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Oleg Basilashvili, Natalya Gundareva, Norbert Kuchinke, Evgeniy Leonov, and Marina Neyolova in Marathon d'automne (1979)

Review by FilmCriticLalitRao

Marathon d'automne

10/10

Russian director Georgi Danelia shows in his film that being good is just not enough when one is a liar.

As a subjective concept 'goodness' is interpreted in various forms. However, it can be easily assessed if it is seen through the prism of 'actions' performed by people. Russian film Osenniy Marafon (Autumn Marathon) is a tragicomic tale wherein the concept of 'goodness' abounds through the portrayal of an English-Russian translator who would help anybody in need. His weakness is that he doesn't know how to refuse anybody who has come to seek help. However, there is more trouble in store for him due to his tendency to intentionally utter numerous false statements to both family members and colleagues. Russian director Georgi Danelia put himself in a creative quandary by making a film about a man who has too many negative qualities despite having a charming outer appearance. This is one reason why authorities who worked for the promotion of Russian cinema were reluctant to promote this film as it chose to depict a philandering liar who would cause immense grief to both his mistress as well as wife. Although the film's theme might appear a little outdated to contemporary viewers but it was an immense success during its release in late 1970s. This brings us to question why there was tremendous opposition to this film in official circles as adultery has always remained a recurring theme in Russian literature. It is not a secret that many duels were fought with loss of lives over extra marital affairs. Lastly Russian actors namely Oleg Bassilashvili, Natalya Gundareva and Marina Neyolova are credible in their respective roles as husband, wife and mistress who suffer immensely as a web of lies is woven around their erratic lives.
  • FilmCriticLalitRao
  • Oct 19, 2013

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