Bombay Talkies: a true ode to 100 years of Indian cinema. Celebrates true art form of cinema instead of glorifying stardom. A must watch for true cinema lovers!
Bombay talkies is a true ode to 100 years of Indian Cinema. It celebrates life, emotions, relations, dreams of an ordinary human being. It celebrates the true art form of cinema. It doesn't glorify stardom.
All 4 stories are diverse, dealing with different socio-economic strata with the basic theme being the impact of cinema on a common man's life.
Away from all 'dishum-dishum' emotional atyachar, senseless stories, it tells us how cinema should ideally be.
Karan Johar's part was really stunning. It was undoubtedly and unbelievably, his best movie as a director, better than those emotional craps like K2H2 and K3G. It talked about sexual orientation, hypocrisy in society and turnmoil in relationships. The songs 'Lag ja Gale' and Ajeeb Dastaan hai ye' were used metaphorically and blended very beautifully with the story. Dialogues were witty and had many meanings.
Dibakar Banarjee's part was a true 'art cinema'. Full of sarcasm and metaphors and hence difficult to understand, it was genuinely the best of all the four flicks. Faizal Khan ( Nawazuddin) is a true genius. He plays the character of a man struggling to find a job who is a talented actor leading a mediocre life in a chawl, for whom a smile on his daughter's face matters more than his dreams and money. The EMU in a chawl sarcastically portrays the character of the protagonist and also Nawazuddin himself as he hasn't got his due still while he actually deserves much more.
Zoya Akhtar's part talked about childhood dreams and fantasies. The child-actor really left me spellbound. The story was very genuine and it raised a very sensitive topic, which should be a matter of debate.
Anurag Kashyap is my favourite and I went to the movie just because of him. But he actually disappointed me. Not because the flick wasn't good, but because I had lots of expectations from him. Still, Anurag kashyap's worst was better than the Karan Johar's best! It essayed the madness and love of the protagonist who is a big fan of Amitabh Bachchan and comes to the big city from Allahabad to deliver a piece of ' Murabba' .
Although each story looked simple, the plot and the characters were multilayered. Each story is open-ended and leaves a lot to think about after you leave cinema halls. It should be considered as a benchmark in the history of Indian cinema.
At the end, was a disgusting song trying to celebrate 100 years of Indian cinema. Well I guess it ended up being a sarcastic take on the STARDOM ( read it "StarDUMB") culture prevailing in Indian cinema.
Its a high time to realize that cinema is a reflection of the life of ordinary 'Homo Sapiens' and should not be used to glorify larger than life image of some aliens like RajniKant, Salman Khan, Shahrukh Khan et al.
All 4 stories are diverse, dealing with different socio-economic strata with the basic theme being the impact of cinema on a common man's life.
Away from all 'dishum-dishum' emotional atyachar, senseless stories, it tells us how cinema should ideally be.
Karan Johar's part was really stunning. It was undoubtedly and unbelievably, his best movie as a director, better than those emotional craps like K2H2 and K3G. It talked about sexual orientation, hypocrisy in society and turnmoil in relationships. The songs 'Lag ja Gale' and Ajeeb Dastaan hai ye' were used metaphorically and blended very beautifully with the story. Dialogues were witty and had many meanings.
Dibakar Banarjee's part was a true 'art cinema'. Full of sarcasm and metaphors and hence difficult to understand, it was genuinely the best of all the four flicks. Faizal Khan ( Nawazuddin) is a true genius. He plays the character of a man struggling to find a job who is a talented actor leading a mediocre life in a chawl, for whom a smile on his daughter's face matters more than his dreams and money. The EMU in a chawl sarcastically portrays the character of the protagonist and also Nawazuddin himself as he hasn't got his due still while he actually deserves much more.
Zoya Akhtar's part talked about childhood dreams and fantasies. The child-actor really left me spellbound. The story was very genuine and it raised a very sensitive topic, which should be a matter of debate.
Anurag Kashyap is my favourite and I went to the movie just because of him. But he actually disappointed me. Not because the flick wasn't good, but because I had lots of expectations from him. Still, Anurag kashyap's worst was better than the Karan Johar's best! It essayed the madness and love of the protagonist who is a big fan of Amitabh Bachchan and comes to the big city from Allahabad to deliver a piece of ' Murabba' .
Although each story looked simple, the plot and the characters were multilayered. Each story is open-ended and leaves a lot to think about after you leave cinema halls. It should be considered as a benchmark in the history of Indian cinema.
At the end, was a disgusting song trying to celebrate 100 years of Indian cinema. Well I guess it ended up being a sarcastic take on the STARDOM ( read it "StarDUMB") culture prevailing in Indian cinema.
Its a high time to realize that cinema is a reflection of the life of ordinary 'Homo Sapiens' and should not be used to glorify larger than life image of some aliens like RajniKant, Salman Khan, Shahrukh Khan et al.
- rahulchawla001
- May 2, 2013