxploitation feature stars singer / performer Lola Falana as the title character, a sexpot being released from prison so that she may testify against her racketeer boyfriend Eddie (James A. Watson Jr.). Watching over her are a corpulent, seen it all veteran cop, Ramsey (Alex Dreier), and a former patrolman, Doug (Gene Washington). Cocoa must of course dodge various attempts made on her life while making life miserable for Ramsey and Doug. Because whatever Lola wants, Lola must get, of course.
This is actually a pretty lively and amusing comedy that eventually segues into conventional action and suspense. It gets a lot of its juice from the give and take between the two main characters. Doug doesn't like the assignment, or Cocoa, at first, but we all know it's merely a matter of time before he succumbs to her charms (and assets). Football great Washington and Ms. Falana set off an appreciable amount of sparks in the lead roles; Dreier lends gravitas and experience in his role. The supporting roles are amusingly cast; that's director Matt Cimber himself in the role of honeymooning newlywed Arthur, and Millie Perkins ("The Shooting") as his bride. Washingtons' peer 'Mean' Joe Greene plays one of two unrelenting hit men. Exploitation mainstays George 'Buck' Flower, John Goff, and Richard Kennedy appear as a gambler, 'Sicilian', and put-upon waiter respectively. Watson is smooth as the villain behind everything.
Ultimately, Mikel Angels' screenplay is just a little too predictable (save for one twist involving Perkins). Fortunately, the movie still manages to be fun, with good location photography, a nice action sequence with a runaway car *inside* a casino, and a music score by Luchi De Jesus that puts a few amusing spins on that old standard, 'Pop Goes the Weasel'. Ms. Falana herself co-adapted it with De Jesus for the brassy theme song, belted out by the super sexy lady over the opening credits.
Lolas' bimbo shtick may become wearying early on for some viewers, but those who stick it out will be rewarded with what turns out to be a solid entry into this genre.
Eight out of 10.
This is actually a pretty lively and amusing comedy that eventually segues into conventional action and suspense. It gets a lot of its juice from the give and take between the two main characters. Doug doesn't like the assignment, or Cocoa, at first, but we all know it's merely a matter of time before he succumbs to her charms (and assets). Football great Washington and Ms. Falana set off an appreciable amount of sparks in the lead roles; Dreier lends gravitas and experience in his role. The supporting roles are amusingly cast; that's director Matt Cimber himself in the role of honeymooning newlywed Arthur, and Millie Perkins ("The Shooting") as his bride. Washingtons' peer 'Mean' Joe Greene plays one of two unrelenting hit men. Exploitation mainstays George 'Buck' Flower, John Goff, and Richard Kennedy appear as a gambler, 'Sicilian', and put-upon waiter respectively. Watson is smooth as the villain behind everything.
Ultimately, Mikel Angels' screenplay is just a little too predictable (save for one twist involving Perkins). Fortunately, the movie still manages to be fun, with good location photography, a nice action sequence with a runaway car *inside* a casino, and a music score by Luchi De Jesus that puts a few amusing spins on that old standard, 'Pop Goes the Weasel'. Ms. Falana herself co-adapted it with De Jesus for the brassy theme song, belted out by the super sexy lady over the opening credits.
Lolas' bimbo shtick may become wearying early on for some viewers, but those who stick it out will be rewarded with what turns out to be a solid entry into this genre.
Eight out of 10.
- Hey_Sweden
- Sep 11, 2016