Review by lzf0

Zasu Pitts and Thelma Todd work with a fairly new director on the Roach lot, Gus Meins. Where directors like James Horne, James Parrott, Lloyd French, and George Marshall were most interested in gags, Meins wanted to present a well defined, motivated story. He does use sight gags, but they are built into the story. Meins' style is certainly a contrast to the other directors on the Roach lot. It can really be seen in his Our Gang and Thelma Todd-Patsy Kelly entries. I only wish he had used the stock LeRoy Shield background music more often. He only chooses to use it in a handful of shorts.

In this depression era piece, Thelma and Zasu are late in paying their rent and haven't much to eat. However, their neighbor is about to be evicted from her room if she cannot pay $20. Softhearted Thelma and Zasu become dance hall girls to help her. Anita Garvin is hysterical as a veteran taxi dancer. Also funny are the attempts to make Zasu more appealing. Of course, Thelma is naturally appealing. Billy Gilbert is funny as always as the dance hall manager. But why did he need the accent? The closing gag could have gone in many directions. All I will say is that Meins chose a very good one. It tops off a charming short.