Review by Coventry

"All American Murder" is a fairly pleasant diversion in case you're looking for a light-headed horror/thriller and keep your expectations to an absolute minimum. I honestly don't see the point of harshly criticizing this modest little straight-to-video flick, since the makers themselves clearly never intended to deliver a groundbreaking masterpiece. The film has a good pacing, fresh faces, a couple of inventive murder sequences and – most importantly – another straight- faced performance from the tremendously awesome Christopher Walken who's still way cooler than any other major actor even if the script is inferior. Also, with a little bit of goodwill and imagination, you could state that "All American Murder" is some sort of tribute to the Italian Giallo of the late 60's and 70's. Most of the Giallo-essentials are well represented: luscious babes in peril, red herrings and far-fetched plot twists, sleazy supportive characters, black gloves and a grotesque denouement. Thanks to daddy's influence, the rebellious teenager Artie Logan is accepted at the respectable Fairfield campus for his absolute last chance at a proper education. He meets the impeccably perfect all- American girl Tally and really intends to make an effort, but then the poor girl is brutally killed when someone sets her entire body on fire. Due to his past and questionable reputation, Artie naturally becomes prime suspect #1, but the witty and seasoned police detective PJ Decker somewhat believes in his innocence and gives him 24 hours to prove it. During his search for the real culprit, Artie quickly discovers that behind Fairfield's prestigious reputation lies a network of perversion, blackmail and corruption. The first half hour of "All American Murder" can only be described as … very, very WRONG! Wrong 90's music, wrong teenage & adult stereotypes (the dominant father and his rebel son? Please!), wrong depiction of college differentiation and extremely wrong attempts at dry humor (Walken's hostage negotiation). The film gets better and even fairly compelling after that, with various murders and interesting enough plot twists. Some of the initial defaults remain throughout the movie, however. For some reason all characters, including the insignificant supportive ones, also insist on narrating jokes and anecdotes that are completely irrelevant to the plot. The acts of violence and sex also remain too brief and decent, but that's probably linked to the fact this is a low-budgeted video production. And Walken is too cool, period!