Just plain impressive across the board – from the ideas in the story to the fact it was broadcast live, hard to fault
Long before watching this, I had seen the Hammer film version and had enjoyed it a great deal as I found it to be quite thoughtful and intelligent while also being creepy and a bit unnerving. Sitting to complete the DVD box-set by watching the third series over a few nights, I was surprised to find just how strong it was and how very well it has stood up to the effects of time. The main reason for this is the plotting and the delivery thereof. The story sees the gradual discovery of something in the earth below London – at first the missing link, then an unexploded bomb and then something much odder indeed. Within a few hours this story has taken us from a group of builders unearthing a skull, through to the brink of man's destruction – a journey that manages to be convincing, engaging and thrilling, even though it is a 1950's BBC TV drama driven mostly by people talking in front of a big plastic pipe sticking out of the ground. I don't mean to sound like a heretic in front of sci-fi fans, but this is sort of what this series is. But yet it works incredibly well.
The story builds excellently. The dialogue isn't clunky and actually draws you in with its precision and thoughtful discussions of what is going on – an approach that makes the dramatic moments all the more dramatic by virtue of contrast. What really drives it though are the ideas and it is here that I almost wish I had the ability to see it as someone watching on television when it was first broadcast. Thanks to the mainstream success of sci-fi horror films down the years and shows like X-files, the idea of an alien presence being on Earth before humans and shaping and guiding life is not shockingly new – nor does any religious group get particularly offended when a sci-fi suggests a plot of that nature, however this Quatermass and the Pit was made in the late 50's and it was a very different world then.
I particularly wonder how the effects went down because watching with my cynical "seen it all" eye from the comfort of 2012, I was still genuinely unnerved by the excellent sense of foreboding creeping across the film and a little scared by the images and events of the final few episodes (the wild hunt sticking in my mind the most). When older fans speak about their memories of hiding behind the sofa, I can believe it because this is pretty strong stuff in regards the ideas. OK, we don't see a lot of what we "know" is happening, but because the story, place and characters have all been build so well by dialogue and atmosphere, the viewer is bought into it and it is a small ask to do the work that the cameras cannot. That said I was still impressed by the effects – indeed so impressed that I yet again had to turn to Google just to confirm that this show was mostly broadcast live. The standard of acting and seamless transitions between scenes is impressive enough in this regard but the more dramatic action towards the end is all the more impressive for being done once in front of cameras.
The cast are very good throughout. It took me a minute to get used to yet another actor playing Quatermass (and playing him as a different type of character again) but within one episode I was loving Morell. He doesn't cling too much to the scientific professor and he allows his love of the unknown to show, thus allowing other emotions to come later on. Linder is not quite as good but still works – I think him having an American accent put me off a little but otherwise he was OK. Bushell is good with his one-note character but Finn impressed me the most. In Quatermass II we had a supporting actress who looked like she was in a finishing school parade, but here Finn really lets herself go and her terror and her reactions later are unnerving for just how real she makes they seem. Some very small roles are a bit wooden here, but otherwise everyone is very good – and again, remember this was all done live for the camera.
Quatermass and the Pit was hyped to me, fellow reviewer Theo Robertson would frequently comment on any sci-fi I said was good with "ah yes but you've not seen Quatermass and the Pit", so I did have it in my mind that I should expect something good. Although this preconception normally hurts the reality, here it did no such thing as even though I expected it to be good, I was still surprised by how good it was. A strong script delivers a story brimming with influential ideas and commentary in a technically impressive live delivery. I said I had planned to watch this series over a couple of nights? Never made it – too compulsive to stop, it was gone in one evening.
The story builds excellently. The dialogue isn't clunky and actually draws you in with its precision and thoughtful discussions of what is going on – an approach that makes the dramatic moments all the more dramatic by virtue of contrast. What really drives it though are the ideas and it is here that I almost wish I had the ability to see it as someone watching on television when it was first broadcast. Thanks to the mainstream success of sci-fi horror films down the years and shows like X-files, the idea of an alien presence being on Earth before humans and shaping and guiding life is not shockingly new – nor does any religious group get particularly offended when a sci-fi suggests a plot of that nature, however this Quatermass and the Pit was made in the late 50's and it was a very different world then.
I particularly wonder how the effects went down because watching with my cynical "seen it all" eye from the comfort of 2012, I was still genuinely unnerved by the excellent sense of foreboding creeping across the film and a little scared by the images and events of the final few episodes (the wild hunt sticking in my mind the most). When older fans speak about their memories of hiding behind the sofa, I can believe it because this is pretty strong stuff in regards the ideas. OK, we don't see a lot of what we "know" is happening, but because the story, place and characters have all been build so well by dialogue and atmosphere, the viewer is bought into it and it is a small ask to do the work that the cameras cannot. That said I was still impressed by the effects – indeed so impressed that I yet again had to turn to Google just to confirm that this show was mostly broadcast live. The standard of acting and seamless transitions between scenes is impressive enough in this regard but the more dramatic action towards the end is all the more impressive for being done once in front of cameras.
The cast are very good throughout. It took me a minute to get used to yet another actor playing Quatermass (and playing him as a different type of character again) but within one episode I was loving Morell. He doesn't cling too much to the scientific professor and he allows his love of the unknown to show, thus allowing other emotions to come later on. Linder is not quite as good but still works – I think him having an American accent put me off a little but otherwise he was OK. Bushell is good with his one-note character but Finn impressed me the most. In Quatermass II we had a supporting actress who looked like she was in a finishing school parade, but here Finn really lets herself go and her terror and her reactions later are unnerving for just how real she makes they seem. Some very small roles are a bit wooden here, but otherwise everyone is very good – and again, remember this was all done live for the camera.
Quatermass and the Pit was hyped to me, fellow reviewer Theo Robertson would frequently comment on any sci-fi I said was good with "ah yes but you've not seen Quatermass and the Pit", so I did have it in my mind that I should expect something good. Although this preconception normally hurts the reality, here it did no such thing as even though I expected it to be good, I was still surprised by how good it was. A strong script delivers a story brimming with influential ideas and commentary in a technically impressive live delivery. I said I had planned to watch this series over a couple of nights? Never made it – too compulsive to stop, it was gone in one evening.
- bob the moo
- Apr 27, 2012