Review by Peter_Young

There are so many things that I like in Chaalbaaz, and then, there are so many things because of which I would never want to see it again. I like its craziness but I hate its stupidity. Chaalbaaz is a mere copy of the 1972 classic Seeta Aur Geeta. Clearly, this one is not a patch on Ramesh Sippy's timeless comedy of errors, and well, frankly, the fact that these two films are compared is an insult to Seeta Aur Geeta. Chalbaaz just lacks the latter's excellent script, great humour, music, light comic mood, and of course the performances. Hema Malini's performance is unmatched, and here the director actually turns the twin sisters into some hysteric and mentally unstable damsels in distress. Then there's the element which many people disliked the film for. While the film aims to be a comedy, there's one really disturbing part in it, and it is the way Anju is abused by her uncle and his wife - it is hugely exaggerated, but very often far from funny because not once does it appear downright sadistic. The action sequences are poorly handled and actually there's too much of them.

Sridevi is an excellent actress, but just like with the film, I like and dislike her performance in equal parts. I liked the fact that she evidently highly enjoyed playing her part, I liked her spontaneity, and her neurotic dance numbers were truly outstanding. It is her portrayal of the scared and frightened Anju that I liked more, as she was so intensely involved with the character. The role of Manju, the street smart lost sister, is totally over-the-top. She is not just brave and defensive, but a violent idiot. And it's not Sridevi's fault, she is just let down by the script and forced to ham it up. The leading actors are very average, while the two who actually understand the film's mindless mood and act accordingly are Anupam Kher and Rohini Hattangadi, who are very good and easy to hate. It's of course a masala flick and one should never take it too seriously but then it's not a very good film even as mindless entertainment, and sadly so, because this is the kind of story which could churn out a terrific comedy of errors, a goal this film unfortunately never manages to achieve.